Deeply Superficial

In place of the entanglement of person and work that so strongly marks the artistic work of Andy Warhol, and settles it in the usual Pop Art context, Mèlanie-Chantal Deiss locates it within the cultural context of America's post-war period. Viewed from this perspective, Warhol's work - which tends t...

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1. Verfasser: Deiss, Mélanie-Chantal
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Sprache:Deutsch
Veröffentlicht: transcript Verlag 2021
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author Deiss, Mélanie-Chantal
author_browse Deiss, Mélanie-Chantal
author_facet Deiss, Mélanie-Chantal
author_sort Deiss, Mélanie-Chantal
collection Directory of Open Access Books
description In place of the entanglement of person and work that so strongly marks the artistic work of Andy Warhol, and settles it in the usual Pop Art context, Mèlanie-Chantal Deiss locates it within the cultural context of America's post-war period. Viewed from this perspective, Warhol's work - which tends to be classified as superficial and ahistorical – exhibits unexpectedly serious engagements with concerns of the 1950s and 1960s. Throughout his image series, expressive, somewhat ambivalent narrative strands from America's post-war period unfurl, which transmit a concrete image, as a kind of written historical document. Warhol's visualized narration ultimately culminates in a cultural critique, which treats America not just as a stage of images, but also as site of contemplation of a cultural imaginary, in which art can critically and productively intervene.
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spelling doab-20.500.12854ir-339102025-01-23T21:33:48Z Deeply Superficial Deiss, Mélanie-Chantal amerika america american art post-war american studies fine arts amerikanische kunst kunst cultural history pop art visual studies bildwissenschaft nachkriegszeit andy warhol amerikanistik art kunstwissenschaft kulturgeschichte Andy Warhol Nachkriegszeit in Deutschland thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art In place of the entanglement of person and work that so strongly marks the artistic work of Andy Warhol, and settles it in the usual Pop Art context, Mèlanie-Chantal Deiss locates it within the cultural context of America's post-war period. Viewed from this perspective, Warhol's work - which tends to be classified as superficial and ahistorical – exhibits unexpectedly serious engagements with concerns of the 1950s and 1960s. Throughout his image series, expressive, somewhat ambivalent narrative strands from America's post-war period unfurl, which transmit a concrete image, as a kind of written historical document. Warhol's visualized narration ultimately culminates in a cultural critique, which treats America not just as a stage of images, but also as site of contemplation of a cultural imaginary, in which art can critically and productively intervene. Anstatt die Verschränkung von Person und Werk, welche konsequent die künstlerische Arbeit von Andy Warhol prägt, im gängigen Kontext der Pop Art anzusiedeln, verortet Mélanie-Chantal Deiss sie im kulturellen Zusammenhang der Nachkriegszeit in Amerika. In Warhols Werk, das tendenziell als oberflächlich und ahistorisch eingestuft wird, zeichnen sich in dieser Perspektive unerwartet ernste Anliegen der 1950er und 1960er ab. Entlang von Warhols Bild-Serien entfalten sich aussagekräftige, teils ambivalente Erzählstränge zur Nachkriegszeit Amerikas, die ein konkreteres Bild als schriftliche Zeitdokumente vermitteln. Warhols visualisierte Narration kulminiert schließlich in einer Kulturkritik, die Amerika nicht nur als Schauplatz der Bilder behandelt, sondern auch als Ort des Nachdenkens, des kulturellen Imaginären, an welchem die Kunst kritisch produktiv interveniert. 2021-02-10T12:58:18Z 2017-03-02 23:55 2019-11-11 17:24:37 2020-04-01T13:50:34Z 2015 book 624901 OCN: 979837475 http://library.oapen.org/handle/20.500.12657/31825 9783837631722 https://directory.doabooks.org/handle/20.500.12854/33910 ger Image open access image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg n/a n/a n/a n/a n/a https://library.oapen.org/bitstream/20.500.12657/31825/1/624901.pdf https://library.oapen.org/bitstream/20.500.12657/31825/1/624901.pdf https://library.oapen.org/bitstream/20.500.12657/31825/1/624901.pdf https://library.oapen.org/bitstream/20.500.12657/31825/1/624901.pdf https://library.oapen.org/bitstream/20.500.12657/31825/1/624901.pdf transcript Verlag 10.14361/9783839431726 10.14361/9783839431726 7e97f9b9-be2b-4d9c-a928-3c8ebdfa443c Schweizerischer Nationalfonds zur Förderung der Wissenschaftlichen Forschung 9783837631722 Swiss National Science Foundation (SNF) 332 Bielefeld open access
spellingShingle amerika
america
american art
post-war
american studies
fine arts
amerikanische kunst
kunst
cultural history
pop art
visual studies
bildwissenschaft
nachkriegszeit
andy warhol
amerikanistik
art
kunstwissenschaft
kulturgeschichte
Andy Warhol
Nachkriegszeit in Deutschland
thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
Deiss, Mélanie-Chantal
Deeply Superficial
title Deeply Superficial
title_full Deeply Superficial
title_fullStr Deeply Superficial
title_full_unstemmed Deeply Superficial
title_short Deeply Superficial
title_sort deeply superficial
topic amerika
america
american art
post-war
american studies
fine arts
amerikanische kunst
kunst
cultural history
pop art
visual studies
bildwissenschaft
nachkriegszeit
andy warhol
amerikanistik
art
kunstwissenschaft
kulturgeschichte
Andy Warhol
Nachkriegszeit in Deutschland
thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
topic_facet amerika
america
american art
post-war
american studies
fine arts
amerikanische kunst
kunst
cultural history
pop art
visual studies
bildwissenschaft
nachkriegszeit
andy warhol
amerikanistik
art
kunstwissenschaft
kulturgeschichte
Andy Warhol
Nachkriegszeit in Deutschland
thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
url 624901
work_keys_str_mv AT deissmelaniechantal deeplysuperficial