The Funambulist Pamphlets 11: Cinema
The Funambulist Pamphlets is a series of small books archiving articles published on The Funambulist, collected according to specific themes. These volumes propose a different articulation of texts than the usual chronological one. The eleven volumes are respectively dedicated to Spinoza, Foucault,...
Guardado en:
| Formato: | Online |
|---|---|
| Lenguaje: | inglés |
| Publicado: |
punctum books
2021
|
| Materias: | |
| Acceso en línea: | 1004569 |
| Etiquetas: |
Sin Etiquetas, Sea el primero en etiquetar este registro!
|
| _version_ | 1869522955640242176 |
|---|---|
| collection | Directory of Open Access Books |
| description | The Funambulist Pamphlets is a series of small books archiving articles published on The Funambulist, collected according to specific themes. These volumes propose a different articulation of texts than the usual chronological one. The eleven volumes are respectively dedicated to Spinoza, Foucault, Deleuze, Legal Theory, Occupy Wall Street, Palestine, Cruel Designs, Arakawa + Madeline Gins, Science Fiction, Literature, and Cinema. Volume 11 is devoted to the topic of Cinema: Spike Lee, Béla Tarr, Michelangelo Antonioni and the many other filmmakers named in this volume do not seem to have much in common at first sight; nevertheless, considered through the interpretation of a Spinozist materialist philosophy, their films might have something to say to one another. Take the mud of Red Desert (Antonioni), the volcanic slopes of The Bad Sleep Well (Kurosawa) and the soil of Pina Bausch’s Rite of Spring magnified in Pina (Wenders), for example. What these material manifestations have in common is that they are all in relation with bodies, themselves assemblages of moving matter. Similarly, consider Spike Lee’s dolly shot, Orson Welles’s labyrinth, Béla Tarr’s entropy, and Peter Watkins’s democratic improvisations: they all manifest the power of immanence and its inexorability. These films involve no deus ex machina; everything in them comes ‘from the ground’ in a continuous refusal of a celestial or other form of transcendence. Developing this kind of reading of these films allows us to avoid a traditional chronological reading of history of cinema in favor of another, one more dedicated to the philosophical vision of the world that cinema triggers |
| format | Online |
| id | doab-20.500.12854ir-33985 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2021 |
| publishDateRange | 2021 |
| publishDateSort | 2021 |
| publisher | punctum books |
| publisherStr | punctum books |
| record_format | ojs |
| spelling | doab-20.500.12854ir-339852025-01-23T23:54:03Z The Funambulist Pamphlets 11: Cinema Lambert, Léopold architecture cinema design cultural studies thema EDItEUR::A The Arts::AM Architecture::AMA Theory of architecture The Funambulist Pamphlets is a series of small books archiving articles published on The Funambulist, collected according to specific themes. These volumes propose a different articulation of texts than the usual chronological one. The eleven volumes are respectively dedicated to Spinoza, Foucault, Deleuze, Legal Theory, Occupy Wall Street, Palestine, Cruel Designs, Arakawa + Madeline Gins, Science Fiction, Literature, and Cinema. Volume 11 is devoted to the topic of Cinema: Spike Lee, Béla Tarr, Michelangelo Antonioni and the many other filmmakers named in this volume do not seem to have much in common at first sight; nevertheless, considered through the interpretation of a Spinozist materialist philosophy, their films might have something to say to one another. Take the mud of Red Desert (Antonioni), the volcanic slopes of The Bad Sleep Well (Kurosawa) and the soil of Pina Bausch’s Rite of Spring magnified in Pina (Wenders), for example. What these material manifestations have in common is that they are all in relation with bodies, themselves assemblages of moving matter. Similarly, consider Spike Lee’s dolly shot, Orson Welles’s labyrinth, Béla Tarr’s entropy, and Peter Watkins’s democratic improvisations: they all manifest the power of immanence and its inexorability. These films involve no deus ex machina; everything in them comes ‘from the ground’ in a continuous refusal of a celestial or other form of transcendence. Developing this kind of reading of these films allows us to avoid a traditional chronological reading of history of cinema in favor of another, one more dedicated to the philosophical vision of the world that cinema triggers 2021-02-10T12:58:18Z 2019-03-26 23:55 2020-01-23 14:09:07 2020-04-01T10:42:25Z 2015 book 1004569 OCN: 1100491077 http://library.oapen.org/handle/20.500.12657/25526 9780692390269 https://directory.doabooks.org/handle/20.500.12854/33985 eng open access image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg n/a n/a n/a n/a n/a https://library.oapen.org/bitstream/20.500.12657/25526/1/1004569.pdf https://library.oapen.org/bitstream/20.500.12657/25526/1/1004569.pdf https://library.oapen.org/bitstream/20.500.12657/25526/1/1004569.pdf https://library.oapen.org/bitstream/20.500.12657/25526/1/1004569.pdf https://library.oapen.org/bitstream/20.500.12657/25526/1/1004569.pdf punctum books 10.21983/P3.0095.1.00 10.21983/P3.0095.1.00 12970da4-0116-4486-b8be-fc9756703ab1 9780692390269 ScholarLed 110 Brooklyn, NY open access |
| spellingShingle | architecture cinema design cultural studies thema EDItEUR::A The Arts::AM Architecture::AMA Theory of architecture The Funambulist Pamphlets 11: Cinema |
| title | The Funambulist Pamphlets 11: Cinema |
| title_full | The Funambulist Pamphlets 11: Cinema |
| title_fullStr | The Funambulist Pamphlets 11: Cinema |
| title_full_unstemmed | The Funambulist Pamphlets 11: Cinema |
| title_short | The Funambulist Pamphlets 11: Cinema |
| title_sort | funambulist pamphlets 11 cinema |
| topic | architecture cinema design cultural studies thema EDItEUR::A The Arts::AM Architecture::AMA Theory of architecture |
| topic_facet | architecture cinema design cultural studies thema EDItEUR::A The Arts::AM Architecture::AMA Theory of architecture |
| url | 1004569 |