Transfigurations

In many senses, viewers have cut their teeth on the violence in American cinema: from Anthony Perkins slashing Janet Leigh in the most infamous of shower scenes; to the 1970s masterpieces of Martin Scorsese, Sam Peckinpah and Francis Ford Coppola; to our present-day undertakings in imagining global...

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Kaituhi matua: Grønstad, Asbjørn
Hōputu: Online
Reo:Ingarihi
I whakaputaina: Amsterdam University Press 2021
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Urunga tuihono:340041
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author Grønstad, Asbjørn
author_browse Grønstad, Asbjørn
author_facet Grønstad, Asbjørn
author_sort Grønstad, Asbjørn
collection Directory of Open Access Books
description In many senses, viewers have cut their teeth on the violence in American cinema: from Anthony Perkins slashing Janet Leigh in the most infamous of shower scenes; to the 1970s masterpieces of Martin Scorsese, Sam Peckinpah and Francis Ford Coppola; to our present-day undertakings in imagining global annihilations through terrorism, war, and alien grudges. Transfigurations brings our cultural obsession with film violence into a renewed dialogue with contemporary theory. Grønstad argues that the use of violence in Hollywood films should be understood semiotically rather than viewed realistically; Tranfigurations thus alters both our methodology of reading violence in films and the meanings we assign to them, depicting violence not as a self-contained incident, but as a convoluted network of our own cultural ideologies and beliefs.
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spelling doab-20.500.12854ir-342982025-01-24T08:30:08Z Transfigurations Grønstad, Asbjørn women: historical, geographic, persons treatment culture and instituten culture and institutions motion pictures vrouwenstudies film thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema thema EDItEUR::A The Arts::AT Performing arts::ATJ Television thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism thema EDItEUR::J Society and Social Sciences::JB Society and culture: general In many senses, viewers have cut their teeth on the violence in American cinema: from Anthony Perkins slashing Janet Leigh in the most infamous of shower scenes; to the 1970s masterpieces of Martin Scorsese, Sam Peckinpah and Francis Ford Coppola; to our present-day undertakings in imagining global annihilations through terrorism, war, and alien grudges. Transfigurations brings our cultural obsession with film violence into a renewed dialogue with contemporary theory. Grønstad argues that the use of violence in Hollywood films should be understood semiotically rather than viewed realistically; Tranfigurations thus alters both our methodology of reading violence in films and the meanings we assign to them, depicting violence not as a self-contained incident, but as a convoluted network of our own cultural ideologies and beliefs. Bij veel mensen en vooral filmliefhebbers is het geweld in Amerikaanse cinema er met de paplepel ingegoten: van Anthony Perkins die Janet Leigh aan stukken rijt in een van de meest beruchte douchescenes, via de meesterwerken uit de jaren zeventig van Martin Scorsese, Sam Peckinpah en Francis Ford Coppola, tot de hedendaagse verbeeldingen van de algehele vernietiging van de wereld door terrorisme, oorlog of wraakzuchtige aliens. Transfigurations geeft een geheel nieuwe kijk op de manier waarop wij omgaan met fictieve vormen van geweld. Asbjørn Grønstad stelt in zijn studie orthodoxe opvattingen en hedendaagse paradigma's over onderzoek naar filmgeweld op de proef. Het verandert onze kijk op de methodiek waarmee we geweld in films analyseren en de betekenis ervan; niet als een opzichzelfstaand iets, maar als een gevolg van onze eigen ideeën over culturele ideologieën en overtuigingen. 2021-02-10T12:58:18Z 2010-12-31 23:55:55 2019-12-10 14:46:32 2020-04-01T15:38:00Z 2008 book 340041 OCN: 503446407 http://library.oapen.org/handle/20.500.12657/35288 9789089640109 https://directory.doabooks.org/handle/20.500.12854/34298 eng Film Culture in Transition open access image/jpeg image/jpeg image/jpeg image/jpeg n/a n/a n/a n/a https://library.oapen.org/bitstream/20.500.12657/35288/1/340041.pdf https://library.oapen.org/bitstream/20.500.12657/35288/1/340041.pdf https://library.oapen.org/bitstream/20.500.12657/35288/1/340041.pdf https://library.oapen.org/bitstream/20.500.12657/35288/1/340041.pdf Amsterdam University Press 10.5117/9789089640109 10.5117/9789089640109 de2ecbe7-1037-4e96-8c3a-5a842d921e04 9789089640109 288 open access
spellingShingle women: historical, geographic, persons treatment
culture and instituten
culture and institutions
motion pictures
vrouwenstudies
film
thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema
thema EDItEUR::A The Arts::AT Performing arts::ATJ Television
thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
thema EDItEUR::J Society and Social Sciences::JB Society and culture: general
Grønstad, Asbjørn
Transfigurations
title Transfigurations
title_full Transfigurations
title_fullStr Transfigurations
title_full_unstemmed Transfigurations
title_short Transfigurations
title_sort transfigurations
topic women: historical, geographic, persons treatment
culture and instituten
culture and institutions
motion pictures
vrouwenstudies
film
thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema
thema EDItEUR::A The Arts::AT Performing arts::ATJ Television
thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
thema EDItEUR::J Society and Social Sciences::JB Society and culture: general
topic_facet women: historical, geographic, persons treatment
culture and instituten
culture and institutions
motion pictures
vrouwenstudies
film
thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema
thema EDItEUR::A The Arts::AT Performing arts::ATJ Television
thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
thema EDItEUR::J Society and Social Sciences::JB Society and culture: general
url 340041
work_keys_str_mv AT grønstadasbjørn transfigurations