Seeing Renaissance Glass

With the invention of eyeglasses around 1280 near Pisa, the mundane medium of glass transformed early modern optical technology and visuality. It also significantly influenced contemporaneous art, religion, and science. References to glass are found throughout the Bible and in medieval hagiography a...

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Glavni avtor: Dillon, Sarah
Format: Online
Jezik:angleščina
Izdano: Peter Lang International Academic Publishers 2021
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Online dostop:OCN: 1085891337
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author Dillon, Sarah
author_browse Dillon, Sarah
author_facet Dillon, Sarah
author_sort Dillon, Sarah
collection Directory of Open Access Books
description With the invention of eyeglasses around 1280 near Pisa, the mundane medium of glass transformed early modern optical technology and visuality. It also significantly influenced contemporaneous art, religion, and science. References to glass are found throughout the Bible and in medieval hagiography and poetry. For instance, glass is mentioned in descriptions of Heavenly Jerusalem, the Beatific Vision, and the Incarnation. At the same time, a well-known Islamic scientific treatise, which likened a portion of the eye’s anatomy to glass, entered the scientific circles of the Latin West. Amidst this complex web of glass-related phenomena early modern Italian artists used glass in some of their most important artworks but, until now, no study has offered a comprehensive consideration of the important role glass played in shaping the art of the Italian Renaissance. Seeing Renaissance Glass explores how artists such as Giotto, Duccio, Nicola Pisano, Simone Martini, and others employed the medium of glass—whether it be depictions of glass or actual glass in the form of stained glass, gilded glass, and transparent glass—to resonate with the period’s complex visuality and achieve their artistic goals. Such an interdisciplinary approach to the visual culture of early modern Italy is particularly well-suited to an introductory humanities course as well as classes on media studies and late medieval and early Renaissance art history. It is also ideal for a general reader interested in art history or issues of materiality.
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spelling doab-20.500.12854ir-343662025-07-31T03:13:27Z Seeing Renaissance Glass Dillon, Sarah Art Color Theory thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles With the invention of eyeglasses around 1280 near Pisa, the mundane medium of glass transformed early modern optical technology and visuality. It also significantly influenced contemporaneous art, religion, and science. References to glass are found throughout the Bible and in medieval hagiography and poetry. For instance, glass is mentioned in descriptions of Heavenly Jerusalem, the Beatific Vision, and the Incarnation. At the same time, a well-known Islamic scientific treatise, which likened a portion of the eye’s anatomy to glass, entered the scientific circles of the Latin West. Amidst this complex web of glass-related phenomena early modern Italian artists used glass in some of their most important artworks but, until now, no study has offered a comprehensive consideration of the important role glass played in shaping the art of the Italian Renaissance. Seeing Renaissance Glass explores how artists such as Giotto, Duccio, Nicola Pisano, Simone Martini, and others employed the medium of glass—whether it be depictions of glass or actual glass in the form of stained glass, gilded glass, and transparent glass—to resonate with the period’s complex visuality and achieve their artistic goals. Such an interdisciplinary approach to the visual culture of early modern Italy is particularly well-suited to an introductory humanities course as well as classes on media studies and late medieval and early Renaissance art history. It is also ideal for a general reader interested in art history or issues of materiality. 2021-02-10T14:16:35Z 2021-02-10T14:16:35Z 2020-12-15T14:11:56Z 2018 book OCN: 1085891337 https://library.oapen.org/handle/20.500.12657/43955 9781433148354 https://directory.doabooks.org/handle/20.500.12854/34366 eng open access image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg n/a n/a n/a n/a n/a n/a https://library.oapen.org/bitstream/20.500.12657/43955/1/external_content.pdf https://library.oapen.org/bitstream/20.500.12657/43955/1/external_content.pdf https://library.oapen.org/bitstream/20.500.12657/43955/1/external_content.pdf https://library.oapen.org/bitstream/20.500.12657/43955/1/external_content.pdf https://library.oapen.org/bitstream/20.500.12657/43955/1/external_content.pdf https://library.oapen.org/bitstream/20.500.12657/43955/1/external_content.pdf Peter Lang International Academic Publishers Peter Lang 10.3726/b14280 10.3726/b14280 44a712f0-ee17-4c08-a667-46effed595e7 Knowledge Unlatched 9781433148354 Knowledge Unlatched (KU) KU Select 2019: HSS Backlist Books Peter Lang open access
spellingShingle Art
Color Theory
thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
Dillon, Sarah
Seeing Renaissance Glass
title Seeing Renaissance Glass
title_full Seeing Renaissance Glass
title_fullStr Seeing Renaissance Glass
title_full_unstemmed Seeing Renaissance Glass
title_short Seeing Renaissance Glass
title_sort seeing renaissance glass
topic Art
Color Theory
thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
topic_facet Art
Color Theory
thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGZ The Arts: techniques and principles
url OCN: 1085891337
work_keys_str_mv AT dillonsarah seeingrenaissanceglass