The conservation of panel paintings and related objects
Until the early 17th century almost all portable paintings were created on wood supports, including masterpieces by famous painters, ranging from Giotto to Dürer to Rembrandt. The structural conservation of these paintings requires specific knowledge and skills as the supports are susceptible to...
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| Principais autores: | , , , , , |
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| Formato: | Online |
| Idioma: | inglês |
| Publicado em: |
NWO, Netherlands Organisation for Scientific Research
2021
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| Assuntos: | |
| Acesso em linha: | OCN: 1253408460 |
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| _version_ | 1869522475587469312 |
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| author | van Grevenstein, Anne New, Britta Young, Christina Seymour, Kate Groves, Roger Horie, Velson |
| author_browse | Groves, Roger Horie, Velson New, Britta Seymour, Kate Young, Christina van Grevenstein, Anne |
| author_facet | van Grevenstein, Anne New, Britta Young, Christina Seymour, Kate Groves, Roger Horie, Velson |
| author_sort | van Grevenstein, Anne |
| collection | Directory of Open Access Books |
| description | Until the early 17th century almost all portable paintings were created on wood
supports, including masterpieces by famous painters, ranging from Giotto to Dürer
to Rembrandt. The structural conservation of these paintings requires specific
knowledge and skills as the supports are susceptible to damage caused by unstable
environmental conditions.
Unfortunately, past structural interventions often caused significant damage due
to insufficient knowledge of the behaviour of the wood panels, glue and paint
layers. Over the last fifty years, the field has developed treatment strategies based
on interdisciplinary collaboration and on the knowledge of specialist conservators.
Most current conservation protocols rely on empirical knowledge of conservators
and are not necessarily based on a scientific understanding of the nature and
behaviour of wood and paint layers.
In order to move the field forward, it is imperative to strengthen scientific research
into the production methods, ageing and future behaviour of panel paintings,
being an intricate interplay between different materials. A deeper understanding of
the processes that adversely affect panel paintings over time will contribute to the
improved care and conservation of these artworks.
The Netherlands Organisation for Scientific Research (NWO) and the Rijksmuseum
Amsterdam brought together a group of experts from different disciplines to
recommend specific areas in the field that would benefit from systematic research.
The experts concluded that targeted interdisciplinary research projects are key to
understanding the behaviour of panel paintings and help conservators make better
informed decisions. Research into chemical and physical properties of wood, glue
and paint layers should be combined with an evaluation of past and current
conservation treatments. Research should also consider the history of the object,
studio practice, conservation history and thoughts on long-term impact of
treatments. |
| format | Online |
| id | doab-20.500.12854ir-34527 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2021 |
| publishDateRange | 2021 |
| publishDateSort | 2021 |
| publisher | NWO, Netherlands Organisation for Scientific Research |
| publisherStr | NWO, Netherlands Organisation for Scientific Research |
| record_format | ojs |
| spelling | doab-20.500.12854ir-345272025-03-11T23:48:44Z The conservation of panel paintings and related objects van Grevenstein, Anne New, Britta Young, Christina Seymour, Kate Groves, Roger Horie, Velson Kos, Nico van Duin, Paul paintings panel paintings conservation wood thema EDItEUR::A The Arts Until the early 17th century almost all portable paintings were created on wood supports, including masterpieces by famous painters, ranging from Giotto to Dürer to Rembrandt. The structural conservation of these paintings requires specific knowledge and skills as the supports are susceptible to damage caused by unstable environmental conditions. Unfortunately, past structural interventions often caused significant damage due to insufficient knowledge of the behaviour of the wood panels, glue and paint layers. Over the last fifty years, the field has developed treatment strategies based on interdisciplinary collaboration and on the knowledge of specialist conservators. Most current conservation protocols rely on empirical knowledge of conservators and are not necessarily based on a scientific understanding of the nature and behaviour of wood and paint layers. In order to move the field forward, it is imperative to strengthen scientific research into the production methods, ageing and future behaviour of panel paintings, being an intricate interplay between different materials. A deeper understanding of the processes that adversely affect panel paintings over time will contribute to the improved care and conservation of these artworks. The Netherlands Organisation for Scientific Research (NWO) and the Rijksmuseum Amsterdam brought together a group of experts from different disciplines to recommend specific areas in the field that would benefit from systematic research. The experts concluded that targeted interdisciplinary research projects are key to understanding the behaviour of panel paintings and help conservators make better informed decisions. Research into chemical and physical properties of wood, glue and paint layers should be combined with an evaluation of past and current conservation treatments. Research should also consider the history of the object, studio practice, conservation history and thoughts on long-term impact of treatments. 2021-02-10T14:18:02Z 2021-02-10T14:18:02Z 2020-06-09T10:43:53Z 2014 book OCN: 1253408460 http://library.oapen.org/handle/20.500.12657/39483 https://directory.doabooks.org/handle/20.500.12854/34527 eng open access image/jpeg image/jpeg image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International https://library.oapen.org/bitstream/20.500.12657/39483/1/The%2bconservation%2bof%2bpanel%2bpaintings%2band%2brelated%2bobjects%2bversie%2b2014.11.14.pdf https://library.oapen.org/bitstream/20.500.12657/39483/1/The%2bconservation%2bof%2bpanel%2bpaintings%2band%2brelated%2bobjects%2bversie%2b2014.11.14.pdf https://library.oapen.org/bitstream/20.500.12657/39483/1/The%2bconservation%2bof%2bpanel%2bpaintings%2band%2brelated%2bobjects%2bversie%2b2014.11.14.pdf NWO, Netherlands Organisation for Scientific Research c105dea3-c416-4ba4-aa9a-b17c31fab15f Nederlandse Organisatie voor Wetenschappelijk Onderzoek da087c60-8432-4f58-b2dd-747fc1a60025 Dutch Research Council (NWO) 226 The Hague Science4Arts open access |
| spellingShingle | paintings panel paintings conservation wood thema EDItEUR::A The Arts van Grevenstein, Anne New, Britta Young, Christina Seymour, Kate Groves, Roger Horie, Velson The conservation of panel paintings and related objects |
| title | The conservation of panel paintings and related objects |
| title_full | The conservation of panel paintings and related objects |
| title_fullStr | The conservation of panel paintings and related objects |
| title_full_unstemmed | The conservation of panel paintings and related objects |
| title_short | The conservation of panel paintings and related objects |
| title_sort | conservation of panel paintings and related objects |
| topic | paintings panel paintings conservation wood thema EDItEUR::A The Arts |
| topic_facet | paintings panel paintings conservation wood thema EDItEUR::A The Arts |
| url | OCN: 1253408460 |
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