Noise in and as music
One hundred years after Luigi Russolo’s “The Art of Noises,” this book exposes a cross-section of the current motivations, activities, thoughts, and reflections of composers, performers, and artists who work with noise in all of its many forms. The book’s focus is the practice of noise and its relat...
Պահպանված է:
| Ձևաչափ: | Online |
|---|---|
| Լեզու: | անգլերեն |
| Հրապարակվել է: |
University of Huddersfield Press
2021
|
| Խորագրեր: | |
| Առցանց հասանելիություն: | 622950 |
| Ցուցիչներ: |
Չկան պիտակներ, Եղեք առաջինը, ով նշում է այս գրառումը!
|
| _version_ | 1869520305153638400 |
|---|---|
| collection | Directory of Open Access Books |
| description | One hundred years after Luigi Russolo’s “The Art of Noises,” this book exposes a cross-section of the current motivations, activities, thoughts, and reflections of composers, performers, and artists who work with noise in all of its many forms. The book’s focus is the practice of noise and its relationship to music, and in particular the role of noise as musical material—as form, as sound, as notation or interface, as a medium for listening, as provocation, as data. Its contributors are first and foremost practitioners, which inevitably turns attention toward how and why noise is made and its potential role in listening and perceiving. Contributors include Peter Ablinger, Sebastian Berweck, Aaron Cassidy, Marko Ciciliani, Nick Collins, Aaron Einbond, Matthias Haenisch, Alec Hall, Martin Iddon, Bryan Jacobs, Phil Julian, Michael Maierhof, Joan Arnau Pàmies, and James Whitehead (JLIAT).
The book also features a collection of short responses to a two-question “interview”—“what is noise (music) to you?” and “why do you make it?”—by some of the leading musicians working with noise today. Their work spans a wide range of artistic practice, including instrumental, vocal, and electronic music; improvisation; notated composition; theater; sound installation; DIY; and software development. Interview subjects include Eryck Abecassis, Franck Bedrossian, Antoine Chessex, Ryan Jordan, Alice Kemp (Germseed), George Lewis, Lasse Marhaug, Maja Solveig Kjelstrup Ratkje, Diemo Schwarz, Ben Thigpen, Kasper Toeplitz, and Pierre Alexandre Tremblay. |
| format | Online |
| id | doab-20.500.12854ir-35011 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2021 |
| publishDateRange | 2021 |
| publishDateSort | 2021 |
| publisher | University of Huddersfield Press |
| publisherStr | University of Huddersfield Press |
| record_format | ojs |
| spelling | doab-20.500.12854ir-350112025-01-25T14:31:47Z Noise in and as music Cassidy, Aaron Einbond, Aaron music Noise music Piano thema EDItEUR::A The Arts::AV Music One hundred years after Luigi Russolo’s “The Art of Noises,” this book exposes a cross-section of the current motivations, activities, thoughts, and reflections of composers, performers, and artists who work with noise in all of its many forms. The book’s focus is the practice of noise and its relationship to music, and in particular the role of noise as musical material—as form, as sound, as notation or interface, as a medium for listening, as provocation, as data. Its contributors are first and foremost practitioners, which inevitably turns attention toward how and why noise is made and its potential role in listening and perceiving. Contributors include Peter Ablinger, Sebastian Berweck, Aaron Cassidy, Marko Ciciliani, Nick Collins, Aaron Einbond, Matthias Haenisch, Alec Hall, Martin Iddon, Bryan Jacobs, Phil Julian, Michael Maierhof, Joan Arnau Pàmies, and James Whitehead (JLIAT). The book also features a collection of short responses to a two-question “interview”—“what is noise (music) to you?” and “why do you make it?”—by some of the leading musicians working with noise today. Their work spans a wide range of artistic practice, including instrumental, vocal, and electronic music; improvisation; notated composition; theater; sound installation; DIY; and software development. Interview subjects include Eryck Abecassis, Franck Bedrossian, Antoine Chessex, Ryan Jordan, Alice Kemp (Germseed), George Lewis, Lasse Marhaug, Maja Solveig Kjelstrup Ratkje, Diemo Schwarz, Ben Thigpen, Kasper Toeplitz, and Pierre Alexandre Tremblay. Published 2021-02-10T12:58:18Z 2017-01-29 00:00:00 2020-04-01T13:52:42Z 2013 book 622950 OCN: 945782718 http://library.oapen.org/handle/20.500.12657/31898 9781862181182 https://directory.doabooks.org/handle/20.500.12854/35011 eng open access image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg n/a n/a n/a n/a n/a https://library.oapen.org/bitstream/20.500.12657/31898/1/622950.pdf https://library.oapen.org/bitstream/20.500.12657/31898/1/622950.pdf https://library.oapen.org/bitstream/20.500.12657/31898/1/622950.pdf https://library.oapen.org/bitstream/20.500.12657/31898/1/622950.pdf https://library.oapen.org/bitstream/20.500.12657/31898/1/622950.pdf University of Huddersfield Press 10.5920/noise.2013 10.5920/noise.2013 784263b1-8ed7-4d2d-bc9e-a497721833b9 9781862181182 238 Huddersfield open access |
| spellingShingle | music Noise music Piano thema EDItEUR::A The Arts::AV Music Noise in and as music |
| title | Noise in and as music |
| title_full | Noise in and as music |
| title_fullStr | Noise in and as music |
| title_full_unstemmed | Noise in and as music |
| title_short | Noise in and as music |
| title_sort | noise in and as music |
| topic | music Noise music Piano thema EDItEUR::A The Arts::AV Music |
| topic_facet | music Noise music Piano thema EDItEUR::A The Arts::AV Music |
| url | 622950 |