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L'Œuvre sans fin. Réception des romans de Monique Saint-Hélier par la critique française (1932-1955)

Monique Saint-Hélier became quite successful during the 1930s in particular because of the violent controversy that surrounded her second novel, Bois-Mort. How is it that Saint-Hélier’s work provoked such passionate criticism, but encountered nothing but disinterest after the war? Studying unpublish...

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Autore principale: Dubois, Maud
Natura: Online
Lingua:francese
Pubblicazione: Librairie Droz 2021
Soggetti:
monique saint-hélier
critical reception
roman
bois-mort
réception critique
novel
xxe siècle
twentieth century
thema EDItEUR::1 Place qualifiers::1D Europe::1DD Western Europe::1DDF France
thema EDItEUR::2 Language qualifiers::2A Indo-European languages::2AD Romance, Italic and Rhaeto-Romanic languages::2ADF French
thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MP 20th century, c 1900 to c 1999
thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSK Literary studies: fiction, novelists and prose writers
Accesso online:579630
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Riassunto:Monique Saint-Hélier became quite successful during the 1930s in particular because of the violent controversy that surrounded her second novel, Bois-Mort. How is it that Saint-Hélier’s work provoked such passionate criticism, but encountered nothing but disinterest after the war? Studying unpublished sources as well as a vast corpus of book reviews, the author explores by this quite particular literary path, as well as the variations in how a work is received over time.

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