Negro Soy Yo
In Negro Soy Yo Marc D. Perry explores Cuba’s hip hop movement as a window into the racial complexities of the island’s ongoing transition from revolutionary socialism toward free-market capitalism. Centering on the music and lives of black-identified raperos (rappers), Perry examines the ways these...
Bewaard in:
| Hoofdauteur: | |
|---|---|
| Formaat: | Online |
| Taal: | Engels |
| Gepubliceerd in: |
Duke University Press
2021
|
| Onderwerpen: | |
| Online toegang: | 650014 |
| Tags: |
Geen labels, Wees de eerste die dit record labelt!
|
| _version_ | 1869522198878748672 |
|---|---|
| author | Perry, Marc D. |
| author_browse | Perry, Marc D. |
| author_facet | Perry, Marc D. |
| author_sort | Perry, Marc D. |
| collection | Directory of Open Access Books |
| description | In Negro Soy Yo Marc D. Perry explores Cuba’s hip hop movement as a window into the racial complexities of the island’s ongoing transition from revolutionary socialism toward free-market capitalism. Centering on the music and lives of black-identified raperos (rappers), Perry examines the ways these young artists craft notions of black Cuban identity and racial citizenship, along with calls for racial justice, at the fraught confluence of growing Afro-Cuban marginalization and long held perceptions of Cuba as a non-racial nation. Situating hip hop within a long history of Cuban racial politics, Perry discusses the artistic and cultural exchanges between raperos and North American rappers and activists, and their relationships with older Afro-Cuban intellectuals and African American political exiles. He also examines critiques of Cuban patriarchy by female raperos, the competing rise of reggaetón, as well as state efforts to incorporate hip hop into its cultural institutions. At this pivotal moment of Cuban-U.S. relations, Perry's analysis illuminates the evolving dynamics of race, agency, and neoliberal transformation amid a Cuba in historic flux. This title was made Open Access by libraries from around the world through Knowledge Unlatched. |
| format | Online |
| id | doab-20.500.12854ir-35277 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2021 |
| publishDateRange | 2021 |
| publishDateSort | 2021 |
| publisher | Duke University Press |
| publisherStr | Duke University Press |
| record_format | ojs |
| spelling | doab-20.500.12854ir-352772025-03-12T01:32:57Z Negro Soy Yo Perry, Marc D. social conditions music political aspects hip-hop blacks anthropology cuba thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology::JHMC Social and cultural anthropology In Negro Soy Yo Marc D. Perry explores Cuba’s hip hop movement as a window into the racial complexities of the island’s ongoing transition from revolutionary socialism toward free-market capitalism. Centering on the music and lives of black-identified raperos (rappers), Perry examines the ways these young artists craft notions of black Cuban identity and racial citizenship, along with calls for racial justice, at the fraught confluence of growing Afro-Cuban marginalization and long held perceptions of Cuba as a non-racial nation. Situating hip hop within a long history of Cuban racial politics, Perry discusses the artistic and cultural exchanges between raperos and North American rappers and activists, and their relationships with older Afro-Cuban intellectuals and African American political exiles. He also examines critiques of Cuban patriarchy by female raperos, the competing rise of reggaetón, as well as state efforts to incorporate hip hop into its cultural institutions. At this pivotal moment of Cuban-U.S. relations, Perry's analysis illuminates the evolving dynamics of race, agency, and neoliberal transformation amid a Cuba in historic flux. This title was made Open Access by libraries from around the world through Knowledge Unlatched. 2021-02-10T14:25:00Z 2021-02-10T14:25:00Z 2016-03-10 23:55 2019-12-10 14:51:07 2020-04-01T14:19:42Z 2016 book 650014 604610 OCN: 1256591410 https://library.oapen.org/handle/20.500.12657/37509 9780822374954 9780822359852 https://directory.doabooks.org/handle/20.500.12854/35277 eng open access image/jpeg image/jpeg image/jpeg image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International https://library.oapen.org/bitstream/20.500.12657/37509/1/604610.pdf https://library.oapen.org/bitstream/20.500.12657/37509/1/604610.pdf https://library.oapen.org/bitstream/20.500.12657/37509/1/604610.pdf https://library.oapen.org/bitstream/20.500.12657/37509/1/604610.pdf Duke University Press 10.1353/book.64131 10.1353/book.64131 8b9381d6-252e-4bed-8478-ee620c861aac Knowledge Unlatched 9780822374954 9780822359852 Knowledge Unlatched (KU) 288 Durham open access |
| spellingShingle | social conditions music political aspects hip-hop blacks anthropology cuba thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology::JHMC Social and cultural anthropology Perry, Marc D. Negro Soy Yo |
| title | Negro Soy Yo |
| title_full | Negro Soy Yo |
| title_fullStr | Negro Soy Yo |
| title_full_unstemmed | Negro Soy Yo |
| title_short | Negro Soy Yo |
| title_sort | negro soy yo |
| topic | social conditions music political aspects hip-hop blacks anthropology cuba thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology::JHMC Social and cultural anthropology |
| topic_facet | social conditions music political aspects hip-hop blacks anthropology cuba thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology::JHMC Social and cultural anthropology |
| url | 650014 |
| work_keys_str_mv | AT perrymarcd negrosoyyo |