La performance des images

The image, before representing, to signify, acts and makes act. The performance of images, which this book undertakes exploration, is to be understood first of all as the evaluation of their effectiveness: what are the effects of images? It is then their agency: in what way are images living beings?...

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Idioma:francês
Publicado em: Éditions de l'Université de Bruxelles 2021
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collection Directory of Open Access Books
description The image, before representing, to signify, acts and makes act. The performance of images, which this book undertakes exploration, is to be understood first of all as the evaluation of their effectiveness: what are the effects of images? It is then their agency: in what way are images living beings? It is also their performativity: as there are acts of speech, there are acts of image whose modalities can be detailed. Finally, it is their power: what can an image, including a text, for example, be incapable? <br> <br> Christian image holds a special place here because, far from being a simple "Bible of illiterate "subject to the reign of the text, it permeates all aspects of the life and thought of Christian societies, from their theological and anthropological foundations - God created man in his image; the Son is the image of the Father - up to the most diverse uses of visual objects. But in the West it is not only in the Middle Ages that the images are active: this book is also devoted to the new forms of visual performances that appeared with the Renaissance or the mass-media society.
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publishDate 2021
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publisher Éditions de l'Université de Bruxelles
publisherStr Éditions de l'Université de Bruxelles
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spelling doab-20.500.12854ir-352852024-05-11T00:13:56Z La performance des images Dierkens, Alain Bartholeyns, Gil Golsenne, Thomas Schmitt, Jean-Claide Sansterre, Jean-Marie Dittmar, Pierre-Olivier D'Hainaut-Zveny, Brigitte Hendriks, Valentine Brilli, Elisa Wirth, Jean Rougé, Bertrand Gunthert, André Lagrange, Pierre Dragomirescu, Corneliu Maillet, Chloé Bonne, Jean-Claude Aubert, Eduardo H. Rosier-Catach, Irène History art thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art The image, before representing, to signify, acts and makes act. The performance of images, which this book undertakes exploration, is to be understood first of all as the evaluation of their effectiveness: what are the effects of images? It is then their agency: in what way are images living beings? It is also their performativity: as there are acts of speech, there are acts of image whose modalities can be detailed. Finally, it is their power: what can an image, including a text, for example, be incapable? <br> <br> Christian image holds a special place here because, far from being a simple "Bible of illiterate "subject to the reign of the text, it permeates all aspects of the life and thought of Christian societies, from their theological and anthropological foundations - God created man in his image; the Son is the image of the Father - up to the most diverse uses of visual objects. But in the West it is not only in the Middle Ages that the images are active: this book is also devoted to the new forms of visual performances that appeared with the Renaissance or the mass-media society. L’image, avant de représenter, de signifier, agit et fait agir. La performance des images, dont ce livre entreprend l’exploration, est à comprendre d’abord comme l’évaluation de leur efficacité : quels sont les effets des images ? C’est ensuite leur agentivité : en quelle manière les images sont-elles des êtres vivants ? C’est aussi leur performativité : comme il y a des actes de parole, il y a des actes d’image dont les modalités peuvent être détaillées. Enfin, c’est leur puissance : que peut une image, dont un texte, par exemple, serait incapable ?<br><br>L’image chrétienne tient ici une place à part car, loin d’être une simple « Bible des illettrés » soumise au règne du texte, elle imprègne tous les aspects de la vie et de la pensée des sociétés chrétiennes, depuis leurs fondements théologiques et anthropologiques – Dieu créa l’homme à son image ; le Fils est l’image du Père – jusqu’aux utilisations les plus diverses des objets visuels. Mais en Occident ce n’est pas seulement au Moyen Âge que les images sont actives : ce livre est aussi consacré aux nouvelles formes de performances visuelles qui sont apparues avec la Renaissance ou la société mass-médiatique. 2021-02-10T12:58:18Z 2019-11-05 10:28:55 2020-04-01T09:56:44Z 2010 book 1005769 OCN: 659201537 http://library.oapen.org/handle/20.500.12657/24359 https://directory.doabooks.org/handle/20.500.12854/35285 fre Problèmes d'histoire des religions open access image/jpeg image/jpeg image/jpeg image/jpeg n/a n/a n/a n/a https://library.oapen.org/bitstream/20.500.12657/24359/1/9782800414744.pdf https://library.oapen.org/bitstream/20.500.12657/24359/1/9782800414744.pdf https://library.oapen.org/bitstream/20.500.12657/24359/1/9782800414744.pdf https://library.oapen.org/bitstream/20.500.12657/24359/1/9782800414744.pdf Éditions de l'Université de Bruxelles Éditions de l'Université de Bruxelles 1a19e6e1-e836-4b05-a33d-af873e9ff825 Éditions de l'Université de Bruxelles 264 Bruxelles open access
spellingShingle History
art
thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
La performance des images
title La performance des images
title_full La performance des images
title_fullStr La performance des images
title_full_unstemmed La performance des images
title_short La performance des images
title_sort la performance des images
topic History
art
thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
topic_facet History
art
thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
url 1005769