Acoustemologies in Contact
"In this fascinating collection of essays, an international group of scholars explores the sonic consequences of transcultural contact in the early modern period. They examine how cultural configurations of sound impacted communication, comprehension, and the categorisation of people. Addressing que...
সংরক্ষণ করুন:
| বিন্যাস: | Online |
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| ভাষা: | ইংরেজি |
| প্রকাশিত: |
Open Book Publishers
2021
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| বিষয়গুলি: | |
| অনলাইন ব্যবহার করুন: | https://library.oapen.org/handle/20.500.12657/46305 |
| ট্যাগগুলো: |
কোনো ট্যাগ নেই, প্রথমজন হিসাবে ট্যাগ করুন!
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| _version_ | 1869524509883629568 |
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| collection | Directory of Open Access Books |
| description | "In this fascinating collection of essays, an international group of scholars explores the sonic consequences of transcultural contact in the early modern period. They examine how cultural configurations of sound impacted communication, comprehension, and the categorisation of people. Addressing questions of identity, difference, sound, and subjectivity in global early modernity, these authors share the conviction that the body itself is the most intimate of contact zones, and that the culturally contingent systems by which sounds made sense could be foreign to early modern listeners and to present day scholars.
Drawing on a global range of archival evidence—from New France and New Spain, to the slave ships of the Middle Passage, to China, Europe, and the Mediterranean court environment—this collection challenges the privileged position of European acoustical practices within the discipline of global-historical musicology. The discussion of Black and non-European experiences demonstrates how the production of ‘the canon’ in the cosmopolitan centres of colonial empires was underpinned by processes of human exploitation and extraction of resources. As such, this text is a timely response to calls within the discipline to decolonise music history and to contextualise the canonical works of the European past.
This volume is accessible to a wide and interdisciplinary audience, not only within musicology, but also to those interested in early modern global history, sound studies, race, and slavery." |
| format | Online |
| id | doab-20.500.12854ir-36950 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2021 |
| publishDateRange | 2021 |
| publishDateSort | 2021 |
| publisher | Open Book Publishers |
| publisherStr | Open Book Publishers |
| record_format | ojs |
| spelling | doab-20.500.12854ir-369502025-06-11T07:37:39Z Acoustemologies in Contact Wilbourne, Emily Cusick, Suzanne G. sound; identity; difference; subjectivity; early modernity; the body; Europe; musicology; cosmopolitanism; the canon; colonialism; empire; exploitation; decolonisation; race; slavery; global history thema EDItEUR::A The Arts::AV Music::AVX Music recording and reproduction thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology thema EDItEUR::N History and Archaeology thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day "In this fascinating collection of essays, an international group of scholars explores the sonic consequences of transcultural contact in the early modern period. They examine how cultural configurations of sound impacted communication, comprehension, and the categorisation of people. Addressing questions of identity, difference, sound, and subjectivity in global early modernity, these authors share the conviction that the body itself is the most intimate of contact zones, and that the culturally contingent systems by which sounds made sense could be foreign to early modern listeners and to present day scholars. Drawing on a global range of archival evidence—from New France and New Spain, to the slave ships of the Middle Passage, to China, Europe, and the Mediterranean court environment—this collection challenges the privileged position of European acoustical practices within the discipline of global-historical musicology. The discussion of Black and non-European experiences demonstrates how the production of ‘the canon’ in the cosmopolitan centres of colonial empires was underpinned by processes of human exploitation and extraction of resources. As such, this text is a timely response to calls within the discipline to decolonise music history and to contextualise the canonical works of the European past. This volume is accessible to a wide and interdisciplinary audience, not only within musicology, but also to those interested in early modern global history, sound studies, race, and slavery." 2021-01-26T12:24:48Z 2021 book https://library.oapen.org/handle/20.500.12657/46305 9781800640351 9781800640368 9781800640382 9781800640399 9781800640368 9781800640382 9781800640399 https://directory.doabooks.org/handle/20.500.12854/36950 eng open access image/jpeg image/jpeg image/jpeg Attribution 4.0 International Attribution 4.0 International Attribution 4.0 International https://library.oapen.org/bitstream/20.500.12657/46305/1/9781800640375.pdf https://library.oapen.org/bitstream/20.500.12657/46305/1/9781800640375.pdf https://library.oapen.org/bitstream/20.500.12657/46305/1/9781800640375.pdf Open Book Publishers 10.11647/OBP.0226 10.11647/OBP.0226 b014b543-78bd-4c3b-bc71-b68e2ac855b9 9781800640351 9781800640368 9781800640382 9781800640399 9781800640368 9781800640382 9781800640399 ScholarLed 348 open access |
| spellingShingle | sound; identity; difference; subjectivity; early modernity; the body; Europe; musicology; cosmopolitanism; the canon; colonialism; empire; exploitation; decolonisation; race; slavery; global history thema EDItEUR::A The Arts::AV Music::AVX Music recording and reproduction thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology thema EDItEUR::N History and Archaeology thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day Acoustemologies in Contact |
| title | Acoustemologies in Contact |
| title_full | Acoustemologies in Contact |
| title_fullStr | Acoustemologies in Contact |
| title_full_unstemmed | Acoustemologies in Contact |
| title_short | Acoustemologies in Contact |
| title_sort | acoustemologies in contact |
| topic | sound; identity; difference; subjectivity; early modernity; the body; Europe; musicology; cosmopolitanism; the canon; colonialism; empire; exploitation; decolonisation; race; slavery; global history thema EDItEUR::A The Arts::AV Music::AVX Music recording and reproduction thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology thema EDItEUR::N History and Archaeology thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day |
| topic_facet | sound; identity; difference; subjectivity; early modernity; the body; Europe; musicology; cosmopolitanism; the canon; colonialism; empire; exploitation; decolonisation; race; slavery; global history thema EDItEUR::A The Arts::AV Music::AVX Music recording and reproduction thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology thema EDItEUR::N History and Archaeology thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day |
| url | https://library.oapen.org/handle/20.500.12657/46305 |