Musikalische Repertoires in Zentraleuropa (1420-1450)
With famous music manuscripts such as the St Emmeram codex or the Trent codices and the rise of a musical elite with singer-composers around Dufay and Binchois, the years around 1430 belong to a crucial period in late-medieval music history. The present volume comprises 13 case studies on polyphonic...
Wedi'i Gadw mewn:
| Prif Awduron: | , |
|---|---|
| Fformat: | Online |
| Iaith: | Saesneg Almaeneg |
| Cyhoeddwyd: |
Böhlau
2021
|
| Pynciau: | |
| Mynediad Ar-lein: | 512255 |
| Tagiau: |
Dim Tagiau, Byddwch y cyntaf i dagio'r cofnod hwn!
|
| _version_ | 1869514468779622400 |
|---|---|
| author | Tammen, Björn Renko Rausch, Alexander |
| author_browse | Rausch, Alexander Tammen, Björn Renko |
| author_facet | Tammen, Björn Renko Rausch, Alexander |
| author_sort | Tammen, Björn Renko |
| collection | Directory of Open Access Books |
| description | With famous music manuscripts such as the St Emmeram codex or the Trent codices and the rise of a musical elite with singer-composers around Dufay and Binchois, the years around 1430 belong to a crucial period in late-medieval music history. The present volume comprises 13 case studies on polyphonic as well as monophonic repertories with a particular focus on the city of Vienna. For the first time, the ‘simultaneity’ of ‘non-simultaneous’ phenomena is scrutinized for Central Europe and for the cultural exchange with neighbouring territories of the Holy Roman Empire, of England, Bohemia and Northern Italy.Due to its specific urban profile and the geographical position, late-medieval Vienna offers an excellent starting point for the study of musical repertories in Central Europe and their appropriation as cultural practice in the first half of the fifteenth century. The ‘simultaneity’ of ‘non-simultaneous’ phenomena is closely connected to the coexistence of different patterns of music patronage within court and nobility, the university, a variety of ecclesiastical institutions (among them the collegiate church of All Saints, later St Stephen’s Cathedral), and diverse strands of upper- and middle-class citizens on the one hand, cultural exchange with neighbouring territories of the Holy Roman Empire, of England, Bohemia and Northern Italy on the other. Manifold strands of polyphonic and monophonic repertories (both sacred and profane), compositional techniques, regionally bound stylistic peculiarities, strategems of music patronage, institutional (or even personal) collectionism, furthermore aspects of music iconography and the role of music within the history of ideas are scrutinized in thirteen chapters, which are conceived as case-studies, plus a detailed thematical introduction. In sum, this is an invaluable contribution to a better understanding of a crucial period of late-medieval music history. |
| format | Online |
| id | doab-20.500.12854ir-36994 |
| institution | Directory of Open Access Books |
| language | eng ger |
| publishDate | 2021 |
| publishDateRange | 2021 |
| publishDateSort | 2021 |
| publisher | Böhlau |
| publisherStr | Böhlau |
| record_format | ojs |
| spelling | doab-20.500.12854ir-369942025-01-29T11:57:38Z Musikalische Repertoires in Zentraleuropa (1420-1450) Tammen, Björn Renko Rausch, Alexander Music history Late Middle Ages musical repertories music patronage ritual identity awareness of time Trent codices Hermann Poetzlinger mensural codex St. Emmeram England John Dunstaple Guillaume Dufay Gilles Binchois Central Europe Vienna Hermann Edlerawer Urbanus Kungsperger Johannes Brassart Johannes de Sarto Frederick III (IV) of Habsburg Albert II (V) of Habsburg Rudolf Volkhardt Petrus Wilhelmi de Grudencz Bohemia Veneto motet devotional motet genre transformation Marian devotions musical iconography chapel Sangvers Oswald von Wolkenstein Hugo von Montfort Michel Beheim Heinrich der Teichner Peter Suchenwirt Monk of Salzburg Liebhard Eghenvelder Neidhart (Nithart) Austrian National Library University of Vienna Council of Constance Council of Basle Nibelungenlied Johannes Lupi Johannes Wiser Johannes Prenner Regensburg St Stephen St Martin Jan Hus isorhythmic motet Ghent altarpiece Jan van Eyck Hubert van Eyck Musikgeschichte Polyphony thema EDItEUR::A The Arts::AV Music With famous music manuscripts such as the St Emmeram codex or the Trent codices and the rise of a musical elite with singer-composers around Dufay and Binchois, the years around 1430 belong to a crucial period in late-medieval music history. The present volume comprises 13 case studies on polyphonic as well as monophonic repertories with a particular focus on the city of Vienna. For the first time, the ‘simultaneity’ of ‘non-simultaneous’ phenomena is scrutinized for Central Europe and for the cultural exchange with neighbouring territories of the Holy Roman Empire, of England, Bohemia and Northern Italy.Due to its specific urban profile and the geographical position, late-medieval Vienna offers an excellent starting point for the study of musical repertories in Central Europe and their appropriation as cultural practice in the first half of the fifteenth century. The ‘simultaneity’ of ‘non-simultaneous’ phenomena is closely connected to the coexistence of different patterns of music patronage within court and nobility, the university, a variety of ecclesiastical institutions (among them the collegiate church of All Saints, later St Stephen’s Cathedral), and diverse strands of upper- and middle-class citizens on the one hand, cultural exchange with neighbouring territories of the Holy Roman Empire, of England, Bohemia and Northern Italy on the other. Manifold strands of polyphonic and monophonic repertories (both sacred and profane), compositional techniques, regionally bound stylistic peculiarities, strategems of music patronage, institutional (or even personal) collectionism, furthermore aspects of music iconography and the role of music within the history of ideas are scrutinized in thirteen chapters, which are conceived as case-studies, plus a detailed thematical introduction. In sum, this is an invaluable contribution to a better understanding of a crucial period of late-medieval music history. Mit berühmten Repertoire-Handschriften wie dem Mensuralcodex St. Emmeram oder den Trienter Codices und der Entstehung einer musikalischen Elite um Sängerkomponisten wie Dufay und Binchois gehören die Jahrzehnte um 1430 zu einer Schlüsselphase der abendländischen Musikgeschichte. Der Band vereint 13 Fallstudien zur polyphonen Kunstmusik sowie zum einstimmigen Lied, wobei ein besonderer Fokus auf den Verhältnissen in Wien liegt. Erstmals wird so die Gleichzeitigkeit ungleichzeitiger Phänomene für Zentraleuropa beleuchtet – auch hinsichtlich der Wechselwirkungen mit England, Böhmen, Oberitalien und dem franko-flämischen Raum. 2021-02-10T12:58:18Z 2014-12-31 23:55:55 2020-01-30 13:03:30 2020-04-01T14:38:47Z 2014 book 512255 OCN: 960756863 http://library.oapen.org/handle/20.500.12657/33287 9783205795629 https://directory.doabooks.org/handle/20.500.12854/36994 eng ger open access image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg https://library.oapen.org/bitstream/20.500.12657/33287/1/512255.pdf https://library.oapen.org/bitstream/20.500.12657/33287/1/512255.pdf https://library.oapen.org/bitstream/20.500.12657/33287/1/512255.pdf https://library.oapen.org/bitstream/20.500.12657/33287/1/512255.pdf https://library.oapen.org/bitstream/20.500.12657/33287/1/512255.pdf https://library.oapen.org/bitstream/20.500.12657/33287/1/512255.pdf https://library.oapen.org/bitstream/20.500.12657/33287/1/512255.pdf Böhlau 10.26530/oapen_512255 10.26530/oapen_512255 Austrian Science Fund 26ae1657-c58f-4f1d-a392-585ee75c293e 9783205795629 Austrian Science Fund (FWF) Böhlau 422 PUB 160 open access |
| spellingShingle | Music history Late Middle Ages musical repertories music patronage ritual identity awareness of time Trent codices Hermann Poetzlinger mensural codex St. Emmeram England John Dunstaple Guillaume Dufay Gilles Binchois Central Europe Vienna Hermann Edlerawer Urbanus Kungsperger Johannes Brassart Johannes de Sarto Frederick III (IV) of Habsburg Albert II (V) of Habsburg Rudolf Volkhardt Petrus Wilhelmi de Grudencz Bohemia Veneto motet devotional motet genre transformation Marian devotions musical iconography chapel Sangvers Oswald von Wolkenstein Hugo von Montfort Michel Beheim Heinrich der Teichner Peter Suchenwirt Monk of Salzburg Liebhard Eghenvelder Neidhart (Nithart) Austrian National Library University of Vienna Council of Constance Council of Basle Nibelungenlied Johannes Lupi Johannes Wiser Johannes Prenner Regensburg St Stephen St Martin Jan Hus isorhythmic motet Ghent altarpiece Jan van Eyck Hubert van Eyck Musikgeschichte Polyphony thema EDItEUR::A The Arts::AV Music Tammen, Björn Renko Rausch, Alexander Musikalische Repertoires in Zentraleuropa (1420-1450) |
| title | Musikalische Repertoires in Zentraleuropa (1420-1450) |
| title_full | Musikalische Repertoires in Zentraleuropa (1420-1450) |
| title_fullStr | Musikalische Repertoires in Zentraleuropa (1420-1450) |
| title_full_unstemmed | Musikalische Repertoires in Zentraleuropa (1420-1450) |
| title_short | Musikalische Repertoires in Zentraleuropa (1420-1450) |
| title_sort | musikalische repertoires in zentraleuropa 1420 1450 |
| topic | Music history Late Middle Ages musical repertories music patronage ritual identity awareness of time Trent codices Hermann Poetzlinger mensural codex St. Emmeram England John Dunstaple Guillaume Dufay Gilles Binchois Central Europe Vienna Hermann Edlerawer Urbanus Kungsperger Johannes Brassart Johannes de Sarto Frederick III (IV) of Habsburg Albert II (V) of Habsburg Rudolf Volkhardt Petrus Wilhelmi de Grudencz Bohemia Veneto motet devotional motet genre transformation Marian devotions musical iconography chapel Sangvers Oswald von Wolkenstein Hugo von Montfort Michel Beheim Heinrich der Teichner Peter Suchenwirt Monk of Salzburg Liebhard Eghenvelder Neidhart (Nithart) Austrian National Library University of Vienna Council of Constance Council of Basle Nibelungenlied Johannes Lupi Johannes Wiser Johannes Prenner Regensburg St Stephen St Martin Jan Hus isorhythmic motet Ghent altarpiece Jan van Eyck Hubert van Eyck Musikgeschichte Polyphony thema EDItEUR::A The Arts::AV Music |
| topic_facet | Music history Late Middle Ages musical repertories music patronage ritual identity awareness of time Trent codices Hermann Poetzlinger mensural codex St. Emmeram England John Dunstaple Guillaume Dufay Gilles Binchois Central Europe Vienna Hermann Edlerawer Urbanus Kungsperger Johannes Brassart Johannes de Sarto Frederick III (IV) of Habsburg Albert II (V) of Habsburg Rudolf Volkhardt Petrus Wilhelmi de Grudencz Bohemia Veneto motet devotional motet genre transformation Marian devotions musical iconography chapel Sangvers Oswald von Wolkenstein Hugo von Montfort Michel Beheim Heinrich der Teichner Peter Suchenwirt Monk of Salzburg Liebhard Eghenvelder Neidhart (Nithart) Austrian National Library University of Vienna Council of Constance Council of Basle Nibelungenlied Johannes Lupi Johannes Wiser Johannes Prenner Regensburg St Stephen St Martin Jan Hus isorhythmic motet Ghent altarpiece Jan van Eyck Hubert van Eyck Musikgeschichte Polyphony thema EDItEUR::A The Arts::AV Music |
| url | 512255 |
| work_keys_str_mv | AT tammenbjornrenko musikalischerepertoiresinzentraleuropa14201450 AT rauschalexander musikalischerepertoiresinzentraleuropa14201450 |