Tony Conrad. Video - und darüber hinaus

Tony Conrad (b. 1940) has been a well-known American artist for more than 50 years. Celebrated as a musician, filmmaker, video and performance artist, he achieved his breakthrough in 1966 with the experimental film The Flicker. In addition to his film work (including the so called Yellow Movies), hi...

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Autor principal: Lurk, Tabea
Formato: Online
Idioma:alemão
Publicado em: Peter Lang International Academic Publishers 2021
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Acesso em linha:578883
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author Lurk, Tabea
author_browse Lurk, Tabea
author_facet Lurk, Tabea
author_sort Lurk, Tabea
collection Directory of Open Access Books
description Tony Conrad (b. 1940) has been a well-known American artist for more than 50 years. Celebrated as a musician, filmmaker, video and performance artist, he achieved his breakthrough in 1966 with the experimental film The Flicker. In addition to his film work (including the so called Yellow Movies), his violin performances have also achieved broad recognition. This monograph focuses on about 70 video works produced by the artist since 1977, which previously have not been systematically studied. Beginning from Conrad’s earlier rather materialistic approach, in A videographic view of the artist’s vita the text follows the artists shift from experimental film to a more image-driven videographic approach. The chapter Last call for video comments on Tony Conrad influential interaction with the Buffalo-based group of appropriation artists. Then Video as critique of television interrogates the interplay between (video) art and society as a reflection of the telematic culture of the 1980s. The last chapter, Video in tension with music, returns to the beginning of the artist’s career and comments on Tony Conrad’s identity as a musician.
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spelling doab-20.500.12854ir-372092025-01-29T17:11:55Z Tony Conrad. Video - und darüber hinaus Lurk, Tabea tony conrad 1980s appropriation video art media theory tony conrad 1980s appropriation video art media theory Videokunst thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKV Digital, video and new media arts Tony Conrad (b. 1940) has been a well-known American artist for more than 50 years. Celebrated as a musician, filmmaker, video and performance artist, he achieved his breakthrough in 1966 with the experimental film The Flicker. In addition to his film work (including the so called Yellow Movies), his violin performances have also achieved broad recognition. This monograph focuses on about 70 video works produced by the artist since 1977, which previously have not been systematically studied. Beginning from Conrad’s earlier rather materialistic approach, in A videographic view of the artist’s vita the text follows the artists shift from experimental film to a more image-driven videographic approach. The chapter Last call for video comments on Tony Conrad influential interaction with the Buffalo-based group of appropriation artists. Then Video as critique of television interrogates the interplay between (video) art and society as a reflection of the telematic culture of the 1980s. The last chapter, Video in tension with music, returns to the beginning of the artist’s career and comments on Tony Conrad’s identity as a musician. Die Monografie untersucht das Video-Œuvre des Künstlers Tony Conrad und kontextualisiert es im historischen Umfeld der 1980er Jahre. Die Videoarbeiten und Referenzmaterialien werden kunsthistorisch analysiert, strukturiert und als Quelle gesichert. Die Gegenüberstellung mit Werken anderer Künstler ermöglicht eine Verortung im diskursiven Feld. 2021-02-10T12:58:18Z 2015-11-05 00:00:00 2020-04-01T14:25:49Z 2015 book 578883 OCN: 1030814947 http://library.oapen.org/handle/20.500.12657/32980 9783035108873 https://directory.doabooks.org/handle/20.500.12854/37209 ger open access image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International https://library.oapen.org/bitstream/20.500.12657/32980/1/578883.pdf https://library.oapen.org/bitstream/20.500.12657/32980/1/578883.pdf https://library.oapen.org/bitstream/20.500.12657/32980/1/578883.pdf https://library.oapen.org/bitstream/20.500.12657/32980/1/578883.pdf https://library.oapen.org/bitstream/20.500.12657/32980/1/578883.pdf Peter Lang International Academic Publishers 10.3726/978-3-0351-0887-3 10.3726/978-3-0351-0887-3 44a712f0-ee17-4c08-a667-46effed595e7 Swiss National Science Foundation (SNSF) - OAPEN-CH b70636da-dc2d-4755-a37e-360db651c0bf 9783035108873 OAPEN-CH 1st Call Swiss National Science Foundation (SNF) 446 Bern 163545 open access
spellingShingle tony conrad
1980s
appropriation
video art
media theory
tony conrad
1980s
appropriation
video art
media theory
Videokunst
thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKV Digital, video and new media arts
Lurk, Tabea
Tony Conrad. Video - und darüber hinaus
title Tony Conrad. Video - und darüber hinaus
title_full Tony Conrad. Video - und darüber hinaus
title_fullStr Tony Conrad. Video - und darüber hinaus
title_full_unstemmed Tony Conrad. Video - und darüber hinaus
title_short Tony Conrad. Video - und darüber hinaus
title_sort tony conrad video und daruber hinaus
topic tony conrad
1980s
appropriation
video art
media theory
tony conrad
1980s
appropriation
video art
media theory
Videokunst
thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKV Digital, video and new media arts
topic_facet tony conrad
1980s
appropriation
video art
media theory
tony conrad
1980s
appropriation
video art
media theory
Videokunst
thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKV Digital, video and new media arts
url 578883
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