Images in the making

This book presents a study of material images and asks how an appreciation of the making and unfolding of images and art alters archaeological accounts of prehistoric and historic societies. With contributions focusing on case studies including prehistoric Britain, Scandinavia, Iberia, the Americas...

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Format: Online
Langue:anglais
Publié: Manchester University Press 2021
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Accès en ligne:OCN: 1193068047
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collection Directory of Open Access Books
description This book presents a study of material images and asks how an appreciation of the making and unfolding of images and art alters archaeological accounts of prehistoric and historic societies. With contributions focusing on case studies including prehistoric Britain, Scandinavia, Iberia, the Americas and Dynastic Egypt, and including contemporary reflections on material images, it makes a novel contribution to ongoing debates relating to archaeological art and images. The book offers a New Materialist analysis of archaeological imagery, with an emphasis on considering the material character of images and their making and unfolding. The book reassesses the predominantly representational paradigm of archaeological image analysis and argues for the importance of considering the ontology of images. It considers images as processes or events and introduces the verb ‘imaging’ to underline the point that images are conditions of possibility that draw together differing aspects of the world. The book is divided into three sections: ‘Emergent images’, which focuses on practices of making; ‘Images as process’, which examines the making and role of images in prehistoric societies; and ‘Unfolding images’, which focuses on how images change as they are made and circulated. The book features contributions from archaeologists, Egyptologists, anthropologists and artists. The contributors to the book highlight the multiple role of images in prehistoric and historic societies, demonstrating that archaeologists need to recognise the dynamic and changeable character of images.
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institution Directory of Open Access Books
language eng
publishDate 2021
publishDateRange 2021
publishDateSort 2021
publisher Manchester University Press
publisherStr Manchester University Press
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spelling doab-20.500.12854ir-378022025-03-23T07:48:11Z Images in the making Back Danielsson, Ing-Marie Meirion Jones, Andrew images ontology making New Materialism imaging process unfolding thema EDItEUR::N History and Archaeology::NK Archaeology::NKD Archaeology by period / region thema EDItEUR::3 Time period qualifiers::3B Prehistory thema EDItEUR::A The Arts::AB The arts: general topics::ABA Theory of art thema EDItEUR::N History and Archaeology::NH History This book presents a study of material images and asks how an appreciation of the making and unfolding of images and art alters archaeological accounts of prehistoric and historic societies. With contributions focusing on case studies including prehistoric Britain, Scandinavia, Iberia, the Americas and Dynastic Egypt, and including contemporary reflections on material images, it makes a novel contribution to ongoing debates relating to archaeological art and images. The book offers a New Materialist analysis of archaeological imagery, with an emphasis on considering the material character of images and their making and unfolding. The book reassesses the predominantly representational paradigm of archaeological image analysis and argues for the importance of considering the ontology of images. It considers images as processes or events and introduces the verb ‘imaging’ to underline the point that images are conditions of possibility that draw together differing aspects of the world. The book is divided into three sections: ‘Emergent images’, which focuses on practices of making; ‘Images as process’, which examines the making and role of images in prehistoric societies; and ‘Unfolding images’, which focuses on how images change as they are made and circulated. The book features contributions from archaeologists, Egyptologists, anthropologists and artists. The contributors to the book highlight the multiple role of images in prehistoric and historic societies, demonstrating that archaeologists need to recognise the dynamic and changeable character of images. 2021-02-10T14:49:08Z 2021-02-10T14:49:08Z 2020-10-20T10:48:23Z 2020 book OCN: 1193068047 https://library.oapen.org/handle/20.500.12657/42648 9781526142856 https://directory.doabooks.org/handle/20.500.12854/37802 eng open access Manchester University Press bcb4ab08-c525-4e6c-88e5-a0cf0a175533 Chapter 12 The partial and the vague as a visual mode in Bronze Age rock art 9781526142856 248 Manchester open access
spellingShingle images
ontology
making
New Materialism
imaging
process
unfolding
thema EDItEUR::N History and Archaeology::NK Archaeology::NKD Archaeology by period / region
thema EDItEUR::3 Time period qualifiers::3B Prehistory
thema EDItEUR::A The Arts::AB The arts: general topics::ABA Theory of art
thema EDItEUR::N History and Archaeology::NH History
Images in the making
title Images in the making
title_full Images in the making
title_fullStr Images in the making
title_full_unstemmed Images in the making
title_short Images in the making
title_sort images in the making
topic images
ontology
making
New Materialism
imaging
process
unfolding
thema EDItEUR::N History and Archaeology::NK Archaeology::NKD Archaeology by period / region
thema EDItEUR::3 Time period qualifiers::3B Prehistory
thema EDItEUR::A The Arts::AB The arts: general topics::ABA Theory of art
thema EDItEUR::N History and Archaeology::NH History
topic_facet images
ontology
making
New Materialism
imaging
process
unfolding
thema EDItEUR::N History and Archaeology::NK Archaeology::NKD Archaeology by period / region
thema EDItEUR::3 Time period qualifiers::3B Prehistory
thema EDItEUR::A The Arts::AB The arts: general topics::ABA Theory of art
thema EDItEUR::N History and Archaeology::NH History
url OCN: 1193068047