Realist Cinema as World Cinema
"Lúcia Nagib redefines realism not as a mere question of rhetoric or style, or a product of a certain age and place, but as a deep and steadfast commitment of filmmakers to an "ethics of the real" based on various forms of engagement with physical reality, which may include "passages" provided by th...
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| Format: | Online |
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| Language: | English |
| Published: |
Amsterdam University Press
2021
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| Subjects: | |
| Online Access: | ONIX_20201012_9789048539215_2 |
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| _version_ | 1869520197182816256 |
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| collection | Directory of Open Access Books |
| description | "Lúcia Nagib redefines realism not as a mere question of rhetoric or style, or a product of a certain age and place, but as a deep and steadfast commitment of filmmakers to an "ethics of the real" based on various forms of engagement with physical reality, which may include "passages" provided by the other arts. Her incisive theoretical arguments and finely nuanced close readings will change forever how we think of the unity of art and reality, or the role of intermediality in cinema". - Agnes Petho, Professor of Film Studies, Sapientia Hungarian University of Transylvania "With a rare combination of depth and range, Lúcia Nagib reframes the debate about realism in cinema by connecting it with a world cinema framework and looking at the work of directors as diverse as Abderrahmane Sissako, Edgar Reitz, Wim Wenders, Mizoguchi Kenji and Lucchino Visconti through the lens of the concept of intermediality. In this lucid and beautifully written tour de force of a book, Nagib offers fascinating new readings of classical works of cinema and extends an exciting invitation to film scholars and the broader public to think differently about possible new pathways to and through the history of film as an art form". - Vinzenz Hediger, Professor of Cinema Studies, Goethe Universität Frankfurt |
| format | Online |
| id | doab-20.500.12854ir-38192 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2021 |
| publishDateRange | 2021 |
| publishDateSort | 2021 |
| publisher | Amsterdam University Press |
| publisherStr | Amsterdam University Press |
| record_format | ojs |
| spelling | doab-20.500.12854ir-381922025-03-23T14:28:26Z Realist Cinema as World Cinema Cinematic Realism World Cinema Intermediality National Cinemas Cinematic Authorship thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFN Film: styles and genres "Lúcia Nagib redefines realism not as a mere question of rhetoric or style, or a product of a certain age and place, but as a deep and steadfast commitment of filmmakers to an "ethics of the real" based on various forms of engagement with physical reality, which may include "passages" provided by the other arts. Her incisive theoretical arguments and finely nuanced close readings will change forever how we think of the unity of art and reality, or the role of intermediality in cinema". - Agnes Petho, Professor of Film Studies, Sapientia Hungarian University of Transylvania "With a rare combination of depth and range, Lúcia Nagib reframes the debate about realism in cinema by connecting it with a world cinema framework and looking at the work of directors as diverse as Abderrahmane Sissako, Edgar Reitz, Wim Wenders, Mizoguchi Kenji and Lucchino Visconti through the lens of the concept of intermediality. In this lucid and beautifully written tour de force of a book, Nagib offers fascinating new readings of classical works of cinema and extends an exciting invitation to film scholars and the broader public to think differently about possible new pathways to and through the history of film as an art form". - Vinzenz Hediger, Professor of Cinema Studies, Goethe Universität Frankfurt 2021-02-10T14:52:55Z 2021-02-10T14:52:55Z 2020-10-12T12:47:35Z 2020 book ONIX_20201012_9789048539215_2 OCN: 1224279230 https://library.oapen.org/handle/20.500.12657/42528 https://directory.doabooks.org/handle/20.500.12854/38192 eng Film Culture in Transition open access image/jpeg image/jpeg image/jpeg n/a n/a n/a https://library.oapen.org/bitstream/20.500.12657/42528/1/9789048539215.pdf https://library.oapen.org/bitstream/20.500.12657/42528/1/9789048539215.pdf https://library.oapen.org/bitstream/20.500.12657/42528/1/9789048539215.pdf Amsterdam University Press Amsterdam University Press 10.5117/9789462987517 10.5117/9789462987517 de2ecbe7-1037-4e96-8c3a-5a842d921e04 Amsterdam University Press 301 open access |
| spellingShingle | Cinematic Realism World Cinema Intermediality National Cinemas Cinematic Authorship thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFN Film: styles and genres Realist Cinema as World Cinema |
| title | Realist Cinema as World Cinema |
| title_full | Realist Cinema as World Cinema |
| title_fullStr | Realist Cinema as World Cinema |
| title_full_unstemmed | Realist Cinema as World Cinema |
| title_short | Realist Cinema as World Cinema |
| title_sort | realist cinema as world cinema |
| topic | Cinematic Realism World Cinema Intermediality National Cinemas Cinematic Authorship thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFN Film: styles and genres |
| topic_facet | Cinematic Realism World Cinema Intermediality National Cinemas Cinematic Authorship thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFN Film: styles and genres |
| url | ONIX_20201012_9789048539215_2 |