Chapter Introduction People Between Multiplied Things and Modified Images
Printed images were, on one hand, material objects produced, owned or variously transformed by humans, but on the other hand, they were immaterial representations, conceived and variously received by humans as well. Certainly, such a complex relationship among things, people and images is not an exc...
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| Format: | Online |
| Jezik: | engleski |
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Taylor & Francis
2021
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| Online pristup: | https://library.oapen.org/handle/20.500.12657/45982 |
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| _version_ | 1869522422530572288 |
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| author | Jurkowlaniec, Grażyna Herman, Magdalena |
| author_browse | Herman, Magdalena Jurkowlaniec, Grażyna |
| author_facet | Jurkowlaniec, Grażyna Herman, Magdalena |
| author_sort | Jurkowlaniec, Grażyna |
| collection | Directory of Open Access Books |
| description | Printed images were, on one hand, material objects produced, owned or variously transformed by humans, but on the other hand, they were immaterial representations, conceived and variously received by humans as well. Certainly, such a complex relationship among things, people and images is not an exclusive feature of the premodern periods print cultures. However, the rise of printmaking challenged some established rules in the arts and visual realms. Three short insights may exemplify this rise of printmaking. The first insight s point of departure comprises material objects related to Lucas Cranach the Elders early Crucifixion; the second insight offers a human perspective, starting with Christophe Plantins working practices; and the third insight is a short story that emphasises the ambiguities surrounding what printed images represent, as epitomised by early modern depictions of wisent, a species related to the North American bison, but often confused with the Eastern European aurochs. |
| format | Online |
| id | doab-20.500.12854ir-38592 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2021 |
| publishDateRange | 2021 |
| publishDateSort | 2021 |
| publisher | Taylor & Francis |
| publisherStr | Taylor & Francis |
| record_format | ojs |
| spelling | doab-20.500.12854ir-385922025-06-11T08:05:40Z Chapter Introduction People Between Multiplied Things and Modified Images Jurkowlaniec, Grażyna Herman, Magdalena art history; Renaissance; printed images; visual culture; European art history thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art Printed images were, on one hand, material objects produced, owned or variously transformed by humans, but on the other hand, they were immaterial representations, conceived and variously received by humans as well. Certainly, such a complex relationship among things, people and images is not an exclusive feature of the premodern periods print cultures. However, the rise of printmaking challenged some established rules in the arts and visual realms. Three short insights may exemplify this rise of printmaking. The first insight s point of departure comprises material objects related to Lucas Cranach the Elders early Crucifixion; the second insight offers a human perspective, starting with Christophe Plantins working practices; and the third insight is a short story that emphasises the ambiguities surrounding what printed images represent, as epitomised by early modern depictions of wisent, a species related to the North American bison, but often confused with the Eastern European aurochs. 2021-02-10T14:56:48Z 2021-02-10T14:56:48Z 2021-01-06T14:09:49Z 2020 chapter https://library.oapen.org/handle/20.500.12657/45982 9780367539405 9781003029199 9781003029199 https://directory.doabooks.org/handle/20.500.12854/38592 eng open access image/jpeg image/jpeg image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International https://library.oapen.org/bitstream/20.500.12657/45982/1/9781003029199_OAIntroduction.pdf https://library.oapen.org/bitstream/20.500.12657/45982/1/9781003029199_OAIntroduction.pdf https://library.oapen.org/bitstream/20.500.12657/45982/1/9781003029199_OAIntroduction.pdf Taylor & Francis Routledge fa69b019-f4ee-4979-8d42-c6b6c476b5f0 The Reception of the Printed Image in the Fifteenth and Sixteenth Centuries Uniwersytet Warszawski 21021b3c-7ea5-47b1-9be5-d79cfd273ad4 9780367539405 9781003029199 9781003029199 Routledge 24 open access |
| spellingShingle | art history; Renaissance; printed images; visual culture; European art history thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art Jurkowlaniec, Grażyna Herman, Magdalena Chapter Introduction People Between Multiplied Things and Modified Images |
| title | Chapter Introduction People Between Multiplied Things and Modified Images |
| title_full | Chapter Introduction People Between Multiplied Things and Modified Images |
| title_fullStr | Chapter Introduction People Between Multiplied Things and Modified Images |
| title_full_unstemmed | Chapter Introduction People Between Multiplied Things and Modified Images |
| title_short | Chapter Introduction People Between Multiplied Things and Modified Images |
| title_sort | chapter introduction people between multiplied things and modified images |
| topic | art history; Renaissance; printed images; visual culture; European art history thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art |
| topic_facet | art history; Renaissance; printed images; visual culture; European art history thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art |
| url | https://library.oapen.org/handle/20.500.12657/45982 |
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