Simone Verovio

Simone Verovio was the first printer to produce a substantial number of musical prints using engraved copper plates. This intaglio printing technique not only allowed him to print on demand, but also to combine different kinds of notation on one page opening: voice parts with corresponding harpsicho...

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Main Author: Campagne, Augusta
Format: Online
Language:English
Published: Böhlau 2021
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Online Access:1000362
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author Campagne, Augusta
author_browse Campagne, Augusta
author_facet Campagne, Augusta
author_sort Campagne, Augusta
collection Directory of Open Access Books
description Simone Verovio was the first printer to produce a substantial number of musical prints using engraved copper plates. This intaglio printing technique not only allowed him to print on demand, but also to combine different kinds of notation on one page opening: voice parts with corresponding harpsichord and lute intabulations. This detailed comparison of intaglio and relief printing techniques in the editions associated with Verovio sheds light on the production of sheet music around 1600 and the comparison of the vocal and instrumental parts provides ground-breaking insights into historical performance practice.
format Online
id doab-20.500.12854ir-38653
institution Directory of Open Access Books
language eng
publishDate 2021
publishDateRange 2021
publishDateSort 2021
publisher Böhlau
publisherStr Böhlau
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spelling doab-20.500.12854ir-386532025-07-31T17:03:57Z Simone Verovio Campagne, Augusta Grassl, Markus Kapp, Reinhard Music Music History 16th Century 17th Century Partituren Musical Scores Musikgeschichte AVGC3 AVGC4 Baroque music (c. 1600 to c. 1750) Classical music (c. 1750 to c. 1830) Music Music History 16th Century 17th Century Partituren Musical Scores Musikgeschichte AVGC3 AVGC4 Baroque music (c. 1600 to c. 1750) Classical music (c. 1750 to c. 1830) Bass (voice type) Cadence Canzonetta Figured bass Harpsichord Intabulation Lute Rome thema EDItEUR::N History and Archaeology::NH History::NHD European history Simone Verovio was the first printer to produce a substantial number of musical prints using engraved copper plates. This intaglio printing technique not only allowed him to print on demand, but also to combine different kinds of notation on one page opening: voice parts with corresponding harpsichord and lute intabulations. This detailed comparison of intaglio and relief printing techniques in the editions associated with Verovio sheds light on the production of sheet music around 1600 and the comparison of the vocal and instrumental parts provides ground-breaking insights into historical performance practice. 2021-02-10T12:58:18Z 2020-03-19 03:00:35 2020-04-01T12:32:37Z 2018-08-03 23:55 2020-03-19 03:00:35 2020-04-01T12:32:37Z 2018 book 1000362 OCN: 1051782526 http://library.oapen.org/handle/20.500.12657/29570 9783205207184 https://directory.doabooks.org/handle/20.500.12854/38653 eng open access image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg n/a n/a n/a n/a n/a n/a n/a https://library.oapen.org/bitstream/20.500.12657/29570/1/1000362.pdf https://library.oapen.org/bitstream/20.500.12657/29570/1/1000362.pdf https://library.oapen.org/bitstream/20.500.12657/29570/1/1000362.pdf https://library.oapen.org/bitstream/20.500.12657/29570/1/1000362.pdf https://library.oapen.org/bitstream/20.500.12657/29570/1/1000362.pdf https://library.oapen.org/bitstream/20.500.12657/29570/1/1000362.pdf https://library.oapen.org/bitstream/20.500.12657/29570/1/1000362.pdf Böhlau 10.7767/9783205207184 10.7767/9783205207184 Knowledge Unlatched b818ba9d-2dd9-4fd7-a364-7f305aef7ee9 9783205207184 Austrian Science Fund (FWF) Knowledge Unlatched (KU) KU Open Services Böhlau 103514 KU Open Services open access
spellingShingle Music
Music History
16th Century
17th Century
Partituren
Musical Scores
Musikgeschichte
AVGC3
AVGC4
Baroque music (c. 1600 to c. 1750)
Classical music (c. 1750 to c. 1830)
Music
Music History
16th Century
17th Century
Partituren
Musical Scores
Musikgeschichte
AVGC3
AVGC4
Baroque music (c. 1600 to c. 1750)
Classical music (c. 1750 to c. 1830)
Bass (voice type)
Cadence
Canzonetta
Figured bass
Harpsichord
Intabulation
Lute
Rome
thema EDItEUR::N History and Archaeology::NH History::NHD European history
Campagne, Augusta
Simone Verovio
title Simone Verovio
title_full Simone Verovio
title_fullStr Simone Verovio
title_full_unstemmed Simone Verovio
title_short Simone Verovio
title_sort simone verovio
topic Music
Music History
16th Century
17th Century
Partituren
Musical Scores
Musikgeschichte
AVGC3
AVGC4
Baroque music (c. 1600 to c. 1750)
Classical music (c. 1750 to c. 1830)
Music
Music History
16th Century
17th Century
Partituren
Musical Scores
Musikgeschichte
AVGC3
AVGC4
Baroque music (c. 1600 to c. 1750)
Classical music (c. 1750 to c. 1830)
Bass (voice type)
Cadence
Canzonetta
Figured bass
Harpsichord
Intabulation
Lute
Rome
thema EDItEUR::N History and Archaeology::NH History::NHD European history
topic_facet Music
Music History
16th Century
17th Century
Partituren
Musical Scores
Musikgeschichte
AVGC3
AVGC4
Baroque music (c. 1600 to c. 1750)
Classical music (c. 1750 to c. 1830)
Music
Music History
16th Century
17th Century
Partituren
Musical Scores
Musikgeschichte
AVGC3
AVGC4
Baroque music (c. 1600 to c. 1750)
Classical music (c. 1750 to c. 1830)
Bass (voice type)
Cadence
Canzonetta
Figured bass
Harpsichord
Intabulation
Lute
Rome
thema EDItEUR::N History and Archaeology::NH History::NHD European history
url 1000362
work_keys_str_mv AT campagneaugusta simoneverovio