Waste

"If at its most elemental, the theater is an art form of human bodies in space, what becomes of the theater as suicide capitalism pushes our world into a posthuman age? Waste: Capitalism and the Dissolution of the Human in Twentieth-Century Theater traces the twentieth-century theater’s movement...

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Auteur principal: Rizzo, Jessica
Format: Online
Langue:anglais
Publié: punctum books 2021
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Accès en ligne:OCN: 1195487324
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author Rizzo, Jessica
author_browse Rizzo, Jessica
author_facet Rizzo, Jessica
author_sort Rizzo, Jessica
collection Directory of Open Access Books
description "If at its most elemental, the theater is an art form of human bodies in space, what becomes of the theater as suicide capitalism pushes our world into a posthuman age? Waste: Capitalism and the Dissolution of the Human in Twentieth-Century Theater traces the twentieth-century theater’s movement from dramaturgies of efficiency to dramaturgies of waste, beginning with the observation that the most salient feature of the human is her ability to be ashamed of herself, to experience herself as excess, the waster and the waste of the world. By examining theatrical representations of capitalism, war, climate change, and the permanent refugee crisis, Waste traces the ways in which these human-driven events signal a tendency toward prodigality that terminates with self-destruction. Defying its promise of abundance for all, capitalism poisons all relationships with competition and fear. The desire to dominate in war is revealed to be the desire to obliterate the self in collective conflagration. The refugee crisis raises the urgent question of our responsibility to the other, but the climate crisis renders the question of anthropocentric obligations moot. Waste proposes that the theater is the form best suited to confronting the human’s perverse relationship to its finitude. Everything about the theater is suffused with existential shame, with an acute awareness of its provisionality. Unlike the dominant narrative of the human, which is bound up with a fantasy of infinite growth, the theater is not deluded about its nature, origins, and destiny. At its best, the theater gathers artist and audience in one space to die together for a little while, to consciously waste, and not spend, their time."
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spelling doab-20.500.12854ir-391302025-03-24T08:36:48Z Waste Rizzo, Jessica theater shame inefficiency posthumanism anthropocene Elfriede Jelinek thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies "If at its most elemental, the theater is an art form of human bodies in space, what becomes of the theater as suicide capitalism pushes our world into a posthuman age? Waste: Capitalism and the Dissolution of the Human in Twentieth-Century Theater traces the twentieth-century theater’s movement from dramaturgies of efficiency to dramaturgies of waste, beginning with the observation that the most salient feature of the human is her ability to be ashamed of herself, to experience herself as excess, the waster and the waste of the world. By examining theatrical representations of capitalism, war, climate change, and the permanent refugee crisis, Waste traces the ways in which these human-driven events signal a tendency toward prodigality that terminates with self-destruction. Defying its promise of abundance for all, capitalism poisons all relationships with competition and fear. The desire to dominate in war is revealed to be the desire to obliterate the self in collective conflagration. The refugee crisis raises the urgent question of our responsibility to the other, but the climate crisis renders the question of anthropocentric obligations moot. Waste proposes that the theater is the form best suited to confronting the human’s perverse relationship to its finitude. Everything about the theater is suffused with existential shame, with an acute awareness of its provisionality. Unlike the dominant narrative of the human, which is bound up with a fantasy of infinite growth, the theater is not deluded about its nature, origins, and destiny. At its best, the theater gathers artist and audience in one space to die together for a little while, to consciously waste, and not spend, their time." 2021-02-10T15:02:08Z 2021-02-10T15:02:08Z 2020-06-08T09:02:26Z 2020 book OCN: 1195487324 http://library.oapen.org/handle/20.500.12657/39464 9781950192892 9781950192885 https://directory.doabooks.org/handle/20.500.12854/39130 eng open access image/jpeg image/jpeg image/jpeg image/jpeg Attribution-NonCommercial-ShareAlike 4.0 International Attribution-NonCommercial-ShareAlike 4.0 International Attribution-NonCommercial-ShareAlike 4.0 International Attribution-NonCommercial-ShareAlike 4.0 International https://library.oapen.org/bitstream/20.500.12657/39464/1/0302.1.00.pdf https://library.oapen.org/bitstream/20.500.12657/39464/1/0302.1.00.pdf https://library.oapen.org/bitstream/20.500.12657/39464/1/0302.1.00.pdf https://library.oapen.org/bitstream/20.500.12657/39464/1/0302.1.00.pdf punctum books 10.21983/P3.0302.1.00 10.21983/P3.0302.1.00 12970da4-0116-4486-b8be-fc9756703ab1 9781950192892 9781950192885 ScholarLed 176 Brooklyn, NY open access
spellingShingle theater
shame
inefficiency
posthumanism
anthropocene
Elfriede Jelinek
thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies
Rizzo, Jessica
Waste
title Waste
title_full Waste
title_fullStr Waste
title_full_unstemmed Waste
title_short Waste
title_sort waste
topic theater
shame
inefficiency
posthumanism
anthropocene
Elfriede Jelinek
thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies
topic_facet theater
shame
inefficiency
posthumanism
anthropocene
Elfriede Jelinek
thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies
url OCN: 1195487324
work_keys_str_mv AT rizzojessica waste