Eduard Hanslick
The present seventh volume of the new historical-critical complete edition of Eduard Hanslick's works contains texts of the years 1864 to 1865, which are for the most part contributions from the Vienna "Presse" and the "Neue Freie Presse", which Hanslick changed to when it was founded in 1864. In...
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| Formato: | Online |
| Lenguaje: | alemán |
| Publicado: |
Böhlau
2021
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| Acceso en línea: | 437212 |
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| _version_ | 1869514061333397504 |
|---|---|
| author | Strauß, Dietmar |
| author_browse | Strauß, Dietmar |
| author_facet | Strauß, Dietmar |
| author_sort | Strauß, Dietmar |
| collection | Directory of Open Access Books |
| description | The present seventh volume of the new historical-critical complete edition of Eduard Hanslick's works contains texts of the years 1864 to 1865, which are for the most part contributions from the Vienna "Presse" and the "Neue Freie Presse", which Hanslick changed to when it was founded in 1864.
In terms of content the texts offer a wide range. Apart from topical reviews there are basic essays on musical aesthetics, thoughts on the Italian opera in Vienna, historico-cultural accounts as well as basic reflections about the concert life in Vienna at that time. In particular Hanslick's research on the history of music in Vienna, which leads to "Geschichte des Concertwesens in Wien" published by Wilhelm Braumüller in 1869, shows in various single essays and a huge coherent series in "Oesterreichische Revue".
Some articles were published shortly after in national music journals such as the "Niederrheinische Musik-Zeitung" or the Berlin music journal "Echo". Later Hanslick revised some of them for his well-known anthologies ("Die moderne Oper", "Aus dem Concertsaal. Geschichte des Concertwesens in Wien, II"). As before these texts were provided with lists of readings, which are printed subsequent to the respective article. The principles of publication did not change. Minor variations are: different spelling, change from spaced writing to normal distance of characters or vice versa, slight modifications of the wording, updating or additions. Major changes mainly consist in leaving out large parts of the text or rearranging text passages from different sources regarding particular subjects. The basic change in Hanslick's occupation as a critic that is his stronger attention to reviewing the performance, - as can be seen from the 1860s in particular - cannot be substantiated so well by his own editions, because he often left out parts related to the concert. From that point of view this edition not only provides a better overview of the Vienna concert life in these years than Hanslick's own edition but it also notes down in a much more precise way his changed approach to writing. Most of the texts, however, are completely unknown today.
The essay in the comment part deals with Hanslick's change to the "Neue Freie Presse" and the importance of the latter for the circle of its authors.
As before the notes characterize every single text briefly and analyse them according to their aesthetic relevance.
The volume ends with a scientific apparatus (list of emended printing errors, list of abbreviations, bibliography and index of names). |
| format | Online |
| id | doab-20.500.12854ir-39322 |
| institution | Directory of Open Access Books |
| language | ger |
| publishDate | 2021 |
| publishDateRange | 2021 |
| publishDateSort | 2021 |
| publisher | Böhlau |
| publisherStr | Böhlau |
| record_format | ojs |
| spelling | doab-20.500.12854ir-393222025-02-13T03:59:28Z Eduard Hanslick Strauß, Dietmar aesthetics of music music of the 19th century Wagner Verdi and Italian Opera history of concerts in Vienna sources of Anti-Wagnerism Gesang Ludwig van Beethoven Wien thema EDItEUR::A The Arts::AV Music The present seventh volume of the new historical-critical complete edition of Eduard Hanslick's works contains texts of the years 1864 to 1865, which are for the most part contributions from the Vienna "Presse" and the "Neue Freie Presse", which Hanslick changed to when it was founded in 1864. In terms of content the texts offer a wide range. Apart from topical reviews there are basic essays on musical aesthetics, thoughts on the Italian opera in Vienna, historico-cultural accounts as well as basic reflections about the concert life in Vienna at that time. In particular Hanslick's research on the history of music in Vienna, which leads to "Geschichte des Concertwesens in Wien" published by Wilhelm Braumüller in 1869, shows in various single essays and a huge coherent series in "Oesterreichische Revue". Some articles were published shortly after in national music journals such as the "Niederrheinische Musik-Zeitung" or the Berlin music journal "Echo". Later Hanslick revised some of them for his well-known anthologies ("Die moderne Oper", "Aus dem Concertsaal. Geschichte des Concertwesens in Wien, II"). As before these texts were provided with lists of readings, which are printed subsequent to the respective article. The principles of publication did not change. Minor variations are: different spelling, change from spaced writing to normal distance of characters or vice versa, slight modifications of the wording, updating or additions. Major changes mainly consist in leaving out large parts of the text or rearranging text passages from different sources regarding particular subjects. The basic change in Hanslick's occupation as a critic that is his stronger attention to reviewing the performance, - as can be seen from the 1860s in particular - cannot be substantiated so well by his own editions, because he often left out parts related to the concert. From that point of view this edition not only provides a better overview of the Vienna concert life in these years than Hanslick's own edition but it also notes down in a much more precise way his changed approach to writing. Most of the texts, however, are completely unknown today. The essay in the comment part deals with Hanslick's change to the "Neue Freie Presse" and the importance of the latter for the circle of its authors. As before the notes characterize every single text briefly and analyse them according to their aesthetic relevance. The volume ends with a scientific apparatus (list of emended printing errors, list of abbreviations, bibliography and index of names). Der vorliegende siebte Band der neuen historisch-kritischen Gesamtausgabe der Schriften von Eduard Hanslick enthält Texte der Jahre 1864 bis 1865. Es sind überwiegend Beiträge aus der Wiener "Presse" und der "Neuen Freien Presse", zu der Hanslick mit der Gründung im Jahr 1864 wechselte. Inhaltlich sind die Texte weit gestreut. Neben Tageskritiken stehen grundsätzliche musikästhetische Essays, Gedanken zur italienischen Oper in Wien, kulturhistorische Darstellungen, aber auch grundsätzliche Reflexionen zum aktuellen Wiener Konzertleben. Insbesondere seine Forschungen zur Wiener Musikgeschichte, die zu der 1869 bei Wilhelm Braumüller erschienenen "Geschichte des Concertwesens in Wien" führen, sind in dieser Zeit mit verschiedenen Einzelessays und einer großen zusammenhängenden Reihe in der "Oesterreichischen Revue" dokumentiert. Manche Artikel erschienen kurz darauf in überregionalen Musikzeitschriften wie der "Niederrheinischen Musik-Zeitung" oder der Berliner Musikzeitung "Echo". Einen Teil überarbeitete Hanslick später für seine bekannten Sammelbände ("Die moderne Oper", "Aus dem Concertsaal. Geschichte des Concertwesens in Wien, II"). Für diese Texte wurden wie bisher Lesartenverzeichnisse erstellt, die im Anschluss an die jeweiligen Zeitungsartikel abgedruckt sind. Die Editionsprinzipien blieben gleich. Geringfügigere Varianten sind: andere Schreibweise, Wechsel von Sperrdruck zu normalem Zeichenabstand oder umgekehrt, kleinere Formulierungsänderungen, Aktualisierungen oder Hinzufügungen. Gravierende Änderungen bestehen hauptsächlich im Wegfall großer Textpartien oder der Neumontage von Textpassagen aus verschiedenen Quellen zu bestimmten Themen. Die grundsätzliche Änderung in Hanslicks Kritikertätigkeit, wie sie gerade ab den 1860-er Jahren festzustellen ist, nämlich seine stärkere Zuwendung zur Leistungskritik, kann man an seinen eigenen Editionen nicht so gut belegen, weil er oft aufführungsbezogene Teile weggelassen hat. Insofern gibt diese Ausgabe nicht nur einen besseren Überblick über das Wiener Konzertleben dieser Jahre als Hanslicks eigene Edition, sondern verzeichnet viel genauer seine geänderte Schreibhaltung. Die meisten Texte jedoch sind heute gänzlich unbekannt. Der Essay im Kommentarteil beschäftigt sich mit Hanslicks Wechsel zur "Neuen Freien Presse", ihrer Bedeutung im Umfeld ihrer Autoren. Die Erläuterungen kommentieren wie bisher die einzelnen Texte knapp und befragen sie auf ihre ästhetische Relevanz hin. Der Band schließt mit einem wissenschaftlichen Apparat (Verzeichnis der emendierten Druckfehler, Abkürzungsverzeichnis, Literaturverzeichnis und Personenindex). 2021-02-10T12:58:18Z 2013-12-31 23:55:55 2020-02-04 12:52:31 2020-04-01T15:11:26Z 2011 book 437212 OCN: 1030814152 http://library.oapen.org/handle/20.500.12657/34367 https://directory.doabooks.org/handle/20.500.12854/39322 ger open access image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg https://library.oapen.org/bitstream/20.500.12657/34367/1/437212.pdf https://library.oapen.org/bitstream/20.500.12657/34367/1/437212.pdf https://library.oapen.org/bitstream/20.500.12657/34367/1/437212.pdf https://library.oapen.org/bitstream/20.500.12657/34367/1/437212.pdf https://library.oapen.org/bitstream/20.500.12657/34367/1/437212.pdf https://library.oapen.org/bitstream/20.500.12657/34367/1/437212.pdf Böhlau 10.26530/oapen_437212 10.26530/oapen_437212 Austrian Science Fund 26ae1657-c58f-4f1d-a392-585ee75c293e Austrian Science Fund (FWF) Böhlau 610 Wien; München D 4272 open access |
| spellingShingle | aesthetics of music music of the 19th century Wagner Verdi and Italian Opera history of concerts in Vienna sources of Anti-Wagnerism Gesang Ludwig van Beethoven Wien thema EDItEUR::A The Arts::AV Music Strauß, Dietmar Eduard Hanslick |
| title | Eduard Hanslick |
| title_full | Eduard Hanslick |
| title_fullStr | Eduard Hanslick |
| title_full_unstemmed | Eduard Hanslick |
| title_short | Eduard Hanslick |
| title_sort | eduard hanslick |
| topic | aesthetics of music music of the 19th century Wagner Verdi and Italian Opera history of concerts in Vienna sources of Anti-Wagnerism Gesang Ludwig van Beethoven Wien thema EDItEUR::A The Arts::AV Music |
| topic_facet | aesthetics of music music of the 19th century Wagner Verdi and Italian Opera history of concerts in Vienna sources of Anti-Wagnerism Gesang Ludwig van Beethoven Wien thema EDItEUR::A The Arts::AV Music |
| url | 437212 |
| work_keys_str_mv | AT straußdietmar eduardhanslick |