The Greatest Films Never Seen: The Film Archive and the Copyright Smokescreen

Orphan works, or artworks for which no copyright holder is traceable, pose a growing problem for museums, archives, and other heritage institutions. As they come under more and more pressure to digitize and share their archives, they are often hampered by the uncertain rights status of items in thei...

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المؤلف الرئيسي: Op den Kamp, Claudy
التنسيق: Online
اللغة:الإنجليزية
منشور في: Amsterdam University Press 2021
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الوصول للمادة أونلاين:1005808
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author Op den Kamp, Claudy
author_browse Op den Kamp, Claudy
author_facet Op den Kamp, Claudy
author_sort Op den Kamp, Claudy
collection Directory of Open Access Books
description Orphan works, or artworks for which no copyright holder is traceable, pose a growing problem for museums, archives, and other heritage institutions. As they come under more and more pressure to digitize and share their archives, they are often hampered by the uncertain rights status of items in their collections. This book uses the prism of copyright to reconsider human agency and the politics of the archive, and asks what the practical implications are for educational institutions, the creative industries, and the general public.  
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spelling doab-20.500.12854ir-394932024-05-14T21:58:15Z The Greatest Films Never Seen: The Film Archive and the Copyright Smokescreen Op den Kamp, Claudy Film Studies thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism Orphan works, or artworks for which no copyright holder is traceable, pose a growing problem for museums, archives, and other heritage institutions. As they come under more and more pressure to digitize and share their archives, they are often hampered by the uncertain rights status of items in their collections. This book uses the prism of copyright to reconsider human agency and the politics of the archive, and asks what the practical implications are for educational institutions, the creative industries, and the general public.   2021-02-10T12:58:18Z 2019-11-06 23:55 2020-03-27 15:48:21 2020-04-01T09:55:40Z 2017 book 1005808 OCN: 1066190641 http://library.oapen.org/handle/20.500.12657/24323 9789462981393 https://directory.doabooks.org/handle/20.500.12854/39493 eng Framing Film open access image/jpeg image/jpeg image/jpeg image/jpeg https://library.oapen.org/bitstream/20.500.12657/24323/1/1005808.pdf https://library.oapen.org/bitstream/20.500.12657/24323/1/1005808.pdf https://library.oapen.org/bitstream/20.500.12657/24323/1/1005808.pdf https://library.oapen.org/bitstream/20.500.12657/24323/1/1005808.pdf Amsterdam University Press 10.2307/j.ctv7r41zm 10.2307/j.ctv7r41zm de2ecbe7-1037-4e96-8c3a-5a842d921e04 9789462981393 174 Amsterdam open access
spellingShingle Film Studies
thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
Op den Kamp, Claudy
The Greatest Films Never Seen: The Film Archive and the Copyright Smokescreen
title The Greatest Films Never Seen: The Film Archive and the Copyright Smokescreen
title_full The Greatest Films Never Seen: The Film Archive and the Copyright Smokescreen
title_fullStr The Greatest Films Never Seen: The Film Archive and the Copyright Smokescreen
title_full_unstemmed The Greatest Films Never Seen: The Film Archive and the Copyright Smokescreen
title_short The Greatest Films Never Seen: The Film Archive and the Copyright Smokescreen
title_sort greatest films never seen the film archive and the copyright smokescreen
topic Film Studies
thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
topic_facet Film Studies
thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
url 1005808
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