Don Carlos Infante of Spain: A Dramatic Poem

Schiller’s Don Carlos, written ten years before his great Wallenstein trilogy, testifies to the young playwright’s growing power. First performed in 1787, it stands at the culmination of Schiller’s formative development as a dramatist and is the first play written in his characteristic iambic pentam...

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Main Authors: Schiller, Friedrich, Kimmich, Flora (Translator)
Format: Online
Language:English
Published: Open Book Publishers 2021
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Online Access:27046
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author Schiller, Friedrich
Kimmich, Flora (Translator)
author_browse Kimmich, Flora (Translator)
Schiller, Friedrich
author_facet Schiller, Friedrich
Kimmich, Flora (Translator)
author_sort Schiller, Friedrich
collection Directory of Open Access Books
description Schiller’s Don Carlos, written ten years before his great Wallenstein trilogy, testifies to the young playwright’s growing power. First performed in 1787, it stands at the culmination of Schiller’s formative development as a dramatist and is the first play written in his characteristic iambic pentameter. Don Carlos plunges the audience into the dangerous political and personal struggles that rupture the court of the Spanish King Philip II in 1658. The autocratic king’s son Don Carlos is caught between his political ideals, fostered by his friendship with the charismatic Marquis Posa, and his doomed love for his stepmother Elisabeth of Valois. These twin passions set him against his father, the brooding and tormented Philip, and the terrible power of the Catholic Church, represented in the play by the indelible figure of the Grand Inquisitor. Schiller described Don Carlos as "a family portrait in a princely house." It interweaves political machinations with powerful personal relationships to create a complex and resonant tragedy. The conflict between absolutism and liberty appealed not only to audiences but also to other artists and gave rise to several operas, not least to Verdi’s great Don Carlos of 1867. The play, which the playwright never finished to his satisfaction, lives on nonetheless among his best-loved works and is translated here with flair and skill by Flora Kimmich. Like her translations of Schiller’s Wallenstein and his Fiesco’s Conspiracy at Genoa, this is a lively and accessible rendering of a classic text. As with all books in the Open Book Classics series, it is supported by an introduction and notes that will inform and enlighten both the student and the general reader.
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spelling doab-20.500.12854ir-453782022-01-31T09:40:40Z Don Carlos Infante of Spain: A Dramatic Poem Schiller, Friedrich Kimmich, Flora (Translator) PT1-4897 PN2000-3307 glossary german drama European literature and history translation Frederich Schiller iambic pentameter Don Carlos Infante of Spain commentary Schiller’s Don Carlos, written ten years before his great Wallenstein trilogy, testifies to the young playwright’s growing power. First performed in 1787, it stands at the culmination of Schiller’s formative development as a dramatist and is the first play written in his characteristic iambic pentameter. Don Carlos plunges the audience into the dangerous political and personal struggles that rupture the court of the Spanish King Philip II in 1658. The autocratic king’s son Don Carlos is caught between his political ideals, fostered by his friendship with the charismatic Marquis Posa, and his doomed love for his stepmother Elisabeth of Valois. These twin passions set him against his father, the brooding and tormented Philip, and the terrible power of the Catholic Church, represented in the play by the indelible figure of the Grand Inquisitor. Schiller described Don Carlos as "a family portrait in a princely house." It interweaves political machinations with powerful personal relationships to create a complex and resonant tragedy. The conflict between absolutism and liberty appealed not only to audiences but also to other artists and gave rise to several operas, not least to Verdi’s great Don Carlos of 1867. The play, which the playwright never finished to his satisfaction, lives on nonetheless among his best-loved works and is translated here with flair and skill by Flora Kimmich. Like her translations of Schiller’s Wallenstein and his Fiesco’s Conspiracy at Genoa, this is a lively and accessible rendering of a classic text. As with all books in the Open Book Classics series, it is supported by an introduction and notes that will inform and enlighten both the student and the general reader. 2021-02-11T11:40:20Z 2021-02-11T11:40:20Z 2018-06-19 15:01:52 2018 book 27046 2054216X 20542178 0 9781783744466 9781783744480 https://directory.doabooks.org/handle/20.500.12854/45378 eng Open Book Classics application/octet-stream Attribution 4.0 International https://www.openbookpublishers.com/product/711 https://www.openbookpublishers.com/reader/711 Open Book Publishers http://doi.org/10.11647/OBP.0134 http://doi.org/10.11647/OBP.0134 b014b543-78bd-4c3b-bc71-b68e2ac855b9 9781783744466 9781783744480 212 open access
spellingShingle PT1-4897
PN2000-3307
glossary
german drama
European literature and history
translation
Frederich Schiller
iambic pentameter
Don Carlos Infante of Spain
commentary
Schiller, Friedrich
Kimmich, Flora (Translator)
Don Carlos Infante of Spain: A Dramatic Poem
title Don Carlos Infante of Spain: A Dramatic Poem
title_full Don Carlos Infante of Spain: A Dramatic Poem
title_fullStr Don Carlos Infante of Spain: A Dramatic Poem
title_full_unstemmed Don Carlos Infante of Spain: A Dramatic Poem
title_short Don Carlos Infante of Spain: A Dramatic Poem
title_sort don carlos infante of spain a dramatic poem
topic PT1-4897
PN2000-3307
glossary
german drama
European literature and history
translation
Frederich Schiller
iambic pentameter
Don Carlos Infante of Spain
commentary
topic_facet PT1-4897
PN2000-3307
glossary
german drama
European literature and history
translation
Frederich Schiller
iambic pentameter
Don Carlos Infante of Spain
commentary
url 27046
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