Faking, Forging, Counterfeiting
Forgeries are an omnipresent part of our culture. They are closely related to historically and culturally informed ideas of authenticity, legality, authorship, creativity, tradition and innovation. Based on the concept of mimesis, the volume illustrates that forgeries are thus not to be understood a...
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| Główni autorzy: | , , |
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| Format: | Online |
| Język: | angielski |
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transcript Verlag
2021
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| Hasła przedmiotowe: | |
| Dostęp online: | 26162 |
| Etykiety: |
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| _version_ | 1869526185607692288 |
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| author | Becker, Daniel Niehoff, Simone Fischer, Annalisa |
| author_browse | Becker, Daniel Fischer, Annalisa Niehoff, Simone |
| author_facet | Becker, Daniel Niehoff, Simone Fischer, Annalisa |
| author_sort | Becker, Daniel |
| collection | Directory of Open Access Books |
| description | Forgeries are an omnipresent part of our culture. They are closely related to historically and culturally informed ideas of authenticity, legality, authorship, creativity, tradition and innovation. Based on the concept of mimesis, the volume illustrates that forgeries are thus not to be understood as a negative copy or disgraced rip-off of an original – but as an autonomous aesthetic practice, a creative act in itself. The contributions focus on such different implementations such as faked traditions, pseudotranslations, imposters, identity theft, and hoaxes in different arts and historic contexts. Most importantly, they scrutinize the bonds and borders between original and forgery, and turn out their epistemic capability. |
| format | Online |
| id | doab-20.500.12854ir-47359 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2021 |
| publishDateRange | 2021 |
| publishDateSort | 2021 |
| publisher | transcript Verlag |
| publisherStr | transcript Verlag |
| record_format | ojs |
| spelling | doab-20.500.12854ir-473592024-03-25T18:27:53Z Faking, Forging, Counterfeiting Becker, Daniel Niehoff, Simone Fischer, Annalisa D1-2009 Translation Art Literature Cultural History Aesthetic Practice Creativity Arts Faked Tradition Theory of Art Copy Cultural Studies Imitation Media Aesthetics Cultural Transfer General Literature Studies Forgery Pseudotranslation Identity Theft Hoax Original Culture Imposter thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose Forgeries are an omnipresent part of our culture. They are closely related to historically and culturally informed ideas of authenticity, legality, authorship, creativity, tradition and innovation. Based on the concept of mimesis, the volume illustrates that forgeries are thus not to be understood as a negative copy or disgraced rip-off of an original – but as an autonomous aesthetic practice, a creative act in itself. The contributions focus on such different implementations such as faked traditions, pseudotranslations, imposters, identity theft, and hoaxes in different arts and historic contexts. Most importantly, they scrutinize the bonds and borders between original and forgery, and turn out their epistemic capability. 2021-02-11T13:25:34Z 2021-02-11T13:25:34Z 2018-03-16 11:02:30 2017 book 26162 9783839437629 https://directory.doabooks.org/handle/20.500.12854/47359 eng Edition Kulturwissenschaft application/octet-stream Attribution-NonCommercial-NoDerivatives 4.0 International http://www.transcript-verlag.de/978-3-8376-3762-5/ http://www.transcript-verlag.de/978-3-8376-3762-5/ transcript Verlag 7e97f9b9-be2b-4d9c-a928-3c8ebdfa443c 969f21b5-ac00-4517-9de2-44973eec6874 9783839437629 101227 Knowledge Unlatched open access |
| spellingShingle | D1-2009 Translation Art Literature Cultural History Aesthetic Practice Creativity Arts Faked Tradition Theory of Art Copy Cultural Studies Imitation Media Aesthetics Cultural Transfer General Literature Studies Forgery Pseudotranslation Identity Theft Hoax Original Culture Imposter thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose Becker, Daniel Niehoff, Simone Fischer, Annalisa Faking, Forging, Counterfeiting |
| title | Faking, Forging, Counterfeiting |
| title_full | Faking, Forging, Counterfeiting |
| title_fullStr | Faking, Forging, Counterfeiting |
| title_full_unstemmed | Faking, Forging, Counterfeiting |
| title_short | Faking, Forging, Counterfeiting |
| title_sort | faking forging counterfeiting |
| topic | D1-2009 Translation Art Literature Cultural History Aesthetic Practice Creativity Arts Faked Tradition Theory of Art Copy Cultural Studies Imitation Media Aesthetics Cultural Transfer General Literature Studies Forgery Pseudotranslation Identity Theft Hoax Original Culture Imposter thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose |
| topic_facet | D1-2009 Translation Art Literature Cultural History Aesthetic Practice Creativity Arts Faked Tradition Theory of Art Copy Cultural Studies Imitation Media Aesthetics Cultural Transfer General Literature Studies Forgery Pseudotranslation Identity Theft Hoax Original Culture Imposter thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DN Biography and non-fiction prose |
| url | 26162 |
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