Genre und Gemeinsinn. Hollywood zwischen Krieg und Demokratie

Based on the premise that a society’s sense of commonality depends upon media practices of political communitarization, this study examines how Hollywood was deployed during the Second World War. It shows that Hollywood responded to the crisis of democracy in the war by creating a new genre. Using a...

Täydet tiedot

Tallennettuna:
Bibliografiset tiedot
Päätekijä: Kappelhoff, Hermann
Aineistotyyppi: Online
Kieli:saksa
Julkaistu: De Gruyter 2021
Aiheet:
Linkit:20212
Tagit: Lisää tagi
Ei tageja, Lisää ensimmäinen tagi!
_version_ 1869529099925454848
author Kappelhoff, Hermann
author_browse Kappelhoff, Hermann
author_facet Kappelhoff, Hermann
author_sort Kappelhoff, Hermann
collection Directory of Open Access Books
description Based on the premise that a society’s sense of commonality depends upon media practices of political communitarization, this study examines how Hollywood was deployed during the Second World War. It shows that Hollywood responded to the crisis of democracy in the war by creating a new genre. Using an affective theory of genre cinema, it offers a new characterization of the relationship between politics and poetics in forming commonality.
format Online
id doab-20.500.12854ir-48435
institution Directory of Open Access Books
language ger
publishDate 2021
publishDateRange 2021
publishDateSort 2021
publisher De Gruyter
publisherStr De Gruyter
record_format ojs
spelling doab-20.500.12854ir-484352023-12-20T16:24:11Z Genre und Gemeinsinn. Hollywood zwischen Krieg und Demokratie Kappelhoff, Hermann JC11-607 PN1993-1999 poetics of affect War films genre theory sense of commonality bic Book Industry Communication::J Society & social sciences::JP Politics & government::JPF Political ideologies Based on the premise that a society’s sense of commonality depends upon media practices of political communitarization, this study examines how Hollywood was deployed during the Second World War. It shows that Hollywood responded to the crisis of democracy in the war by creating a new genre. Using an affective theory of genre cinema, it offers a new characterization of the relationship between politics and poetics in forming commonality. 2021-02-11T14:26:34Z 2021-02-11T14:26:34Z 2017-01-25 14:32:03 2016 book 20212 2509-436X 9783110466966 9783110467147 https://directory.doabooks.org/handle/20.500.12854/48435 ger Cinepoetics. Poetologien audiovisueller Bilder image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International https://doi.org/10.1515/9783110466966 De Gruyter 10.1515/9783110466966 10.1515/9783110466966 af2fbfcc-ee87-43d8-a035-afb9d7eef6a5 9783110466966 9783110467147 xii, 420 open access
spellingShingle JC11-607
PN1993-1999
poetics of affect
War films
genre theory
sense of commonality
bic Book Industry Communication::J Society & social sciences::JP Politics & government::JPF Political ideologies
Kappelhoff, Hermann
Genre und Gemeinsinn. Hollywood zwischen Krieg und Demokratie
title Genre und Gemeinsinn. Hollywood zwischen Krieg und Demokratie
title_full Genre und Gemeinsinn. Hollywood zwischen Krieg und Demokratie
title_fullStr Genre und Gemeinsinn. Hollywood zwischen Krieg und Demokratie
title_full_unstemmed Genre und Gemeinsinn. Hollywood zwischen Krieg und Demokratie
title_short Genre und Gemeinsinn. Hollywood zwischen Krieg und Demokratie
title_sort genre und gemeinsinn hollywood zwischen krieg und demokratie
topic JC11-607
PN1993-1999
poetics of affect
War films
genre theory
sense of commonality
bic Book Industry Communication::J Society & social sciences::JP Politics & government::JPF Political ideologies
topic_facet JC11-607
PN1993-1999
poetics of affect
War films
genre theory
sense of commonality
bic Book Industry Communication::J Society & social sciences::JP Politics & government::JPF Political ideologies
url 20212
work_keys_str_mv AT kappelhoffhermann genreundgemeinsinnhollywoodzwischenkriegunddemokratie