Japanese Media Cultures in Japan and Abroad: Transnational Consumption of Manga, Anime, and Media-Mixes
In the last few decades, Japanese popular culture productions have been consolidated as one of the most influential and profitable global industries. As a creative industry, Japanese Media-Mixes generate multimillion-dollar revenues, being a product of international synergies and the natural appeal...
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| Үндсэн зохиолч: | |
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| Формат: | Online |
| Хэл сонгох: | англи |
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MDPI - Multidisciplinary Digital Publishing Institute
2021
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| Нөхцлүүд: | |
| Онлайн хандалт: | 33716 |
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Шошго байхгүй, Энэхүү баримтыг шошголох эхний хүн болох!
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| _version_ | 1869526707827900416 |
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| author | Hernández-Pérez, Manuel |
| author_browse | Hernández-Pérez, Manuel |
| author_facet | Hernández-Pérez, Manuel |
| author_sort | Hernández-Pérez, Manuel |
| collection | Directory of Open Access Books |
| description | In the last few decades, Japanese popular culture productions have been consolidated as one of the most influential and profitable global industries. As a creative industry, Japanese Media-Mixes generate multimillion-dollar revenues, being a product of international synergies and the natural appeal of the characters and stories. The transnationalization of investment capital, diversification of themes and (sub)genres, underlying threat in the proliferation of illegal audiences, development of internet streaming technologies, and other new transformations in media-mix-based production models make the study of these products even more relevant today. In this way, manga (Japanese comics), anime (Japanese animation), and video games are not necessarily products designed for the national market. More than ever, it is necessary to reconcile national and transnational positions for the study of this cultural production.The present volume includes contributions aligned to the analysis of Japanese popular culture flow from many perspectives (cultural studies, film, comic studies, sociology, etc.), although we have emphasized the relationships between manga, anime, and international audiences. The selected works include the following topics:• Studies on audiences—national and transnational case studies;• Fandom production and Otaku culture;• Cross-media and transmedia perspectives;• Theoretical perspectives on manga, anime, and media-mixes. |
| format | Online |
| id | doab-20.500.12854ir-50784 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2021 |
| publishDateRange | 2021 |
| publishDateSort | 2021 |
| publisher | MDPI - Multidisciplinary Digital Publishing Institute |
| publisherStr | MDPI - Multidisciplinary Digital Publishing Institute |
| record_format | ojs |
| spelling | doab-20.500.12854ir-507842024-03-23T14:57:44Z Japanese Media Cultures in Japan and Abroad: Transnational Consumption of Manga, Anime, and Media-Mixes Hernández-Pérez, Manuel NX1-820 transnational animesque co-productions live performance technological specificity scholarship manga transnational animation production Prince of Tennis export voice actors trans-acculturation 2.5-Dimensional musicals Japan Europe transduction Niconico creative industries manga and anime Japanese cultural studies global popular TV studies Japanese animation market youth cultures OEL manga bande dessinée comics audience participation media global manga characters Sakura Wars media-form dispersed agency identity media mix editorial kawaii transnationality materiality media-mix performance Japanese studies Kadokawa Dwango fan culture anime thema EDItEUR::A The Arts In the last few decades, Japanese popular culture productions have been consolidated as one of the most influential and profitable global industries. As a creative industry, Japanese Media-Mixes generate multimillion-dollar revenues, being a product of international synergies and the natural appeal of the characters and stories. The transnationalization of investment capital, diversification of themes and (sub)genres, underlying threat in the proliferation of illegal audiences, development of internet streaming technologies, and other new transformations in media-mix-based production models make the study of these products even more relevant today. In this way, manga (Japanese comics), anime (Japanese animation), and video games are not necessarily products designed for the national market. More than ever, it is necessary to reconcile national and transnational positions for the study of this cultural production.The present volume includes contributions aligned to the analysis of Japanese popular culture flow from many perspectives (cultural studies, film, comic studies, sociology, etc.), although we have emphasized the relationships between manga, anime, and international audiences. The selected works include the following topics:• Studies on audiences—national and transnational case studies;• Fandom production and Otaku culture;• Cross-media and transmedia perspectives;• Theoretical perspectives on manga, anime, and media-mixes. 2021-02-11T16:48:59Z 2021-02-11T16:48:59Z 2019-06-26 08:44:07 2019 book 33716 9783039210084 9783039210091 https://directory.doabooks.org/handle/20.500.12854/50784 eng image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International https://mdpi.com/books/pdfview/book/1386 MDPI - Multidisciplinary Digital Publishing Institute 10.3390/books978-3-03921-009-1 10.3390/books978-3-03921-009-1 46cabcaa-dd94-4bfe-87b4-55023c1b36d0 9783039210084 9783039210091 162 open access |
| spellingShingle | NX1-820 transnational animesque co-productions live performance technological specificity scholarship manga transnational animation production Prince of Tennis export voice actors trans-acculturation 2.5-Dimensional musicals Japan Europe transduction Niconico creative industries manga and anime Japanese cultural studies global popular TV studies Japanese animation market youth cultures OEL manga bande dessinée comics audience participation media global manga characters Sakura Wars media-form dispersed agency identity media mix editorial kawaii transnationality materiality media-mix performance Japanese studies Kadokawa Dwango fan culture anime thema EDItEUR::A The Arts Hernández-Pérez, Manuel Japanese Media Cultures in Japan and Abroad: Transnational Consumption of Manga, Anime, and Media-Mixes |
| title | Japanese Media Cultures in Japan and Abroad: Transnational Consumption of Manga, Anime, and Media-Mixes |
| title_full | Japanese Media Cultures in Japan and Abroad: Transnational Consumption of Manga, Anime, and Media-Mixes |
| title_fullStr | Japanese Media Cultures in Japan and Abroad: Transnational Consumption of Manga, Anime, and Media-Mixes |
| title_full_unstemmed | Japanese Media Cultures in Japan and Abroad: Transnational Consumption of Manga, Anime, and Media-Mixes |
| title_short | Japanese Media Cultures in Japan and Abroad: Transnational Consumption of Manga, Anime, and Media-Mixes |
| title_sort | japanese media cultures in japan and abroad transnational consumption of manga anime and media mixes |
| topic | NX1-820 transnational animesque co-productions live performance technological specificity scholarship manga transnational animation production Prince of Tennis export voice actors trans-acculturation 2.5-Dimensional musicals Japan Europe transduction Niconico creative industries manga and anime Japanese cultural studies global popular TV studies Japanese animation market youth cultures OEL manga bande dessinée comics audience participation media global manga characters Sakura Wars media-form dispersed agency identity media mix editorial kawaii transnationality materiality media-mix performance Japanese studies Kadokawa Dwango fan culture anime thema EDItEUR::A The Arts |
| topic_facet | NX1-820 transnational animesque co-productions live performance technological specificity scholarship manga transnational animation production Prince of Tennis export voice actors trans-acculturation 2.5-Dimensional musicals Japan Europe transduction Niconico creative industries manga and anime Japanese cultural studies global popular TV studies Japanese animation market youth cultures OEL manga bande dessinée comics audience participation media global manga characters Sakura Wars media-form dispersed agency identity media mix editorial kawaii transnationality materiality media-mix performance Japanese studies Kadokawa Dwango fan culture anime thema EDItEUR::A The Arts |
| url | 33716 |
| work_keys_str_mv | AT hernandezperezmanuel japanesemediaculturesinjapanandabroadtransnationalconsumptionofmangaanimeandmediamixes |