The New Woman International: Representations in Photography and Film from the 1870s through the 1960s

Images of flappers, garçonnes, Modern Girls, neue Frauen, and trampky—all embodiments of the dashing New Woman—symbolized an expanded public role for women from the suffragist era through the dawn of 1960s feminism. Chronicling nearly a century of global challenges to gender norms, The New Woman Int...

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Главный автор: Elizabeth Otto and Vanessa Rocco, Editors
Формат: Online
Язык:английский
Опубликовано: University of Michigan Press 2021
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Online-ссылка:14508
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author Elizabeth Otto and Vanessa Rocco, Editors
author_browse Elizabeth Otto and Vanessa Rocco, Editors
author_facet Elizabeth Otto and Vanessa Rocco, Editors
author_sort Elizabeth Otto and Vanessa Rocco, Editors
collection Directory of Open Access Books
description Images of flappers, garçonnes, Modern Girls, neue Frauen, and trampky—all embodiments of the dashing New Woman—symbolized an expanded public role for women from the suffragist era through the dawn of 1960s feminism. Chronicling nearly a century of global challenges to gender norms, The New Woman International: Representations in Photography and Film from the 1870s through the 1960s is the first book to examine modern femininity's ongoing relationship with the nineteenth and twentieth centuries' most influential new media: photography and film. This volume examines the ways in which novel ideas about women's roles in society and politics were disseminated through these technological media, and it probes the significance of radical changes in female fashion, appearance, and sexual identity. Additionally, these original essays explore the manner in which New Women artists used photography and film to respond creatively to gendered stereotypes and to reconceive of ways of being a woman in a rapidly modernizing world. The New Woman International brings together different generations of scholars and curators who are experts in gender, photography, literature, mass media, and film to analyze the New Woman from her inception in the later nineteenth century through her full development in the interwar period, and the expansion of her forms in subsequent decades. Arranged both chronologically and thematically, these essays show how controversial female ideals figured in discourses including those on gender norms, race, technology, sexuality, female agency, science, media representation, modernism, commercial culture, internationalism, colonialism, and transnational modernity. In exploring these topics through images that range from montages to newspapers' halftone prints to film stills, this book investigates the terms of gendered representation as a process in which women were as much agents as allegories. Inaugurating a new chapter in the scholarship of representation and New Womanhood and spanning North America, Western and Eastern Europe, Asia, and the colonial contexts of Africa and the Pacific, this volume reveals the ways in which a feminine ideal circled the globe to be translated into numerous visual languages.
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spelling doab-20.500.12854ir-546422025-02-04T09:18:44Z The New Woman International: Representations in Photography and Film from the 1870s through the 1960s Elizabeth Otto and Vanessa Rocco, Editors HQ1101-2030.7 Women -- History Photography of women -- History Feminism -- History bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFF Social issues & processes::JFFK Feminism & feminist theory Images of flappers, garçonnes, Modern Girls, neue Frauen, and trampky—all embodiments of the dashing New Woman—symbolized an expanded public role for women from the suffragist era through the dawn of 1960s feminism. Chronicling nearly a century of global challenges to gender norms, The New Woman International: Representations in Photography and Film from the 1870s through the 1960s is the first book to examine modern femininity's ongoing relationship with the nineteenth and twentieth centuries' most influential new media: photography and film. This volume examines the ways in which novel ideas about women's roles in society and politics were disseminated through these technological media, and it probes the significance of radical changes in female fashion, appearance, and sexual identity. Additionally, these original essays explore the manner in which New Women artists used photography and film to respond creatively to gendered stereotypes and to reconceive of ways of being a woman in a rapidly modernizing world. The New Woman International brings together different generations of scholars and curators who are experts in gender, photography, literature, mass media, and film to analyze the New Woman from her inception in the later nineteenth century through her full development in the interwar period, and the expansion of her forms in subsequent decades. Arranged both chronologically and thematically, these essays show how controversial female ideals figured in discourses including those on gender norms, race, technology, sexuality, female agency, science, media representation, modernism, commercial culture, internationalism, colonialism, and transnational modernity. In exploring these topics through images that range from montages to newspapers' halftone prints to film stills, this book investigates the terms of gendered representation as a process in which women were as much agents as allegories. Inaugurating a new chapter in the scholarship of representation and New Womanhood and spanning North America, Western and Eastern Europe, Asia, and the colonial contexts of Africa and the Pacific, this volume reveals the ways in which a feminine ideal circled the globe to be translated into numerous visual languages. 2021-02-11T20:59:26Z 2021-02-11T20:59:26Z 2012-04-06 14:29:55 2011 book 14508 9780472051045 9780472071043 https://directory.doabooks.org/handle/20.500.12854/54642 eng image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International http://www.press.umich.edu/titleDetailDesc.do?id=997198 http://hdl.handle.net/2027/spo.9475509.0001.001 University of Michigan Press b7359529-e5f7-4510-a59f-d7dafa1d4d17 9780472051045 9780472071043 open access
spellingShingle HQ1101-2030.7
Women -- History
Photography of women -- History
Feminism -- History
bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFF Social issues & processes::JFFK Feminism & feminist theory
Elizabeth Otto and Vanessa Rocco, Editors
The New Woman International: Representations in Photography and Film from the 1870s through the 1960s
title The New Woman International: Representations in Photography and Film from the 1870s through the 1960s
title_full The New Woman International: Representations in Photography and Film from the 1870s through the 1960s
title_fullStr The New Woman International: Representations in Photography and Film from the 1870s through the 1960s
title_full_unstemmed The New Woman International: Representations in Photography and Film from the 1870s through the 1960s
title_short The New Woman International: Representations in Photography and Film from the 1870s through the 1960s
title_sort new woman international representations in photography and film from the 1870s through the 1960s
topic HQ1101-2030.7
Women -- History
Photography of women -- History
Feminism -- History
bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFF Social issues & processes::JFFK Feminism & feminist theory
topic_facet HQ1101-2030.7
Women -- History
Photography of women -- History
Feminism -- History
bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFF Social issues & processes::JFFK Feminism & feminist theory
url 14508
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