The Nordic Ingredient

Notions of the ‘Nordic’ have always been an issue in Norway’s national identity building, both before and after it became a sovereign state in 1905. Accordingly, Norwegian music has expressed a sense of ambivalence towards being conceived as ‘Nordic’ from the outside: A strong sense of ‘Norwegiannes...

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Main Authors: Custodis Michael, Arnulf Christian Mattes
Formato: Online
Idioma:inglês
Publicado em: Waxmann Verlag 2021
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Acesso em linha:50383
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author Custodis Michael
Arnulf Christian Mattes
author_browse Arnulf Christian Mattes
Custodis Michael
author_facet Custodis Michael
Arnulf Christian Mattes
author_sort Custodis Michael
collection Directory of Open Access Books
description Notions of the ‘Nordic’ have always been an issue in Norway’s national identity building, both before and after it became a sovereign state in 1905. Accordingly, Norwegian music has expressed a sense of ambivalence towards being conceived as ‘Nordic’ from the outside: A strong sense of ‘Norwegianness’ (forged during the heroic age of cultural nation-building in the 19th century) was challenged by the advent of new, nationalistic currents in the 1930s, which used notions of the Nordic as a political weapon. This book shows how music expresses affirmation and ambivalence towards the ‘Nordic’ as an ingredient of Norwegian national identity across musical genres. Further, it explores the contingencies of national music and the dramatic changes in 20th-century European political history. At the same time, it sheds new light on the difference between musical nationalism and national music.
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spelling doab-20.500.12854ir-547722024-03-24T11:39:16Z The Nordic Ingredient Custodis Michael Arnulf Christian Mattes M1-5000 D204-475 DD1-905 Breivik Nation Wagner WWII 20th Century Black Metal Music History Norway Music Post-War Grieg Norwegian Culture thema EDItEUR::A The Arts::AV Music Notions of the ‘Nordic’ have always been an issue in Norway’s national identity building, both before and after it became a sovereign state in 1905. Accordingly, Norwegian music has expressed a sense of ambivalence towards being conceived as ‘Nordic’ from the outside: A strong sense of ‘Norwegianness’ (forged during the heroic age of cultural nation-building in the 19th century) was challenged by the advent of new, nationalistic currents in the 1930s, which used notions of the Nordic as a political weapon. This book shows how music expresses affirmation and ambivalence towards the ‘Nordic’ as an ingredient of Norwegian national identity across musical genres. Further, it explores the contingencies of national music and the dramatic changes in 20th-century European political history. At the same time, it sheds new light on the difference between musical nationalism and national music. 2021-02-11T21:08:40Z 2021-02-11T21:08:40Z 2020-11-13 08:27:58 2019 book 50383 9783830938965 https://directory.doabooks.org/handle/20.500.12854/54772 eng Münsteraner Schriften zur zeitgenössischen Musik image/jpeg Attribution-NonCommercial-ShareAlike 4.0 International https://www.waxmann.com/buch3896 Waxmann Verlag 73f853dd-22eb-4606-af25-819fc9d6debf 9783830938965 142 open access
spellingShingle M1-5000
D204-475
DD1-905
Breivik
Nation
Wagner
WWII
20th Century
Black Metal
Music History
Norway
Music
Post-War
Grieg
Norwegian
Culture
thema EDItEUR::A The Arts::AV Music
Custodis Michael
Arnulf Christian Mattes
The Nordic Ingredient
title The Nordic Ingredient
title_full The Nordic Ingredient
title_fullStr The Nordic Ingredient
title_full_unstemmed The Nordic Ingredient
title_short The Nordic Ingredient
title_sort nordic ingredient
topic M1-5000
D204-475
DD1-905
Breivik
Nation
Wagner
WWII
20th Century
Black Metal
Music History
Norway
Music
Post-War
Grieg
Norwegian
Culture
thema EDItEUR::A The Arts::AV Music
topic_facet M1-5000
D204-475
DD1-905
Breivik
Nation
Wagner
WWII
20th Century
Black Metal
Music History
Norway
Music
Post-War
Grieg
Norwegian
Culture
thema EDItEUR::A The Arts::AV Music
url 50383
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