Constructing Space, Changing Reality of Israel through Film
This paper investigates the ways in which filmmakers through cinematic space frame reality, mediating the issues of conflict and reconciliation, religion and identity(ies) within Israel. Cinematic space depicts and expresses borders through elements of film language, such as mise-en-scène, montage a...
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| Κύριος συγγραφέας: | |
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| Μορφή: | Online |
| Γλώσσα: | Αγγλικά |
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Schüren Verlag
2021
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| Διαθέσιμο Online: | 47000 |
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| _version_ | 1869516410692042752 |
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| author | Milja Radovic |
| author_browse | Milja Radovic |
| author_facet | Milja Radovic |
| author_sort | Milja Radovic |
| collection | Directory of Open Access Books |
| description | This paper investigates the ways in which filmmakers through cinematic space frame reality, mediating the issues of conflict and reconciliation, religion and identity(ies) within Israel. Cinematic space depicts and expresses borders through elements of film language, such as mise-en-scène, montage and the disruption of temporal reality. By (re) framing meanings cinema questions existing socio-political realities, and their impact on the individual or whole communities. The microcosmic realities which constitute different communities within Israel’s wider socio-political reality are built and confronted through the cinematic space. The cinema thus becomes a site through which existing realities are reflected and new realities are constructed, opening up possibilities for transformation. In other words, how film frames an ‘alternative reality(ies)’ is a question related to the construction of space, which will be addressed in this paper. The paper focuses on two films: WEST OF THE JORDAN RIVER (Amos Gitai, 2017) and GEULA (Joseph Madmony, Boaz Yehonatan Yacov, 2018). I juxtapose these two diametrically different films in order to assess the ways in which the cinematic space functions as a direct site for negotiating the identities, religious belonging, and the different communities’ relation to the geographical space of Israel. The analysis of these two films aims to ‘sharpen the focus’ on cinematic space as a continuum in which such complex realities are expressed, renegotiated, and transformed. |
| format | Online |
| id | doab-20.500.12854ir-63148 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2021 |
| publishDateRange | 2021 |
| publishDateSort | 2021 |
| publisher | Schüren Verlag |
| publisherStr | Schüren Verlag |
| record_format | ojs |
| spelling | doab-20.500.12854ir-631482022-02-11T15:07:01Z Constructing Space, Changing Reality of Israel through Film Milja Radovic This paper investigates the ways in which filmmakers through cinematic space frame reality, mediating the issues of conflict and reconciliation, religion and identity(ies) within Israel. Cinematic space depicts and expresses borders through elements of film language, such as mise-en-scène, montage and the disruption of temporal reality. By (re) framing meanings cinema questions existing socio-political realities, and their impact on the individual or whole communities. The microcosmic realities which constitute different communities within Israel’s wider socio-political reality are built and confronted through the cinematic space. The cinema thus becomes a site through which existing realities are reflected and new realities are constructed, opening up possibilities for transformation. In other words, how film frames an ‘alternative reality(ies)’ is a question related to the construction of space, which will be addressed in this paper. The paper focuses on two films: WEST OF THE JORDAN RIVER (Amos Gitai, 2017) and GEULA (Joseph Madmony, Boaz Yehonatan Yacov, 2018). I juxtapose these two diametrically different films in order to assess the ways in which the cinematic space functions as a direct site for negotiating the identities, religious belonging, and the different communities’ relation to the geographical space of Israel. The analysis of these two films aims to ‘sharpen the focus’ on cinematic space as a continuum in which such complex realities are expressed, renegotiated, and transformed. 2021-02-12T10:09:19Z 2021-02-12T10:09:19Z 2020-09-03 09:57:54 2019 chapter 47000 2414-0201 https://directory.doabooks.org/handle/20.500.12854/63148 eng Journal for Religion, Film and Media image/jpeg Attribution-NonCommercial-ShareAlike 4.0 International https://www.schueren-verlag.de/programm/titel/628-understanding-jesus-in-the-early-modern-period-and-beyond-jrfm-1-2019.html https://jrfm.eu/index.php/ojs_jrfm/article/view/144 Schüren Verlag Understanding Jesus in the Early Modern Period and Beyond. Across Text and Other Media 10.25364/05.4:2019.1.1 10.25364/05.4:2019.1.1 5b80c228-3393-4862-a8e9-6c35a63484f1 8d0dfa73-086b-4518-af05-74fa3d1d76cf 105-123 open access |
| spellingShingle | Milja Radovic Constructing Space, Changing Reality of Israel through Film |
| title | Constructing Space, Changing Reality of Israel through Film |
| title_full | Constructing Space, Changing Reality of Israel through Film |
| title_fullStr | Constructing Space, Changing Reality of Israel through Film |
| title_full_unstemmed | Constructing Space, Changing Reality of Israel through Film |
| title_short | Constructing Space, Changing Reality of Israel through Film |
| title_sort | constructing space changing reality of israel through film |
| url | 47000 |
| work_keys_str_mv | AT miljaradovic constructingspacechangingrealityofisraelthroughfilm |