Revisiting the Relevance of Conceptualism of Godard’s film
Jean-Luc Godard’s filmmaking is analyzed as a conceptual art, as in agreement with his most accomplished role as a film critic, not a classical filmmaker. In his 1970 manifesto, Godard argues that 1) we must make political films, and 2) we must make films politically. While the first point provokes...
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| Autor principal: | |
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| Formato: | Online |
| Idioma: | inglês |
| Publicado em: |
Schüren Verlag
2021
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| Acesso em linha: | 47012 |
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