Act One. Comfort the Waste Places, Defend the Violated Earth. An Ecofeminist Reading of Isaiah 51:1-52:6 and Tracy Chapman's "The Rape of the World".

This paper compares the personification of Zion in Isaiah 51:1–52:6 as a mother and daughter with Tracy Chapman's 1995 song "The rape of the world" where the earth is portrayed as mother. I will explore the use of rape imagery and how both pieces portray the negative effects of human activity on the...

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Autor principal: Angela Sue Sawyer
Formato: Online
Idioma:inglês
Publicado em: Schüren Verlag 2021
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Acesso em linha:50727
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author Angela Sue Sawyer
author_browse Angela Sue Sawyer
author_facet Angela Sue Sawyer
author_sort Angela Sue Sawyer
collection Directory of Open Access Books
description This paper compares the personification of Zion in Isaiah 51:1–52:6 as a mother and daughter with Tracy Chapman's 1995 song "The rape of the world" where the earth is portrayed as mother. I will explore the use of rape imagery and how both pieces portray the negative effects of human activity on the earth, whether by commercial activity or war. The environmental impact of the desolation of the earth during the Babylonian exile depicted in Isaiah and its portrayal via gendered images is viewed through the lens of ecofeminist criticism. The earth itself has a voice in both Chapman’s and Isaiah’s words.
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spelling doab-20.500.12854ir-631872022-02-11T15:07:18Z Act One. Comfort the Waste Places, Defend the Violated Earth. An Ecofeminist Reading of Isaiah 51:1-52:6 and Tracy Chapman's "The Rape of the World". Angela Sue Sawyer BL1-2790 M1-5000 N1-9211 HQ1101-2030.7 This paper compares the personification of Zion in Isaiah 51:1–52:6 as a mother and daughter with Tracy Chapman's 1995 song "The rape of the world" where the earth is portrayed as mother. I will explore the use of rape imagery and how both pieces portray the negative effects of human activity on the earth, whether by commercial activity or war. The environmental impact of the desolation of the earth during the Babylonian exile depicted in Isaiah and its portrayal via gendered images is viewed through the lens of ecofeminist criticism. The earth itself has a voice in both Chapman’s and Isaiah’s words. 2021-02-12T10:10:57Z 2021-02-12T10:10:57Z 2020-11-23 16:55:25 2020 chapter 50727 2414-0201 https://directory.doabooks.org/handle/20.500.12854/63187 eng Journal for Religion, Film and Media image/jpeg Attribution-NonCommercial-ShareAlike 4.0 International https://www.schueren-verlag.de/programm/titel/674-religion-and-popular-music.html https://jrfm.eu/index.php/ojs_jrfm/article/view/219 Schüren Verlag Religion and Popular Music 10.25364/05.6:2020.2.1 10.25364/05.6:2020.2.1 5b80c228-3393-4862-a8e9-6c35a63484f1 fa1c53a6-5634-4929-b5ce-5fd001346e24 21-33 open access
spellingShingle BL1-2790
M1-5000
N1-9211
HQ1101-2030.7
Angela Sue Sawyer
Act One. Comfort the Waste Places, Defend the Violated Earth. An Ecofeminist Reading of Isaiah 51:1-52:6 and Tracy Chapman's "The Rape of the World".
title Act One. Comfort the Waste Places, Defend the Violated Earth. An Ecofeminist Reading of Isaiah 51:1-52:6 and Tracy Chapman's "The Rape of the World".
title_full Act One. Comfort the Waste Places, Defend the Violated Earth. An Ecofeminist Reading of Isaiah 51:1-52:6 and Tracy Chapman's "The Rape of the World".
title_fullStr Act One. Comfort the Waste Places, Defend the Violated Earth. An Ecofeminist Reading of Isaiah 51:1-52:6 and Tracy Chapman's "The Rape of the World".
title_full_unstemmed Act One. Comfort the Waste Places, Defend the Violated Earth. An Ecofeminist Reading of Isaiah 51:1-52:6 and Tracy Chapman's "The Rape of the World".
title_short Act One. Comfort the Waste Places, Defend the Violated Earth. An Ecofeminist Reading of Isaiah 51:1-52:6 and Tracy Chapman's "The Rape of the World".
title_sort act one comfort the waste places defend the violated earth an ecofeminist reading of isaiah 51 1 52 6 and tracy chapman s the rape of the world
topic BL1-2790
M1-5000
N1-9211
HQ1101-2030.7
topic_facet BL1-2790
M1-5000
N1-9211
HQ1101-2030.7
url 50727
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