Act Three. Heavy Metal Bricolage. Religious Imagery and “Religionized” Visual Language in Music Videos
Popular music’s use of visual media makes its listeners also its viewers. From concert posters, tickets stubs and stage design to music videos, CD covers and clothes, material visual products are utilized by bands and fans alike to emphasize their sound, represent ideas or lyrics, self-stylize, sell...
Wedi'i Gadw mewn:
| Prif Awdur: | |
|---|---|
| Fformat: | Online |
| Iaith: | Saesneg |
| Cyhoeddwyd: |
Schüren Verlag
2021
|
| Pynciau: | |
| Mynediad Ar-lein: | 50731 |
| Tagiau: |
Dim Tagiau, Byddwch y cyntaf i dagio'r cofnod hwn!
|
| _version_ | 1869515443068207104 |
|---|---|
| author | Lavinia Pflugfelder |
| author_browse | Lavinia Pflugfelder |
| author_facet | Lavinia Pflugfelder |
| author_sort | Lavinia Pflugfelder |
| collection | Directory of Open Access Books |
| description | Popular music’s use of visual media makes its listeners also its viewers. From concert posters, tickets stubs and stage design to music videos, CD covers and clothes, material visual products are utilized by bands and fans alike to emphasize their sound, represent ideas or lyrics, self-stylize, sell the product and generate recognition for their in-group. As with other forms of popular culture, there is intensive exchanges between the fields of religion and heavy metal. Religion can appear within popular culture in the form of explicit or implicit religious themes, content, images, symbols or language; popular culture can appear in religion as the appropriation of different elements by a religion; popular culture can itself be analysed as religion, usually using a very broad functionalist definition of religion; and finally, popular culture and religion can be in dialogue. Focusing on the incorporation of religious iconography and imagery in hevay metals visual language opens questioning of the particular form of bricolage and the motivations of selection concerning individual visual elements. Which factors determine this exchange? How does bricolage help to understand the recycling and restructuring of motifs? And how does this specifically concern religious images? |
| format | Online |
| id | doab-20.500.12854ir-63188 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2021 |
| publishDateRange | 2021 |
| publishDateSort | 2021 |
| publisher | Schüren Verlag |
| publisherStr | Schüren Verlag |
| record_format | ojs |
| spelling | doab-20.500.12854ir-631882022-02-11T15:07:19Z Act Three. Heavy Metal Bricolage. Religious Imagery and “Religionized” Visual Language in Music Videos Lavinia Pflugfelder BL1-2790 M1-5000 N1-9211 Popular music’s use of visual media makes its listeners also its viewers. From concert posters, tickets stubs and stage design to music videos, CD covers and clothes, material visual products are utilized by bands and fans alike to emphasize their sound, represent ideas or lyrics, self-stylize, sell the product and generate recognition for their in-group. As with other forms of popular culture, there is intensive exchanges between the fields of religion and heavy metal. Religion can appear within popular culture in the form of explicit or implicit religious themes, content, images, symbols or language; popular culture can appear in religion as the appropriation of different elements by a religion; popular culture can itself be analysed as religion, usually using a very broad functionalist definition of religion; and finally, popular culture and religion can be in dialogue. Focusing on the incorporation of religious iconography and imagery in hevay metals visual language opens questioning of the particular form of bricolage and the motivations of selection concerning individual visual elements. Which factors determine this exchange? How does bricolage help to understand the recycling and restructuring of motifs? And how does this specifically concern religious images? 2021-02-12T10:11:00Z 2021-02-12T10:11:00Z 2020-11-23 17:06:40 2020 chapter 50731 2414-0201 https://directory.doabooks.org/handle/20.500.12854/63188 eng Journal for Religion, Film and Media image/jpeg Attribution-NonCommercial-ShareAlike 4.0 International https://www.schueren-verlag.de/programm/titel/674-religion-and-popular-music.html https://jrfm.eu/index.php/ojs_jrfm/article/view/235 Schüren Verlag Religion and Popular Music 10.25364/05.6:2020.2.1 10.25364/05.6:2020.2.1 5b80c228-3393-4862-a8e9-6c35a63484f1 fa1c53a6-5634-4929-b5ce-5fd001346e24 65-85 open access |
| spellingShingle | BL1-2790 M1-5000 N1-9211 Lavinia Pflugfelder Act Three. Heavy Metal Bricolage. Religious Imagery and “Religionized” Visual Language in Music Videos |
| title | Act Three. Heavy Metal Bricolage. Religious Imagery and “Religionized” Visual Language in Music Videos |
| title_full | Act Three. Heavy Metal Bricolage. Religious Imagery and “Religionized” Visual Language in Music Videos |
| title_fullStr | Act Three. Heavy Metal Bricolage. Religious Imagery and “Religionized” Visual Language in Music Videos |
| title_full_unstemmed | Act Three. Heavy Metal Bricolage. Religious Imagery and “Religionized” Visual Language in Music Videos |
| title_short | Act Three. Heavy Metal Bricolage. Religious Imagery and “Religionized” Visual Language in Music Videos |
| title_sort | act three heavy metal bricolage religious imagery and religionized visual language in music videos |
| topic | BL1-2790 M1-5000 N1-9211 |
| topic_facet | BL1-2790 M1-5000 N1-9211 |
| url | 50731 |
| work_keys_str_mv | AT laviniapflugfelder actthreeheavymetalbricolagereligiousimageryandreligionizedvisuallanguageinmusicvideos |