Reality and Paternity in the Cinema of the Dardennes

The Dardennes’ filmic production aims at restoring the missing link between human beings and the world that have been progressively undermined during the ultimate development of late-capitalist society. This contribution deals with their search for a new contact with reality and a concrete belief in...

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Váldodahkki: Isabella Guanzini
Materiálatiipa: Online
Giella:eaŋgalasgiella
Almmustuhtton: Schüren Verlag 2021
Liŋkkat:47048
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author Isabella Guanzini
author_browse Isabella Guanzini
author_facet Isabella Guanzini
author_sort Isabella Guanzini
collection Directory of Open Access Books
description The Dardennes’ filmic production aims at restoring the missing link between human beings and the world that have been progressively undermined during the ultimate development of late-capitalist society. This contribution deals with their search for a new contact with reality and a concrete belief in the world, focusing on the theme of body and paternity, in the epoch of their evaporation. In order to rethink the paternal function in a post-political and post-ideological age, however, the Dardennes have had to radically come to terms with its ambiguity and oscillation between abandon and adoption, self-preservation and transmission, forgiveness and revenge. With regard to this ambivalence, this contribution focuses on The Promise and The Son, which represent significant descriptions of what (the body of) a father is capable of, suggesting, at the same time, interruption and filiation as possible experiences for a new beginning.
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spelling doab-20.500.12854ir-634912022-02-11T15:09:38Z Reality and Paternity in the Cinema of the Dardennes Isabella Guanzini The Dardennes’ filmic production aims at restoring the missing link between human beings and the world that have been progressively undermined during the ultimate development of late-capitalist society. This contribution deals with their search for a new contact with reality and a concrete belief in the world, focusing on the theme of body and paternity, in the epoch of their evaporation. In order to rethink the paternal function in a post-political and post-ideological age, however, the Dardennes have had to radically come to terms with its ambiguity and oscillation between abandon and adoption, self-preservation and transmission, forgiveness and revenge. With regard to this ambivalence, this contribution focuses on The Promise and The Son, which represent significant descriptions of what (the body of) a father is capable of, suggesting, at the same time, interruption and filiation as possible experiences for a new beginning. 2021-02-12T10:27:11Z 2021-02-12T10:27:11Z 2020-09-03 12:11:58 2016 chapter 47048 2414-0201 https://directory.doabooks.org/handle/20.500.12854/63491 eng Journal for Religion, Film and Media image/jpeg Attribution-NonCommercial-ShareAlike 4.0 International https://www.schueren-verlag.de/programm/titel/529-in-search-of-the-human-jrfm-2-2016.html https://jrfm.eu/index.php/ojs_jrfm/article/view/38 Schüren Verlag In Search of the Human. The Work of the Dardenne Brothers 5b80c228-3393-4862-a8e9-6c35a63484f1 f8f3246c-45a0-4678-8051-e8bd40e9094f 15-32 open access
spellingShingle Isabella Guanzini
Reality and Paternity in the Cinema of the Dardennes
title Reality and Paternity in the Cinema of the Dardennes
title_full Reality and Paternity in the Cinema of the Dardennes
title_fullStr Reality and Paternity in the Cinema of the Dardennes
title_full_unstemmed Reality and Paternity in the Cinema of the Dardennes
title_short Reality and Paternity in the Cinema of the Dardennes
title_sort reality and paternity in the cinema of the dardennes
url 47048
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