Imatge de la portada

Affektpoetiken des New Hollywood

How do spectators become emotionally involved in cinema? Starting from this question, the book suggests an original view about a critical period in United States film history. In a detailed analysis of individual films, an image emerges of a complex interplay between three affective modes – suspense...

Descripció completa

Guardat en:
Autor principal: Lehmann, Hauke
Format: Online
Idioma:alemany
Publicat: De Gruyter 2021
Matèries:
Film history/ in the USA
affect
temporality
thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema
thema EDItEUR::A The Arts::AT Performing arts::ATJ Television
thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies
Accés en línia:ONIX_20210426_9783110488739_24
Etiquetes: Afegir etiqueta
Sense etiquetes, Sigues el primer a etiquetar aquest registre!
Sumari:How do spectators become emotionally involved in cinema? Starting from this question, the book suggests an original view about a critical period in United States film history. In a detailed analysis of individual films, an image emerges of a complex interplay between three affective modes – suspense, paranoia, and melancholy – which draw the spectators to reflect in unique ways about contradictions in their own feelings.

Ítems similars