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History's Queer Stories

Critical analysis of the dramatisation of homosexuality in British fiction about the Second World War is noticeable only by its relative absence from the field. Whereas feminist literary criticism has broadened the canon of war fiction to include narratives by and about women, queer scholars have se...

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I tiakina i:
Kaituhi matua: Nobitz, Natalie Marena
Hōputu: Online
Reo:Ingarihi
I whakaputaina: transcript Verlag 2021
Ngā marau:
Literary Criticism
European
English, Irish, Scottish, Welsh
Social Science
LGBTQ+ Studies
Gay Studies
Gender Studies
thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DS Literature: history and criticism
thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSJ LGBTQ+ Studies / topics
thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSF Gender studies, gender groups
Urunga tuihono:OCN: 1059275689
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Whakarāpopototanga:Critical analysis of the dramatisation of homosexuality in British fiction about the Second World War is noticeable only by its relative absence from the field. Whereas feminist literary criticism has broadened the canon of war fiction to include narratives by and about women, queer scholars have seldom focused on literary representations of homosexuality during the war. Natalie Marena Nobitz closes a glaring gap in the critical attention of four novels dealing with the disruption of gender roles and institutionalised heteronormativity: Walter Baxter's Look Down in Mercy (1951), Mary Renault's The Charioteer (1953), Sarah Waters The Night Watch (2006) and Adam Fitzroy's Make Do and Mend (2012).

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