Cinema's Doppelgängers
"Cinema’s Doppelgängers is a counterfactual history of the cinema – or, perhaps, a work of speculative fiction in the guise of a scholarly history of film and movie guide. That is, it’s a history of the movies written from an alternative unfolding of historical time – a world in which neither the Bo...
שמור ב:
| מחבר ראשי: | |
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| פורמט: | Online |
| שפה: | אנגלית |
| יצא לאור: |
punctum books
2021
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| נושאים: | |
| גישה מקוונת: | OCN: 1262677009 |
| תגים: |
אין תגיות, היה/י הראשונ/ה לתייג את הרשומה!
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| _version_ | 1869526537649258496 |
|---|---|
| author | Dibbern, Doug |
| author_browse | Dibbern, Doug |
| author_facet | Dibbern, Doug |
| author_sort | Dibbern, Doug |
| collection | Directory of Open Access Books |
| description | "Cinema’s Doppelgängers is a counterfactual history of the cinema – or, perhaps, a work of speculative fiction in the guise of a scholarly history of film and movie guide. That is, it’s a history of the movies written from an alternative unfolding of historical time – a world in which neither the Bolsheviks nor the Nazis came to power, and thus a world in which Sergei Eisenstein never made movies and German filmmakers like Fritz Lang never fled to Hollywood, a world in which the talkies were invented in 1936 rather than 1927, in which the French New Wave critics didn’t become filmmakers, and in which Hitchcock never came to Hollywood.
The book attempts, on the one hand, to explore and expand upon the intrinsically creative nature of all historical writing; like all works of fiction, its ultimate goal is to be a work of art in and of itself. But it also aims, on the other hand, to be a legitimate examination of the relationship between the economic and political organization of nations and film industries and the resulting aesthetics of film and thus of the dominant ideas and values of film scholarship and criticism." |
| format | Online |
| id | doab-20.500.12854ir-70795 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2021 |
| publishDateRange | 2021 |
| publishDateSort | 2021 |
| publisher | punctum books |
| publisherStr | punctum books |
| record_format | ojs |
| spelling | doab-20.500.12854ir-707952025-08-13T14:12:08Z Cinema's Doppelgängers Dibbern, Doug aternative realism, cinema, film history, film studies, historiography, speculative fiction thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism "Cinema’s Doppelgängers is a counterfactual history of the cinema – or, perhaps, a work of speculative fiction in the guise of a scholarly history of film and movie guide. That is, it’s a history of the movies written from an alternative unfolding of historical time – a world in which neither the Bolsheviks nor the Nazis came to power, and thus a world in which Sergei Eisenstein never made movies and German filmmakers like Fritz Lang never fled to Hollywood, a world in which the talkies were invented in 1936 rather than 1927, in which the French New Wave critics didn’t become filmmakers, and in which Hitchcock never came to Hollywood. The book attempts, on the one hand, to explore and expand upon the intrinsically creative nature of all historical writing; like all works of fiction, its ultimate goal is to be a work of art in and of itself. But it also aims, on the other hand, to be a legitimate examination of the relationship between the economic and political organization of nations and film industries and the resulting aesthetics of film and thus of the dominant ideas and values of film scholarship and criticism." 2021-02-10T12:58:18Z 2021-06-14T09:02:23Z 2021 book OCN: 1262677009 https://library.oapen.org/handle/20.500.12657/49486 9781953035622 https://directory.doabooks.org/handle/20.500.12854/70795 eng open access image/png image/jpeg image/jpeg image/jpeg image/jpeg Attribution-NonCommercial-ShareAlike 4.0 International Attribution-NonCommercial-ShareAlike 4.0 International Attribution-NonCommercial-ShareAlike 4.0 International Attribution-NonCommercial-ShareAlike 4.0 International Attribution-NonCommercial-ShareAlike 4.0 International https://library.oapen.org/bitstream/20.500.12657/49486/1/0320.1.00.pdf https://library.oapen.org/bitstream/20.500.12657/49486/1/0320.1.00.pdf https://library.oapen.org/bitstream/20.500.12657/49486/1/0320.1.00.pdf https://library.oapen.org/bitstream/20.500.12657/49486/1/0320.1.00.pdf https://library.oapen.org/bitstream/20.500.12657/49486/1/0320.1.00.pdf punctum books 10.53288/0320.1.00 10.53288/0320.1.00 12970da4-0116-4486-b8be-fc9756703ab1 9781953035622 ScholarLed 386 Brooklyn, NY open access |
| spellingShingle | aternative realism, cinema, film history, film studies, historiography, speculative fiction thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism Dibbern, Doug Cinema's Doppelgängers |
| title | Cinema's Doppelgängers |
| title_full | Cinema's Doppelgängers |
| title_fullStr | Cinema's Doppelgängers |
| title_full_unstemmed | Cinema's Doppelgängers |
| title_short | Cinema's Doppelgängers |
| title_sort | cinema s doppelgangers |
| topic | aternative realism, cinema, film history, film studies, historiography, speculative fiction thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism |
| topic_facet | aternative realism, cinema, film history, film studies, historiography, speculative fiction thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism |
| url | OCN: 1262677009 |
| work_keys_str_mv | AT dibberndoug cinemasdoppelgangers |