Theory into practice
"Theory into Practice. Composition, Performance and the Listening Experience' is the second publication in the series 'Collected Writings of the Orpheus Institute'. The series comprises articles concerning the activities of the Orpheus Institute. The centrale theme of this book is the relationshi...
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| Үндсэн зохиолчид: | , , |
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| Формат: | Online |
| Хэл сонгох: | англи |
| Хэвлэсэн: |
Leuven University Press
2021
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| Нөхцлүүд: | |
| Онлайн хандалт: | OCN: 1280376618 |
| Шошгууд: |
Шошго байхгүй, Энэхүү баримтыг шошголох эхний хүн болох!
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| _version_ | 1869527280001220608 |
|---|---|
| author | Cook, Nicholas Johnson, Peter Zender, Hans |
| author_browse | Cook, Nicholas Johnson, Peter Zender, Hans |
| author_facet | Cook, Nicholas Johnson, Peter Zender, Hans |
| author_sort | Cook, Nicholas |
| collection | Directory of Open Access Books |
| description | "Theory into Practice. Composition, Performance and the Listening Experience' is the second publication in the series 'Collected Writings of the Orpheus Institute'. The series comprises articles concerning the activities of the Orpheus Institute.
The centrale theme of this book is the relationship between the reflections about and the relization of a musical composition. In his paper Words about Music, or Analysis versus Performance, Nicholas Cook states that words and music can never be aligned exactly with one another. He embarks on a quest for models of the relationship between analytical conception and performance that are more challenging than those in general currency.
Peter Johnson's article Performance and the Listening Experience: Bach's 'Erbarme dich' shows that a performance is an element within the intentionality of the work itself. He looks for scientific methods capable of proving the artisticity of a performance.
The composer Hans Zender, in his A Road Map for Orpheus?, states that a composer must be capable of questioning obvious basic principles (such as equal temperament) and finding creative solutions." |
| format | Online |
| id | doab-20.500.12854ir-72032 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2021 |
| publishDateRange | 2021 |
| publishDateSort | 2021 |
| publisher | Leuven University Press |
| publisherStr | Leuven University Press |
| record_format | ojs |
| spelling | doab-20.500.12854ir-720322025-08-13T14:11:06Z Theory into practice Cook, Nicholas Johnson, Peter Zender, Hans musical composition; performance; listening experience; analysis thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology "Theory into Practice. Composition, Performance and the Listening Experience' is the second publication in the series 'Collected Writings of the Orpheus Institute'. The series comprises articles concerning the activities of the Orpheus Institute. The centrale theme of this book is the relationship between the reflections about and the relization of a musical composition. In his paper Words about Music, or Analysis versus Performance, Nicholas Cook states that words and music can never be aligned exactly with one another. He embarks on a quest for models of the relationship between analytical conception and performance that are more challenging than those in general currency. Peter Johnson's article Performance and the Listening Experience: Bach's 'Erbarme dich' shows that a performance is an element within the intentionality of the work itself. He looks for scientific methods capable of proving the artisticity of a performance. The composer Hans Zender, in his A Road Map for Orpheus?, states that a composer must be capable of questioning obvious basic principles (such as equal temperament) and finding creative solutions." 2021-10-06T04:00:59Z 2021-10-06T04:00:59Z 2021-10-05T09:14:43Z 2021 book OCN: 1280376618 https://library.oapen.org/handle/20.500.12657/50692 9789061869948 https://directory.doabooks.org/handle/20.500.12854/72032 eng Collected Writings of the Orpheus Institute open access image/jpeg image/jpeg image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International https://library.oapen.org/bitstream/20.500.12657/50692/1/9789461664327.pdf https://library.oapen.org/bitstream/20.500.12657/50692/1/9789461664327.pdf https://library.oapen.org/bitstream/20.500.12657/50692/1/9789461664327.pdf Leuven University Press 10.11116/9789461664327 10.11116/9789461664327 9e472607-bec3-4b15-ba3f-f05039722389 9789061869948 120 Leuven open access |
| spellingShingle | musical composition; performance; listening experience; analysis thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology Cook, Nicholas Johnson, Peter Zender, Hans Theory into practice |
| title | Theory into practice |
| title_full | Theory into practice |
| title_fullStr | Theory into practice |
| title_full_unstemmed | Theory into practice |
| title_short | Theory into practice |
| title_sort | theory into practice |
| topic | musical composition; performance; listening experience; analysis thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology |
| topic_facet | musical composition; performance; listening experience; analysis thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology |
| url | OCN: 1280376618 |
| work_keys_str_mv | AT cooknicholas theoryintopractice AT johnsonpeter theoryintopractice AT zenderhans theoryintopractice |