Wound Building

"Wound Building is a volume of essays, with digressions, on one group of contemporary poets active in a self-organizing political poetry scene in the UK, most of whom have little to no audience outside of the little magazines that they publish and the reading series they put on. The book is a front-...

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Autore principale: Hayward, Danny
Natura: Online
Lingua:inglese
Pubblicazione: punctum books 2021
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Accesso online:OCN: 1281705643
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author Hayward, Danny
author_browse Hayward, Danny
author_facet Hayward, Danny
author_sort Hayward, Danny
collection Directory of Open Access Books
description "Wound Building is a volume of essays, with digressions, on one group of contemporary poets active in a self-organizing political poetry scene in the UK, most of whom have little to no audience outside of the little magazines that they publish and the reading series they put on. The book is a front-line report on the rapid development of this poetry in the period between 2015 and 2020, with a particular focus on the relationship of poetry to violence and its representation. The poets discussed here write violent love poems and violent elegies as well as violent fantasies composed in stabs of violent verse and violet prose. The poems themselves comprise fantasies of killing David Cameron, dreams of being split open along a seam, basement songs, hundreds of pages of notes on working life in a privatized care home in Hove, East Sussex, a four-line slogan about the Cologne groping scandal of New Year 2016, variations on the Refugees Medical Phrasebook, a life wasted in a factory in Guangzhou, an autobiographical sci-fi internet fever dream, an anarchist elegy, and a refusal to argue. Ultimately, Hayward argues that the lessons this poetry teaches is never to write a “worthy” narrative when a fucked up collage will do. Rather than a cohesive “account” of a “school” of poets, or a “contribution” to the boring tittle-tattle of aesthetic debates over British poetry as an institution, Wound Building is a front-line report on the local disasters of a contemporary UK poetry caught in the grip of the historical cataclysm of capitalist culture. Wound Building is further concerned with aesthetic problems related to Marxism, anarchism, contemporary trans politics, and class, though its “theoretical” preoccupations are subordinated to its desire to provide a ground-level view on the writing itself, its production, its intellectual aporia, and the ways it finds itself outstripped by the ongoing “march of events.” The book will be of interest not only for those concerned with contemporary British political and experimental poetry, but also more generally for anyone who wishes to think carefully about what it means to make art about present-day history and its many horrible enormities. The book’s title is derived from the idea of sublime woundedness that subtends the context of the poets discussed here: the impressions of wounds opening up like LED-lit shopfronts in the night, in a parallel universe in which injury is intoxicatingly impersonal and structural, and which forms the environment in which the poems fight to absolutize the value of every last breath, or face into the reality of extravagantly violent wish fulfillment, or dissolve themselves in a search for new ways of professing love, or transform into a kind of expressionism of vomiting up medical-diagnostic categories found in abstract social labor, or pump their verses full of the convulsive rhythms of surprise and sudden relief, without any guarantee that this is the right thing to do or that anyone will even fucking hear. Wound Building does not historicize this state of affairs as much as it attempts to live alongside the immediacy of this work, in order to see what is still possible for poetry, and criticism, to make and do."
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spelling doab-20.500.12854ir-722572025-08-13T14:11:18Z Wound Building Hayward, Danny aesthetics;class;Frances Kruk;Keston Sutherland;Lisa Jeschke;literary history;Lotte L.S.;Lucy Beynon;Marxism;Nat Raha;poetry;Porpentine Charity Heartscape;Sean Bonney;Verity Spott;Xu Lizhi thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSC Literary studies: poetry and poets thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSC Literary studies: poetry and poets "Wound Building is a volume of essays, with digressions, on one group of contemporary poets active in a self-organizing political poetry scene in the UK, most of whom have little to no audience outside of the little magazines that they publish and the reading series they put on. The book is a front-line report on the rapid development of this poetry in the period between 2015 and 2020, with a particular focus on the relationship of poetry to violence and its representation. The poets discussed here write violent love poems and violent elegies as well as violent fantasies composed in stabs of violent verse and violet prose. The poems themselves comprise fantasies of killing David Cameron, dreams of being split open along a seam, basement songs, hundreds of pages of notes on working life in a privatized care home in Hove, East Sussex, a four-line slogan about the Cologne groping scandal of New Year 2016, variations on the Refugees Medical Phrasebook, a life wasted in a factory in Guangzhou, an autobiographical sci-fi internet fever dream, an anarchist elegy, and a refusal to argue. Ultimately, Hayward argues that the lessons this poetry teaches is never to write a “worthy” narrative when a fucked up collage will do. Rather than a cohesive “account” of a “school” of poets, or a “contribution” to the boring tittle-tattle of aesthetic debates over British poetry as an institution, Wound Building is a front-line report on the local disasters of a contemporary UK poetry caught in the grip of the historical cataclysm of capitalist culture. Wound Building is further concerned with aesthetic problems related to Marxism, anarchism, contemporary trans politics, and class, though its “theoretical” preoccupations are subordinated to its desire to provide a ground-level view on the writing itself, its production, its intellectual aporia, and the ways it finds itself outstripped by the ongoing “march of events.” The book will be of interest not only for those concerned with contemporary British political and experimental poetry, but also more generally for anyone who wishes to think carefully about what it means to make art about present-day history and its many horrible enormities. The book’s title is derived from the idea of sublime woundedness that subtends the context of the poets discussed here: the impressions of wounds opening up like LED-lit shopfronts in the night, in a parallel universe in which injury is intoxicatingly impersonal and structural, and which forms the environment in which the poems fight to absolutize the value of every last breath, or face into the reality of extravagantly violent wish fulfillment, or dissolve themselves in a search for new ways of professing love, or transform into a kind of expressionism of vomiting up medical-diagnostic categories found in abstract social labor, or pump their verses full of the convulsive rhythms of surprise and sudden relief, without any guarantee that this is the right thing to do or that anyone will even fucking hear. Wound Building does not historicize this state of affairs as much as it attempts to live alongside the immediacy of this work, in order to see what is still possible for poetry, and criticism, to make and do." 2021-10-14T04:03:52Z 2021-10-14T04:03:52Z 2021-10-13T07:54:35Z 2021 book OCN: 1281705643 https://library.oapen.org/handle/20.500.12657/50915 9781685710002 https://directory.doabooks.org/handle/20.500.12854/72257 eng open access image/jpeg image/jpeg image/jpeg image/jpeg Attribution-NonCommercial-ShareAlike 4.0 International Attribution-NonCommercial-ShareAlike 4.0 International Attribution-NonCommercial-ShareAlike 4.0 International Attribution-NonCommercial-ShareAlike 4.0 International https://library.oapen.org/bitstream/20.500.12657/50915/1/0332.1.00.pdf https://library.oapen.org/bitstream/20.500.12657/50915/1/0332.1.00.pdf https://library.oapen.org/bitstream/20.500.12657/50915/1/0332.1.00.pdf https://library.oapen.org/bitstream/20.500.12657/50915/1/0332.1.00.pdf punctum books 10.53288/0332.1.00 10.53288/0332.1.00 12970da4-0116-4486-b8be-fc9756703ab1 9781685710002 ScholarLed 218 Brooklyn, NY open access
spellingShingle aesthetics;class;Frances Kruk;Keston Sutherland;Lisa Jeschke;literary history;Lotte L.S.;Lucy Beynon;Marxism;Nat Raha;poetry;Porpentine Charity Heartscape;Sean Bonney;Verity Spott;Xu Lizhi
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSC Literary studies: poetry and poets
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSC Literary studies: poetry and poets
Hayward, Danny
Wound Building
title Wound Building
title_full Wound Building
title_fullStr Wound Building
title_full_unstemmed Wound Building
title_short Wound Building
title_sort wound building
topic aesthetics;class;Frances Kruk;Keston Sutherland;Lisa Jeschke;literary history;Lotte L.S.;Lucy Beynon;Marxism;Nat Raha;poetry;Porpentine Charity Heartscape;Sean Bonney;Verity Spott;Xu Lizhi
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSC Literary studies: poetry and poets
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSC Literary studies: poetry and poets
topic_facet aesthetics;class;Frances Kruk;Keston Sutherland;Lisa Jeschke;literary history;Lotte L.S.;Lucy Beynon;Marxism;Nat Raha;poetry;Porpentine Charity Heartscape;Sean Bonney;Verity Spott;Xu Lizhi
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSC Literary studies: poetry and poets
thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSC Literary studies: poetry and poets
url OCN: 1281705643
work_keys_str_mv AT haywarddanny woundbuilding