Copertina

Ein Liber cantus aus dem Veneto (um 1440) – A Veneto Liber cantus (c. 1440)

This book results from Robert Klugseder’s discovery of new fragments in Vienna (Fragm. 661) and Margaret Bent’s recognition that they belonged to the same original manuscript as a set of fragments in Munich (Mus. Ms. 3224, Aalready known). Together they make a torso of 12 leaves with 20 compositions...

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Salvato in:
Natura: Online
Lingua:tedesco
Pubblicazione: Dr. Ludwig Reichert Verlag Wiesbaden 2021
Soggetti:
Mensural notation
Italy
Munich
Music of the early modern period
Musicology
Polyphony
Venice
Vienna
thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology
thema EDItEUR::A The Arts::AV Music::AVQ Musical scores, lyrics and libretti
thema EDItEUR::A The Arts::AV Music
thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day
Accesso online:ONIX_20211102_9783954906680_5
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Riassunto:This book results from Robert Klugseder’s discovery of new fragments in Vienna (Fragm. 661) and Margaret Bent’s recognition that they belonged to the same original manuscript as a set of fragments in Munich (Mus. Ms. 3224, Aalready known). Together they make a torso of 12 leaves with 20 compositions, nearly half of which are unique, an important complement to the already-known Veneto manuscripts of international repertory of the first half of the 15th century. A high-quality colour facsimile of these leaves, together with associated fragmentary survivals, is preceded by an in-depth codicological and repertorial study in German and English.

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