Chapter 24 Freedom and Form in Piano Improvisation in the Early 19th Century
The idea of improvisation, broadly defined, has been integral to our imagination of the medieval musical past. It can be related to many elements of production: to the act of un-notated creation; to the manipulation and amplification of notated materials; to our observance of rigid rules and formula...
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| Главные авторы: | , |
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| Формат: | Online |
| Язык: | английский |
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Taylor & Francis
2021
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| Online-ссылка: | https://library.oapen.org/handle/20.500.12657/52022 |
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| _version_ | 1869515290957578240 |
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| author | Eggers, Katrin Lehner, Michael |
| author_browse | Eggers, Katrin Lehner, Michael |
| author_facet | Eggers, Katrin Lehner, Michael |
| author_sort | Eggers, Katrin |
| collection | Directory of Open Access Books |
| description | The idea of improvisation, broadly defined, has been integral to our imagination of the medieval musical past. It can be related to many elements of production: to the act of un-notated creation; to the manipulation and amplification of notated materials; to our observance of rigid rules and formulae; or to spontaneous freedom. Likely a product of the Carolingian Renaissance, this is the first medieval music treatise to address an aspect of chant performance that does not only relate to a memorized repertoire, but includes an unwritten practice of extemporizing an accompanying voice to a pre-given melody. The art of “coloration” or the ornamentation of a line, whether polyphonic or monophonic, had been an integral part of extemporization since at least the time of the Ad organum faciendum treatises. When planning author's ontological inquiries, the author's would do well to remember the possible existence of creativity that is not inspired, or ephemerality that is not performer- or expression-centered. |
| format | Online |
| id | doab-20.500.12854ir-74962 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2021 |
| publishDateRange | 2021 |
| publishDateSort | 2021 |
| publisher | Taylor & Francis |
| publisherStr | Taylor & Francis |
| record_format | ojs |
| spelling | doab-20.500.12854ir-749622025-07-30T11:56:01Z Chapter 24 Freedom and Form in Piano Improvisation in the Early 19th Century Eggers, Katrin Lehner, Michael Philosophy, Ontology, Music, Improvisation, Arts, Performance thema EDItEUR::Q Philosophy and Religion::QD Philosophy thema EDItEUR::Q Philosophy and Religion::QD Philosophy The idea of improvisation, broadly defined, has been integral to our imagination of the medieval musical past. It can be related to many elements of production: to the act of un-notated creation; to the manipulation and amplification of notated materials; to our observance of rigid rules and formulae; or to spontaneous freedom. Likely a product of the Carolingian Renaissance, this is the first medieval music treatise to address an aspect of chant performance that does not only relate to a memorized repertoire, but includes an unwritten practice of extemporizing an accompanying voice to a pre-given melody. The art of “coloration” or the ornamentation of a line, whether polyphonic or monophonic, had been an integral part of extemporization since at least the time of the Ad organum faciendum treatises. When planning author's ontological inquiries, the author's would do well to remember the possible existence of creativity that is not inspired, or ephemerality that is not performer- or expression-centered. 2021-12-16T04:00:21Z 2021-12-16T04:00:21Z 2021-12-15T09:17:45Z 2021 chapter https://library.oapen.org/handle/20.500.12657/52022 9780367203641 9781032016498 https://directory.doabooks.org/handle/20.500.12854/74962 eng open access image/jpeg image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International https://library.oapen.org/bitstream/20.500.12657/52022/1/9781003179443_10.4324_9781003179443-28.pdf https://library.oapen.org/bitstream/20.500.12657/52022/1/9781003179443_10.4324_9781003179443-28.pdf Taylor & Francis Routledge 10.4324/9781003179443-28 10.4324/9781003179443-28 fa69b019-f4ee-4979-8d42-c6b6c476b5f0 The Routledge Handbook of Philosophy and Improvisation in the Arts 9780367203641 9781032016498 Routledge 13 open access |
| spellingShingle | Philosophy, Ontology, Music, Improvisation, Arts, Performance thema EDItEUR::Q Philosophy and Religion::QD Philosophy thema EDItEUR::Q Philosophy and Religion::QD Philosophy Eggers, Katrin Lehner, Michael Chapter 24 Freedom and Form in Piano Improvisation in the Early 19th Century |
| title | Chapter 24 Freedom and Form in Piano Improvisation in the Early 19th Century |
| title_full | Chapter 24 Freedom and Form in Piano Improvisation in the Early 19th Century |
| title_fullStr | Chapter 24 Freedom and Form in Piano Improvisation in the Early 19th Century |
| title_full_unstemmed | Chapter 24 Freedom and Form in Piano Improvisation in the Early 19th Century |
| title_short | Chapter 24 Freedom and Form in Piano Improvisation in the Early 19th Century |
| title_sort | chapter 24 freedom and form in piano improvisation in the early 19th century |
| topic | Philosophy, Ontology, Music, Improvisation, Arts, Performance thema EDItEUR::Q Philosophy and Religion::QD Philosophy thema EDItEUR::Q Philosophy and Religion::QD Philosophy |
| topic_facet | Philosophy, Ontology, Music, Improvisation, Arts, Performance thema EDItEUR::Q Philosophy and Religion::QD Philosophy thema EDItEUR::Q Philosophy and Religion::QD Philosophy |
| url | https://library.oapen.org/handle/20.500.12657/52022 |
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