Chapter 22 Competing Ontologies of Musical Improvisation
The idea of improvisation, broadly defined, has been integral to our imagination of the medieval musical past. It can be related to many elements of production: to the act of un-notated creation; to the manipulation and amplification of notated materials; to our observance of rigid rules and formula...
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| Formatua: | Online |
| Hizkuntza: | ingelesa |
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Taylor & Francis
2021
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| Sarrera elektronikoa: | https://library.oapen.org/handle/20.500.12657/52021 |
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| _version_ | 1869513976858017792 |
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| author | Smilansky, Uri Lewon, Marc |
| author_browse | Lewon, Marc Smilansky, Uri |
| author_facet | Smilansky, Uri Lewon, Marc |
| author_sort | Smilansky, Uri |
| collection | Directory of Open Access Books |
| description | The idea of improvisation, broadly defined, has been integral to our imagination of the medieval musical past. It can be related to many elements of production: to the act of un-notated creation; to the manipulation and amplification of notated materials; to our observance of rigid rules and formulae; or to spontaneous freedom. Likely a product of the Carolingian Renaissance, this is the first medieval music treatise to address an aspect of chant performance that does not only relate to a memorized repertoire, but includes an unwritten practice of extemporizing an accompanying voice to a pre-given melody. The art of “coloration” or the ornamentation of a line, whether polyphonic or monophonic, had been an integral part of extemporization since at least the time of the Ad organum faciendum treatises. When planning author's ontological inquiries, the author's would do well to remember the possible existence of creativity that is not inspired, or ephemerality that is not performer- or expression-centered. |
| format | Online |
| id | doab-20.500.12854ir-74968 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2021 |
| publishDateRange | 2021 |
| publishDateSort | 2021 |
| publisher | Taylor & Francis |
| publisherStr | Taylor & Francis |
| record_format | ojs |
| spelling | doab-20.500.12854ir-749682025-07-30T11:56:01Z Chapter 22 Competing Ontologies of Musical Improvisation Smilansky, Uri Lewon, Marc Philosophy, Ontology, Music, Improvisation, Arts, Performance thema EDItEUR::Q Philosophy and Religion::QD Philosophy thema EDItEUR::Q Philosophy and Religion::QD Philosophy The idea of improvisation, broadly defined, has been integral to our imagination of the medieval musical past. It can be related to many elements of production: to the act of un-notated creation; to the manipulation and amplification of notated materials; to our observance of rigid rules and formulae; or to spontaneous freedom. Likely a product of the Carolingian Renaissance, this is the first medieval music treatise to address an aspect of chant performance that does not only relate to a memorized repertoire, but includes an unwritten practice of extemporizing an accompanying voice to a pre-given melody. The art of “coloration” or the ornamentation of a line, whether polyphonic or monophonic, had been an integral part of extemporization since at least the time of the Ad organum faciendum treatises. When planning author's ontological inquiries, the author's would do well to remember the possible existence of creativity that is not inspired, or ephemerality that is not performer- or expression-centered. 2021-12-16T04:01:15Z 2021-12-16T04:01:15Z 2021-12-15T09:09:03Z 2021 chapter https://library.oapen.org/handle/20.500.12657/52021 9781032016498 9780367203641 https://directory.doabooks.org/handle/20.500.12854/74968 eng open access image/jpeg image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International https://library.oapen.org/bitstream/20.500.12657/52021/1/9781003179443_10.4324_9781003179443-26.pdf https://library.oapen.org/bitstream/20.500.12657/52021/1/9781003179443_10.4324_9781003179443-26.pdf Taylor & Francis Routledge 10.4324/9781003179443-26 10.4324/9781003179443-26 fa69b019-f4ee-4979-8d42-c6b6c476b5f0 The Routledge Handbook of Philosophy and Improvisation in the Arts University of Oxford fd53808a-cdec-480e-bf85-f52973f603b7 9781032016498 9780367203641 Routledge 14 open access |
| spellingShingle | Philosophy, Ontology, Music, Improvisation, Arts, Performance thema EDItEUR::Q Philosophy and Religion::QD Philosophy thema EDItEUR::Q Philosophy and Religion::QD Philosophy Smilansky, Uri Lewon, Marc Chapter 22 Competing Ontologies of Musical Improvisation |
| title | Chapter 22 Competing Ontologies of Musical Improvisation |
| title_full | Chapter 22 Competing Ontologies of Musical Improvisation |
| title_fullStr | Chapter 22 Competing Ontologies of Musical Improvisation |
| title_full_unstemmed | Chapter 22 Competing Ontologies of Musical Improvisation |
| title_short | Chapter 22 Competing Ontologies of Musical Improvisation |
| title_sort | chapter 22 competing ontologies of musical improvisation |
| topic | Philosophy, Ontology, Music, Improvisation, Arts, Performance thema EDItEUR::Q Philosophy and Religion::QD Philosophy thema EDItEUR::Q Philosophy and Religion::QD Philosophy |
| topic_facet | Philosophy, Ontology, Music, Improvisation, Arts, Performance thema EDItEUR::Q Philosophy and Religion::QD Philosophy thema EDItEUR::Q Philosophy and Religion::QD Philosophy |
| url | https://library.oapen.org/handle/20.500.12657/52021 |
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