Chapter 27 Repeatability versus Unrepeatability in Free Improvisation
The idea of improvisation, broadly defined, has been integral to our imagination of the medieval musical past. It can be related to many elements of production: to the act of un-notated creation; to the manipulation and amplification of notated materials; to our observance of rigid rules and formula...
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| Format: | Online |
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Taylor & Francis
2021
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| Online dostop: | https://library.oapen.org/handle/20.500.12657/52023 |
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| _version_ | 1869518380978929664 |
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| author | Gartmann, Thomas |
| author_browse | Gartmann, Thomas |
| author_facet | Gartmann, Thomas |
| author_sort | Gartmann, Thomas |
| collection | Directory of Open Access Books |
| description | The idea of improvisation, broadly defined, has been integral to our imagination of the medieval musical past. It can be related to many elements of production: to the act of un-notated creation; to the manipulation and amplification of notated materials; to our observance of rigid rules and formulae; or to spontaneous freedom. Likely a product of the Carolingian Renaissance, this is the first medieval music treatise to address an aspect of chant performance that does not only relate to a memorized repertoire, but includes an unwritten practice of extemporizing an accompanying voice to a pre-given melody. The art of “coloration” or the ornamentation of a line, whether polyphonic or monophonic, had been an integral part of extemporization since at least the time of the Ad organum faciendum treatises. When planning author's ontological inquiries, the author's would do well to remember the possible existence of creativity that is not inspired, or ephemerality that is not performer- or expression-centered. |
| format | Online |
| id | doab-20.500.12854ir-74983 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2021 |
| publishDateRange | 2021 |
| publishDateSort | 2021 |
| publisher | Taylor & Francis |
| publisherStr | Taylor & Francis |
| record_format | ojs |
| spelling | doab-20.500.12854ir-749832025-07-30T11:56:02Z Chapter 27 Repeatability versus Unrepeatability in Free Improvisation Gartmann, Thomas Philosophy, Ontology, Music, Improvisation, Arts, Performance thema EDItEUR::Q Philosophy and Religion::QD Philosophy thema EDItEUR::Q Philosophy and Religion::QD Philosophy The idea of improvisation, broadly defined, has been integral to our imagination of the medieval musical past. It can be related to many elements of production: to the act of un-notated creation; to the manipulation and amplification of notated materials; to our observance of rigid rules and formulae; or to spontaneous freedom. Likely a product of the Carolingian Renaissance, this is the first medieval music treatise to address an aspect of chant performance that does not only relate to a memorized repertoire, but includes an unwritten practice of extemporizing an accompanying voice to a pre-given melody. The art of “coloration” or the ornamentation of a line, whether polyphonic or monophonic, had been an integral part of extemporization since at least the time of the Ad organum faciendum treatises. When planning author's ontological inquiries, the author's would do well to remember the possible existence of creativity that is not inspired, or ephemerality that is not performer- or expression-centered. 2021-12-16T04:02:22Z 2021-12-16T04:02:22Z 2021-12-15T09:22:47Z 2021 chapter https://library.oapen.org/handle/20.500.12657/52023 9780367203641 9781032016498 https://directory.doabooks.org/handle/20.500.12854/74983 eng open access image/jpeg image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International https://library.oapen.org/bitstream/20.500.12657/52023/1/9781003179443_10.4324_9781003179443-31.pdf https://library.oapen.org/bitstream/20.500.12657/52023/1/9781003179443_10.4324_9781003179443-31.pdf Taylor & Francis Routledge 10.4324/9781003179443-31 10.4324/9781003179443-31 fa69b019-f4ee-4979-8d42-c6b6c476b5f0 The Routledge Handbook of Philosophy and Improvisation in the Arts 9780367203641 9781032016498 Routledge 14 open access |
| spellingShingle | Philosophy, Ontology, Music, Improvisation, Arts, Performance thema EDItEUR::Q Philosophy and Religion::QD Philosophy thema EDItEUR::Q Philosophy and Religion::QD Philosophy Gartmann, Thomas Chapter 27 Repeatability versus Unrepeatability in Free Improvisation |
| title | Chapter 27 Repeatability versus Unrepeatability in Free Improvisation |
| title_full | Chapter 27 Repeatability versus Unrepeatability in Free Improvisation |
| title_fullStr | Chapter 27 Repeatability versus Unrepeatability in Free Improvisation |
| title_full_unstemmed | Chapter 27 Repeatability versus Unrepeatability in Free Improvisation |
| title_short | Chapter 27 Repeatability versus Unrepeatability in Free Improvisation |
| title_sort | chapter 27 repeatability versus unrepeatability in free improvisation |
| topic | Philosophy, Ontology, Music, Improvisation, Arts, Performance thema EDItEUR::Q Philosophy and Religion::QD Philosophy thema EDItEUR::Q Philosophy and Religion::QD Philosophy |
| topic_facet | Philosophy, Ontology, Music, Improvisation, Arts, Performance thema EDItEUR::Q Philosophy and Religion::QD Philosophy thema EDItEUR::Q Philosophy and Religion::QD Philosophy |
| url | https://library.oapen.org/handle/20.500.12657/52023 |
| work_keys_str_mv | AT gartmannthomas chapter27repeatabilityversusunrepeatabilityinfreeimprovisation |