The Routledge Handbook of Philosophy and Improvisation in the Arts
The idea of improvisation, broadly defined, has been integral to our imagination of the medieval musical past. It can be related to many elements of production: to the act of un-notated creation; to the manipulation and amplification of notated materials; to our observance of rigid rules and formula...
Sábháilte in:
| Formáid: | Online |
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| Teanga: | Béarla |
| Foilsithe / Cruthaithe: |
Taylor & Francis
2021
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| Ábhair: | |
| Rochtain ar líne: | OCN: 1259591498 |
| Clibeanna: |
Níl clibeanna ann, Bí ar an gcéad duine le clib a chur leis an taifead seo!
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| _version_ | 1869529020515745792 |
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| collection | Directory of Open Access Books |
| description | The idea of improvisation, broadly defined, has been integral to our imagination of the medieval musical past. It can be related to many elements of production: to the act of un-notated creation; to the manipulation and amplification of notated materials; to our observance of rigid rules and formulae; or to spontaneous freedom. Likely a product of the Carolingian Renaissance, this is the first medieval music treatise to address an aspect of chant performance that does not only relate to a memorized repertoire, but includes an unwritten practice of extemporizing an accompanying voice to a pre-given melody. The art of “coloration” or the ornamentation of a line, whether polyphonic or monophonic, had been an integral part of extemporization since at least the time of the Ad organum faciendum treatises. When planning author's ontological inquiries, the author's would do well to remember the possible existence of creativity that is not inspired, or ephemerality that is not performer- or expression-centered. |
| format | Online |
| id | doab-20.500.12854ir-74984 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2021 |
| publishDateRange | 2021 |
| publishDateSort | 2021 |
| publisher | Taylor & Francis |
| publisherStr | Taylor & Francis |
| record_format | ojs |
| spelling | doab-20.500.12854ir-749842025-07-30T11:56:02Z The Routledge Handbook of Philosophy and Improvisation in the Arts Bertinetto, Alessandro Ruta, Marcello Philosophy, Ontology, Music, Improvisation, Arts, Performance thema EDItEUR::Q Philosophy and Religion::QD Philosophy thema EDItEUR::Q Philosophy and Religion::QD Philosophy The idea of improvisation, broadly defined, has been integral to our imagination of the medieval musical past. It can be related to many elements of production: to the act of un-notated creation; to the manipulation and amplification of notated materials; to our observance of rigid rules and formulae; or to spontaneous freedom. Likely a product of the Carolingian Renaissance, this is the first medieval music treatise to address an aspect of chant performance that does not only relate to a memorized repertoire, but includes an unwritten practice of extemporizing an accompanying voice to a pre-given melody. The art of “coloration” or the ornamentation of a line, whether polyphonic or monophonic, had been an integral part of extemporization since at least the time of the Ad organum faciendum treatises. When planning author's ontological inquiries, the author's would do well to remember the possible existence of creativity that is not inspired, or ephemerality that is not performer- or expression-centered. 2021-12-16T04:02:51Z 2021-12-16T04:02:51Z 2021-12-15T08:59:00Z 2021 book OCN: 1259591498 https://library.oapen.org/handle/20.500.12657/52020 9780367203641 9781032016498 9781003179443 https://directory.doabooks.org/handle/20.500.12854/74984 eng open access Taylor & Francis Routledge 10.4324/9781003179443 10.4324/9781003179443 fa69b019-f4ee-4979-8d42-c6b6c476b5f0 Chapter 22 Competing Ontologies of Musical Improvisation Chapter 24 Freedom and Form in Piano Improvisation in the Early 19th Century Chapter 27 Repeatability versus Unrepeatability in Free Improvisation Chapter 28 The Risk of Improvised Music Chapter 37 Improv, Stand-Up, and Comedy 9780367203641 9781032016498 9781003179443 Routledge open access |
| spellingShingle | Philosophy, Ontology, Music, Improvisation, Arts, Performance thema EDItEUR::Q Philosophy and Religion::QD Philosophy thema EDItEUR::Q Philosophy and Religion::QD Philosophy The Routledge Handbook of Philosophy and Improvisation in the Arts |
| title | The Routledge Handbook of Philosophy and Improvisation in the Arts |
| title_full | The Routledge Handbook of Philosophy and Improvisation in the Arts |
| title_fullStr | The Routledge Handbook of Philosophy and Improvisation in the Arts |
| title_full_unstemmed | The Routledge Handbook of Philosophy and Improvisation in the Arts |
| title_short | The Routledge Handbook of Philosophy and Improvisation in the Arts |
| title_sort | routledge handbook of philosophy and improvisation in the arts |
| topic | Philosophy, Ontology, Music, Improvisation, Arts, Performance thema EDItEUR::Q Philosophy and Religion::QD Philosophy thema EDItEUR::Q Philosophy and Religion::QD Philosophy |
| topic_facet | Philosophy, Ontology, Music, Improvisation, Arts, Performance thema EDItEUR::Q Philosophy and Religion::QD Philosophy thema EDItEUR::Q Philosophy and Religion::QD Philosophy |
| url | OCN: 1259591498 |