Animating Film Theory
Animating Film Theory provides an enriched understanding of the relationship between two of the most unwieldy and unstable organizing concepts in cinema and media studies: animation and film theory. For the most part, animation has been excluded from the purview of film theory. The contributors to t...
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| Formato: | Online |
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| Idioma: | inglês |
| Publicado em: |
Duke University Press
2022
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| Assuntos: | |
| Acesso em linha: | OCN: 1308952950 |
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| _version_ | 1869517203274989568 |
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| collection | Directory of Open Access Books |
| description | Animating Film Theory provides an enriched understanding of the relationship between two of the most unwieldy and unstable organizing concepts in cinema and media studies: animation and film theory. For the most part, animation has been excluded from the purview of film theory. The contributors to this collection consider the reasons for this marginalization while also bringing attention to key historical contributions across a wide range of animation practices, geographic and linguistic terrains, and historical periods. They delve deep into questions of how animation might best be understood, as well as how it relates to concepts such as the still, the moving image, the frame, animism, and utopia. The contributors take on the kinds of theoretical questions that have remained underexplored because, as Karen Beckman argues, scholars of cinema and media studies have allowed themselves to be constrained by too narrow a sense of what cinema is. This collection reanimates and expands film studies by taking the concept of animation seriously.
Contributors. Karen Beckman, Suzanne Buchan, Scott Bukatman, Alan Cholodenko, Yuriko Furuhata, Alexander R. Galloway, Oliver Gaycken, Bishnupriya Ghosh, Tom Gunning, Andrew R. Johnston, Hervé Joubert-Laurencin, Gertrud Koch, Thomas LaMarre, Christopher P. Lehman, Esther Leslie, John MacKay, Mihaela Mihailova, Marc Steinberg, Tess Takahashi |
| format | Online |
| id | doab-20.500.12854ir-78355 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2022 |
| publishDateRange | 2022 |
| publishDateSort | 2022 |
| publisher | Duke University Press |
| publisherStr | Duke University Press |
| record_format | ojs |
| spelling | doab-20.500.12854ir-783552025-07-30T08:25:25Z Animating Film Theory Beckman, Karen Redrobe Performing Arts Animation Performing Arts Film History & Criticism thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFV Animated films and animation thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism Animating Film Theory provides an enriched understanding of the relationship between two of the most unwieldy and unstable organizing concepts in cinema and media studies: animation and film theory. For the most part, animation has been excluded from the purview of film theory. The contributors to this collection consider the reasons for this marginalization while also bringing attention to key historical contributions across a wide range of animation practices, geographic and linguistic terrains, and historical periods. They delve deep into questions of how animation might best be understood, as well as how it relates to concepts such as the still, the moving image, the frame, animism, and utopia. The contributors take on the kinds of theoretical questions that have remained underexplored because, as Karen Beckman argues, scholars of cinema and media studies have allowed themselves to be constrained by too narrow a sense of what cinema is. This collection reanimates and expands film studies by taking the concept of animation seriously. Contributors. Karen Beckman, Suzanne Buchan, Scott Bukatman, Alan Cholodenko, Yuriko Furuhata, Alexander R. Galloway, Oliver Gaycken, Bishnupriya Ghosh, Tom Gunning, Andrew R. Johnston, Hervé Joubert-Laurencin, Gertrud Koch, Thomas LaMarre, Christopher P. Lehman, Esther Leslie, John MacKay, Mihaela Mihailova, Marc Steinberg, Tess Takahashi 2022-02-18T04:01:05Z 2022-02-18T04:01:05Z 2022-02-17T05:31:38Z 2014 book OCN: 1308952950 https://library.oapen.org/handle/20.500.12657/52901 9781478091950 https://directory.doabooks.org/handle/20.500.12854/78355 eng open access image/jpeg image/jpeg image/jpeg image/jpeg image/jpeg n/a n/a n/a n/a n/a https://library.oapen.org/bitstream/20.500.12657/52901/1/external_content.pdf https://library.oapen.org/bitstream/20.500.12657/52901/1/external_content.pdf https://library.oapen.org/bitstream/20.500.12657/52901/1/external_content.pdf https://library.oapen.org/bitstream/20.500.12657/52901/1/external_content.pdf https://library.oapen.org/bitstream/20.500.12657/52901/1/external_content.pdf Duke University Press Duke University Press 8b9381d6-252e-4bed-8478-ee620c861aac Knowledge Unlatched 9781478091950 Knowledge Unlatched (KU) KU Select 2022: HSS Backlist Books Duke University Press open access |
| spellingShingle | Performing Arts Animation Performing Arts Film History & Criticism thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFV Animated films and animation thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism Animating Film Theory |
| title | Animating Film Theory |
| title_full | Animating Film Theory |
| title_fullStr | Animating Film Theory |
| title_full_unstemmed | Animating Film Theory |
| title_short | Animating Film Theory |
| title_sort | animating film theory |
| topic | Performing Arts Animation Performing Arts Film History & Criticism thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFV Animated films and animation thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism |
| topic_facet | Performing Arts Animation Performing Arts Film History & Criticism thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFV Animated films and animation thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism |
| url | OCN: 1308952950 |