Sampling in der Musikproduktion
20 years of dispute over one and a half seconds of copied music? The dispute in the »Metal on Metal« (German: »Metall auf Metall«) case between the music group Kraftwerk and the composer Moses Pelham even occupied the European Court of Justice in 2019. It shows that copyright has become a socially c...
সংরক্ষণ করুন:
| প্রধান লেখক: | |
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| বিন্যাস: | Online |
| ভাষা: | জার্মান |
| প্রকাশিত: |
Büchner-Verlag
2022
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| বিষয়গুলি: | |
| অনলাইন ব্যবহার করুন: | ONIX_20220218_9783963177217_22 |
| ট্যাগগুলো: |
কোনো ট্যাগ নেই, প্রথমজন হিসাবে ট্যাগ করুন!
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| _version_ | 1869515305520201728 |
|---|---|
| author | Fischer, Georg |
| author_browse | Fischer, Georg |
| author_facet | Fischer, Georg |
| author_sort | Fischer, Georg |
| collection | Directory of Open Access Books |
| description | 20 years of dispute over one and a half seconds of copied music? The dispute in the »Metal on Metal« (German: »Metall auf Metall«) case between the music group Kraftwerk and the composer Moses Pelham even occupied the European Court of Justice in 2019. It shows that copyright has become a socially contentious issue that has pushed its way out of the niche of the artistic sphere and into the everyday lives of almost everyone. This process has not gone unnoticed by academia, and yet academia is only just beginning to understand the implications and effects of this copyright expansion in more detail. Sociologist Georg Fischer provides the first empirical study of sampling in music that explicitly examines the impact of German copyright law on creative practice. He shows the abundance and diversity of creative circumvention strategies that have spread and taken root in the shadow of copyright law – and with which artists necessarily limit their own visibility as well as the aesthetic complexity and monetary exploitation of their works. |
| format | Online |
| id | doab-20.500.12854ir-78442 |
| institution | Directory of Open Access Books |
| language | ger |
| publishDate | 2022 |
| publishDateRange | 2022 |
| publishDateSort | 2022 |
| publisher | Büchner-Verlag |
| publisherStr | Büchner-Verlag |
| record_format | ojs |
| spelling | doab-20.500.12854ir-784422025-07-30T11:56:45Z Sampling in der Musikproduktion Fischer, Georg copyright sampling music industry Kraftwerk Moses Pelham intellectual property rights level of creativity thema EDItEUR::K Economics, Finance, Business and Management::KN Industry and industrial studies::KNT Media, entertainment, information and communication industries::KNTF Music industry thema EDItEUR::L Law::LN Laws of specific jurisdictions and specific areas of law::LNR Intellectual property law::LNRC Copyright law thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies thema EDItEUR::A The Arts::AV Music::AVX Music recording and reproduction thema EDItEUR::K Economics, Finance, Business and Management::KN Industry and industrial studies::KNT Media, entertainment, information and communication industries::KNTF Music industry thema EDItEUR::L Law::LN Laws of specific jurisdictions and specific areas of law::LNR Intellectual property law::LNRC Copyright law thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies thema EDItEUR::A The Arts::AV Music::AVX Music recording and reproduction 20 years of dispute over one and a half seconds of copied music? The dispute in the »Metal on Metal« (German: »Metall auf Metall«) case between the music group Kraftwerk and the composer Moses Pelham even occupied the European Court of Justice in 2019. It shows that copyright has become a socially contentious issue that has pushed its way out of the niche of the artistic sphere and into the everyday lives of almost everyone. This process has not gone unnoticed by academia, and yet academia is only just beginning to understand the implications and effects of this copyright expansion in more detail. Sociologist Georg Fischer provides the first empirical study of sampling in music that explicitly examines the impact of German copyright law on creative practice. He shows the abundance and diversity of creative circumvention strategies that have spread and taken root in the shadow of copyright law – and with which artists necessarily limit their own visibility as well as the aesthetic complexity and monetary exploitation of their works. 20 Jahre Streit um eineinhalb Sekunden kopierte Musik? Die Auseinandersetzung im Fall »Metall auf Metall« zwischen der Musikgruppe Kraftwerk und dem Komponisten Moses Pelham beschäftigte 2019 sogar den Europäischen Gerichtshof. Sie zeigt, dass das Urheberrecht zu einem gesellschaftlichen Streitthema geworden ist, das sich aus der Nische des künstlerischen Bereichs in den Alltag nahezu aller Menschen gedrängt hat. Dieser Prozess lief nicht unbemerkt von der Wissenschaft ab und dennoch ist diese gerade erst dabei, die Implikationen und Effekte dieser urheberrechtlichen Ausdehnung genauer zu verstehen. Der Soziologe Georg Fischer liefert die erste empirische Studie zum Sampling in der Musik, die explizit den Einfluss des deutschen Urheberrechts auf die kreative Praxis untersucht. Er zeigt die Fülle und Vielfalt an kreativen Umgehungsstrategien, die sich im Schatten des Urheberrechts ausgebreitet und verankert haben – und mit denen die Künstler_innen die eigene Sichtbarkeit sowie die ästhetische Komplexität und monetäre Verwertung ihrer Werke notgedrungen einschränken. 2022-02-19T04:03:50Z 2022-02-19T04:03:50Z 2022-02-18T15:02:49Z 2020 book ONIX_20220218_9783963177217_22 OCN: 1229180922 https://library.oapen.org/handle/20.500.12657/52962 9783963177217 9783963171901 https://directory.doabooks.org/handle/20.500.12854/78442 ger open access image/jpeg image/jpeg image/jpeg Attribution 4.0 International Attribution 4.0 International Attribution 4.0 International https://library.oapen.org/bitstream/20.500.12657/52962/1/9783963177217.pdf https://library.oapen.org/bitstream/20.500.12657/52962/1/9783963177217.pdf https://library.oapen.org/bitstream/20.500.12657/52962/1/9783963177217.pdf Büchner-Verlag 10.14631/978-3-96317-721-7 10.14631/978-3-96317-721-7 2057a33c-abe5-474a-b271-9acaf528f719 9783963177217 9783963171901 384 Marburg open access |
| spellingShingle | copyright sampling music industry Kraftwerk Moses Pelham intellectual property rights level of creativity thema EDItEUR::K Economics, Finance, Business and Management::KN Industry and industrial studies::KNT Media, entertainment, information and communication industries::KNTF Music industry thema EDItEUR::L Law::LN Laws of specific jurisdictions and specific areas of law::LNR Intellectual property law::LNRC Copyright law thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies thema EDItEUR::A The Arts::AV Music::AVX Music recording and reproduction thema EDItEUR::K Economics, Finance, Business and Management::KN Industry and industrial studies::KNT Media, entertainment, information and communication industries::KNTF Music industry thema EDItEUR::L Law::LN Laws of specific jurisdictions and specific areas of law::LNR Intellectual property law::LNRC Copyright law thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies thema EDItEUR::A The Arts::AV Music::AVX Music recording and reproduction Fischer, Georg Sampling in der Musikproduktion |
| title | Sampling in der Musikproduktion |
| title_full | Sampling in der Musikproduktion |
| title_fullStr | Sampling in der Musikproduktion |
| title_full_unstemmed | Sampling in der Musikproduktion |
| title_short | Sampling in der Musikproduktion |
| title_sort | sampling in der musikproduktion |
| topic | copyright sampling music industry Kraftwerk Moses Pelham intellectual property rights level of creativity thema EDItEUR::K Economics, Finance, Business and Management::KN Industry and industrial studies::KNT Media, entertainment, information and communication industries::KNTF Music industry thema EDItEUR::L Law::LN Laws of specific jurisdictions and specific areas of law::LNR Intellectual property law::LNRC Copyright law thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies thema EDItEUR::A The Arts::AV Music::AVX Music recording and reproduction thema EDItEUR::K Economics, Finance, Business and Management::KN Industry and industrial studies::KNT Media, entertainment, information and communication industries::KNTF Music industry thema EDItEUR::L Law::LN Laws of specific jurisdictions and specific areas of law::LNR Intellectual property law::LNRC Copyright law thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies thema EDItEUR::A The Arts::AV Music::AVX Music recording and reproduction |
| topic_facet | copyright sampling music industry Kraftwerk Moses Pelham intellectual property rights level of creativity thema EDItEUR::K Economics, Finance, Business and Management::KN Industry and industrial studies::KNT Media, entertainment, information and communication industries::KNTF Music industry thema EDItEUR::L Law::LN Laws of specific jurisdictions and specific areas of law::LNR Intellectual property law::LNRC Copyright law thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies thema EDItEUR::A The Arts::AV Music::AVX Music recording and reproduction thema EDItEUR::K Economics, Finance, Business and Management::KN Industry and industrial studies::KNT Media, entertainment, information and communication industries::KNTF Music industry thema EDItEUR::L Law::LN Laws of specific jurisdictions and specific areas of law::LNR Intellectual property law::LNRC Copyright law thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies thema EDItEUR::A The Arts::AV Music::AVX Music recording and reproduction |
| url | ONIX_20220218_9783963177217_22 |
| work_keys_str_mv | AT fischergeorg samplingindermusikproduktion |