Views on Early Music as Representation

Early music performance in its broadest capacity presents a compelling case of being something in the present that is representing, presenting, enacting, re-enacting, living and re-living, concretising and fantasizing a historical past. It is both what it is and something entirely other. Inspiring c...

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Gespeichert in:
Bibliographische Detailangaben
Format: Online
Sprache:Englisch
Veröffentlicht: Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing) 2022
Schlagworte:
Online-Zugang:OCN: 1313549917
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