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Fičko po Jugoslaviji

The monograph addresses the question of Yugoslav automobile heritage and memory. The vehicle of choice in this endeavour is the Crvena Zastava make Zastava 750, better known as Fičko. The author traces the post-Yugoslav stories of the car as an object that left a deep mark in automobile and memorial...

Täydet tiedot

Tallennettuna:
Päätekijä: Pogačar, Martin
Aineistotyyppi: Online
Kieli:sloveeni
Julkaistu: ZRC SAZU, Založba ZRC 2022
Aiheet:
automobile industry
cars
cultural history
Fičo
history of industry
material culture
sociology of culture
technical heritage
Yugoslavia
Zastava (cars)
Zastava 750 (car)
avtomobili
avtomobilska industrija
Jugoslavija
kulturna zgodovina
materialna kultura
sociologija kulture
tehniška dediščina
zastava (avtomobili)
zastava 750 (avtomobil)
zgodovina industrije
thema EDItEUR::1 Place qualifiers::1Q Other geographical groupings: Oceans and seas, historical, political etc::1QB Historical states, empires, territories and regions::1QBD Historical states, empires, territories and regions: Europe::1QBDY Yugoslavia
thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBF Social and ethical issues::JBFS Consumerism
thema EDItEUR::W Lifestyle, Hobbies and Leisure::WG Transport: general interest::WGC Road and motor vehicles: general interest::WGCB Motor cars: general interest
Linkit:ONIX_20220401_9789612549169_106
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Yhteenveto:The monograph addresses the question of Yugoslav automobile heritage and memory. The vehicle of choice in this endeavour is the Crvena Zastava make Zastava 750, better known as Fičko. The author traces the post-Yugoslav stories of the car as an object that left a deep mark in automobile and memorial landscapes of the latter 20th and early 21st centuries. As an object of memory and tinkering, Fičko is used as a metaphorical vehicle to address the issues related to nostalgia and memory, but also to engage with complex questions concerning automobile heritage and nationalisation of memory and industrial. Through the analysis of various practices of re-presencing the past he author thematises the relationship between affect and automobility in (digital) popular culture and not least the relationship to the Yugoslav socialist past in general.

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