Les couleurs des albâtres anglais. Polychromie, production et perception médiévales
Between c. 1350 and 1550, English sculptors carved thousands of panels depicting religious scenes from alabaster quarries around Nottingham. Exported throughout Europe, these polychrome reliefs were originally usually assembled to form altarpieces. Their coloured epidermis, an integral part of these...
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| 格式: | Online |
| 語言: | 法语 |
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Ausonius Éditions
2022
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| 在線閱讀: | ONIX_20220406_9782356134042_7 |
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| _version_ | 1869517709883998208 |
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| author | Schlicht, Markus Mounier, Aurélie Mulliez, Maud |
| author_browse | Mounier, Aurélie Mulliez, Maud Schlicht, Markus |
| author_facet | Schlicht, Markus Mounier, Aurélie Mulliez, Maud |
| author_sort | Schlicht, Markus |
| collection | Directory of Open Access Books |
| description | Between c. 1350 and 1550, English sculptors carved thousands of panels depicting religious scenes from alabaster quarries around Nottingham. Exported throughout Europe, these polychrome reliefs were originally usually assembled to form altarpieces. Their coloured epidermis, an integral part of these works that can be termed three-dimensional paintings, has now often disappeared. A multidisciplinary team (art historian, archaeologist, artist and specialist in ancient polychromy, 3D engineers and optodigital researcher) has analysed and reconstructed the polychromy of several of these English panels preserved in the Bordeaux region. The physico-chemical analyses made it possible to determine the nature of the materials used and to recreate the paints used by the alabastermen. These data were used to produce an alabaster facsimile as well as two 3D models with their digital polychromy. As the polychromy of English alabaster works is highly standardised, these examples can be considered as representative of the appearance that the vast majority of the panels must have showed. The study thus allows us to address broader themes, such as the aesthetic and symbolic qualities of the colours used by the alabastermen, or the way in which these were perceived by the medieval viewer. |
| format | Online |
| id | doab-20.500.12854ir-80617 |
| institution | Directory of Open Access Books |
| language | fre |
| publishDate | 2022 |
| publishDateRange | 2022 |
| publishDateSort | 2022 |
| publisher | Ausonius Éditions |
| publisherStr | Ausonius Éditions |
| record_format | ojs |
| spelling | doab-20.500.12854ir-806172024-03-23T21:37:17Z Les couleurs des albâtres anglais. Polychromie, production et perception médiévales Schlicht, Markus Mounier, Aurélie Mulliez, Maud Mora, Pascal Pacanowski, Romain Polychromy reconstruction sculpture Middle Ages alabaster England Christian devotion digital restoration physico-chemical analyses micro-photography experimental archaeology 3D digitization photogrammetry optical measurements facsimile physical copy painting techniques pigments gilding symbolism of colours medieval vision perception criteria aesthetic principles patrons Bordeaux Libourne Paris Rabastens Saint-Nicolas-du-Bosc Nottingham London thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art thema EDItEUR::N History and Archaeology::NH History Between c. 1350 and 1550, English sculptors carved thousands of panels depicting religious scenes from alabaster quarries around Nottingham. Exported throughout Europe, these polychrome reliefs were originally usually assembled to form altarpieces. Their coloured epidermis, an integral part of these works that can be termed three-dimensional paintings, has now often disappeared. A multidisciplinary team (art historian, archaeologist, artist and specialist in ancient polychromy, 3D engineers and optodigital researcher) has analysed and reconstructed the polychromy of several of these English panels preserved in the Bordeaux region. The physico-chemical analyses made it possible to determine the nature of the materials used and to recreate the paints used by the alabastermen. These data were used to produce an alabaster facsimile as well as two 3D models with their digital polychromy. As the polychromy of English alabaster works is highly standardised, these examples can be considered as representative of the appearance that the vast majority of the panels must have showed. The study thus allows us to address broader themes, such as the aesthetic and symbolic qualities of the colours used by the alabastermen, or the way in which these were perceived by the medieval viewer. 2022-04-06T10:09:30Z 2022-04-06T10:09:30Z 2021 book ONIX_20220406_9782356134042_7 741-1818 9782356134042 9782356134066 9782356134059 https://directory.doabooks.org/handle/20.500.12854/80617 fre PrimaLun@ image/png Attribution-ShareAlike 4.0 International https://una-editions.fr/couleurs-des-albatres-anglais/ https://ressources.una-editions.fr/s/nGqKzdw9FSgcW9m Ausonius Éditions Pôle Production Imprimé, Université Bordeaux Montaigne 10.46608/primaluna11.9782356134042 Between c. 1350 and 1550, English sculptors carved thousands of panels depicting religious scenes from alabaster quarries around Nottingham. Exported throughout Europe, these polychrome reliefs were originally usually assembled to form altarpieces. Their coloured epidermis, an integral part of these works that can be termed three-dimensional paintings, has now often disappeared. A multidisciplinary team (art historian, archaeologist, artist and specialist in ancient polychromy, 3D engineers and optodigital researcher) has analysed and reconstructed the polychromy of several of these English panels preserved in the Bordeaux region. The physico-chemical analyses made it possible to determine the nature of the materials used and to recreate the paints used by the alabastermen. These data were used to produce an alabaster facsimile as well as two 3D models with their digital polychromy. As the polychromy of English alabaster works is highly standardised, these examples can be considered as representative of the appearance that the vast majority of the panels must have showed. The study thus allows us to address broader themes, such as the aesthetic and symbolic qualities of the colours used by the alabastermen, or the way in which these were perceived by the medieval viewer. 10.46608/primaluna11.9782356134042 bfc06fa5-0f79-4168-bed3-99215f2f51e2 9782356134042 9782356134066 9782356134059 Pôle Production Imprimé, Université Bordeaux Montaigne 11 124 Pessac open access |
| spellingShingle | Polychromy reconstruction sculpture Middle Ages alabaster England Christian devotion digital restoration physico-chemical analyses micro-photography experimental archaeology 3D digitization photogrammetry optical measurements facsimile physical copy painting techniques pigments gilding symbolism of colours medieval vision perception criteria aesthetic principles patrons Bordeaux Libourne Paris Rabastens Saint-Nicolas-du-Bosc Nottingham London thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art thema EDItEUR::N History and Archaeology::NH History Schlicht, Markus Mounier, Aurélie Mulliez, Maud Les couleurs des albâtres anglais. Polychromie, production et perception médiévales |
| title | Les couleurs des albâtres anglais. Polychromie, production et perception médiévales |
| title_full | Les couleurs des albâtres anglais. Polychromie, production et perception médiévales |
| title_fullStr | Les couleurs des albâtres anglais. Polychromie, production et perception médiévales |
| title_full_unstemmed | Les couleurs des albâtres anglais. Polychromie, production et perception médiévales |
| title_short | Les couleurs des albâtres anglais. Polychromie, production et perception médiévales |
| title_sort | les couleurs des albatres anglais polychromie production et perception medievales |
| topic | Polychromy reconstruction sculpture Middle Ages alabaster England Christian devotion digital restoration physico-chemical analyses micro-photography experimental archaeology 3D digitization photogrammetry optical measurements facsimile physical copy painting techniques pigments gilding symbolism of colours medieval vision perception criteria aesthetic principles patrons Bordeaux Libourne Paris Rabastens Saint-Nicolas-du-Bosc Nottingham London thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art thema EDItEUR::N History and Archaeology::NH History |
| topic_facet | Polychromy reconstruction sculpture Middle Ages alabaster England Christian devotion digital restoration physico-chemical analyses micro-photography experimental archaeology 3D digitization photogrammetry optical measurements facsimile physical copy painting techniques pigments gilding symbolism of colours medieval vision perception criteria aesthetic principles patrons Bordeaux Libourne Paris Rabastens Saint-Nicolas-du-Bosc Nottingham London thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art thema EDItEUR::N History and Archaeology::NH History |
| url | ONIX_20220406_9782356134042_7 |
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