Chapter 12 NIGERIAN FILM AUDIENCES ON THE INTERNET
This handbook brings together an international team of scholars from different disciplines to reflect on African popular cultural imaginaries. These imaginaries – in the sense of cultural productions, contexts, consumers, producers, platforms, and the material, affective and discursive resources the...
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| Автор: | |
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| Формат: | Online |
| Мова: | Англійська |
| Опубліковано: |
Taylor & Francis
2022
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| Предмети: | |
| Онлайн доступ: | https://library.oapen.org/handle/20.500.12657/54622 |
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| _version_ | 1869519372267028480 |
|---|---|
| author | Agina, Añulika |
| author_browse | Agina, Añulika |
| author_facet | Agina, Añulika |
| author_sort | Agina, Añulika |
| collection | Directory of Open Access Books |
| description | This handbook brings together an international team of scholars from different disciplines to reflect on African popular cultural imaginaries. These imaginaries – in the sense of cultural productions, contexts, consumers, producers, platforms, and the material, affective and discursive resources they circulate – are influential in shaping African realities. Collectively, the chapters assembled in this handbook index the genres, methods, mediums, questions and encounters that preoccupy producers, consumers and scholars of African popular cultural forms across a range of geohistorical and temporal contexts. Drawing on forms such as newspaper columns, televised English Premier League football, speculative arts, romance fiction, comedy, cinema, music and digital genres, the contributors explore the possibilities and ambiguities unleashed by the production, circulation, consumption, remediation and critique of these forms. Among the questions explored across these essays are the freedoms and constraints of popular genres; the forms of self-making, pleasure and harm that these imaginaries enable; the negotiations of multiple moral regimes in everyday life; and, inevitably, the fecund terrain of contradictions definitive of many popular forms, which variously enable and undermine world-making. An authoritative scholarly resource on popular culture in Africa, this handbook is an essential read for students and scholars of African culture, society and media. |
| format | Online |
| id | doab-20.500.12854ir-81767 |
| institution | Directory of Open Access Books |
| language | eng |
| publishDate | 2022 |
| publishDateRange | 2022 |
| publishDateSort | 2022 |
| publisher | Taylor & Francis |
| publisherStr | Taylor & Francis |
| record_format | ojs |
| spelling | doab-20.500.12854ir-817672025-05-08T13:37:44Z Chapter 12 NIGERIAN FILM AUDIENCES ON THE INTERNET Agina, Añulika film Nigeria This handbook brings together an international team of scholars from different disciplines to reflect on African popular cultural imaginaries. These imaginaries – in the sense of cultural productions, contexts, consumers, producers, platforms, and the material, affective and discursive resources they circulate – are influential in shaping African realities. Collectively, the chapters assembled in this handbook index the genres, methods, mediums, questions and encounters that preoccupy producers, consumers and scholars of African popular cultural forms across a range of geohistorical and temporal contexts. Drawing on forms such as newspaper columns, televised English Premier League football, speculative arts, romance fiction, comedy, cinema, music and digital genres, the contributors explore the possibilities and ambiguities unleashed by the production, circulation, consumption, remediation and critique of these forms. Among the questions explored across these essays are the freedoms and constraints of popular genres; the forms of self-making, pleasure and harm that these imaginaries enable; the negotiations of multiple moral regimes in everyday life; and, inevitably, the fecund terrain of contradictions definitive of many popular forms, which variously enable and undermine world-making. An authoritative scholarly resource on popular culture in Africa, this handbook is an essential read for students and scholars of African culture, society and media. 2022-05-20T04:06:21Z 2022-05-20T04:06:21Z 2022-05-19T15:18:30Z 2022 chapter https://library.oapen.org/handle/20.500.12657/54622 https://directory.doabooks.org/handle/20.500.12854/81767 eng open access image/jpeg image/jpeg image/jpeg Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International Attribution-NonCommercial-NoDerivatives 4.0 International https://library.oapen.org/bitstream/20.500.12657/54622/1/9781000588323_Chapter12.pdf https://library.oapen.org/bitstream/20.500.12657/54622/1/9781000588323_Chapter12.pdf https://library.oapen.org/bitstream/20.500.12657/54622/1/9781000588323_Chapter12.pdf Taylor & Francis Routledge 10.4324/9781003080855-13 10.4324/9781003080855-13 fa69b019-f4ee-4979-8d42-c6b6c476b5f0 Routledge Handbook of African Popular Culture H2020 European Research Council 178e65b9-dd53-4922-b85c-0aaa74fce079 European Research Council (ERC) EU collection Routledge 23 819236 AFRISCREENWORLDS open access |
| spellingShingle | film Nigeria Agina, Añulika Chapter 12 NIGERIAN FILM AUDIENCES ON THE INTERNET |
| title | Chapter 12 NIGERIAN FILM AUDIENCES ON THE INTERNET |
| title_full | Chapter 12 NIGERIAN FILM AUDIENCES ON THE INTERNET |
| title_fullStr | Chapter 12 NIGERIAN FILM AUDIENCES ON THE INTERNET |
| title_full_unstemmed | Chapter 12 NIGERIAN FILM AUDIENCES ON THE INTERNET |
| title_short | Chapter 12 NIGERIAN FILM AUDIENCES ON THE INTERNET |
| title_sort | chapter 12 nigerian film audiences on the internet |
| topic | film Nigeria |
| topic_facet | film Nigeria |
| url | https://library.oapen.org/handle/20.500.12657/54622 |
| work_keys_str_mv | AT aginaanulika chapter12nigerianfilmaudiencesontheinternet |