Tod im Kino
In his doctoral dissertation, Christoph Seelinger provides an overview of strategies for legitimizing and functionalizing documentary death scenes in narrative cinema. Seelinger's chronological arc begins with the earliest animal deaths on camera, such as the filmed execution of the female elephant...
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| Үндсэн зохиолч: | |
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| Формат: | Online |
| Хэл сонгох: | герман |
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Büchner-Verlag
2022
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| Нөхцлүүд: | |
| Онлайн хандалт: | OCN: 1355233970 |
| Шошгууд: |
Шошго байхгүй, Энэхүү баримтыг шошголох эхний хүн болох!
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| _version_ | 1869523928400003072 |
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| author | Seelinger, Christoph |
| author_browse | Seelinger, Christoph |
| author_facet | Seelinger, Christoph |
| author_sort | Seelinger, Christoph |
| collection | Directory of Open Access Books |
| description | In his doctoral dissertation, Christoph Seelinger provides an overview of strategies for legitimizing and functionalizing documentary death scenes in narrative cinema. Seelinger's chronological arc begins with the earliest animal deaths on camera, such as the filmed execution of the female elephant Topsy in »Electrocuting an Elephant – Thomas A. Edison« (1903), and it continues to the glossy snuff videos of the Islamic State's media department in the 2010s. Between these two poles, the author – with the same academic scrutiny – looks at established arthouse films, but all also at countless representations of station cinema that have been dismissed as trash and exploitation and have so far eluded academic research. The result is a foray through the more ostracized regions of cinema history and, in the process, nothing less than the first detailed history of the intrusion of real depictions of death into the fiction of the feature film. |
| format | Online |
| id | doab-20.500.12854ir-81892 |
| institution | Directory of Open Access Books |
| language | ger |
| publishDate | 2022 |
| publishDateRange | 2022 |
| publishDateSort | 2022 |
| publisher | Büchner-Verlag |
| publisherStr | Büchner-Verlag |
| record_format | ojs |
| spelling | doab-20.500.12854ir-818922025-03-23T22:26:46Z Tod im Kino Seelinger, Christoph Death and cinema; Mondo; experimental cinema; death and photography; grindhouse; Walter Benjamin; genre cinema; crossing borders; transgression; Siegfried Kracauer; Georges Bataille; dying in film; snuff; fairground cinema; exploitation cinema; staging death; film history; death scenes; death in film In his doctoral dissertation, Christoph Seelinger provides an overview of strategies for legitimizing and functionalizing documentary death scenes in narrative cinema. Seelinger's chronological arc begins with the earliest animal deaths on camera, such as the filmed execution of the female elephant Topsy in »Electrocuting an Elephant – Thomas A. Edison« (1903), and it continues to the glossy snuff videos of the Islamic State's media department in the 2010s. Between these two poles, the author – with the same academic scrutiny – looks at established arthouse films, but all also at countless representations of station cinema that have been dismissed as trash and exploitation and have so far eluded academic research. The result is a foray through the more ostracized regions of cinema history and, in the process, nothing less than the first detailed history of the intrusion of real depictions of death into the fiction of the feature film. Christoph Seelinger liefert in seiner Promotionsschrift einen Überblick über Legitimations- und Funktionalisierungsstrategien dokumentarischer Toten- und Todesszenen im Erzählkino. Seelingers chronologischer Bogen beginnt bei den frühesten animalischen Toden vor laufender Kamera wie beispielsweise der filmisch festgehaltenen Hinrichtung des Elefantenweibchens Topsy in »Electrocuting an Elephant – Thomas A. Edison« (1903) und er führt bis zu den Hochglanz-Snuff-Videos der Medienabteilung des Islamischen Staates in den 2010er Jahren. Zwischen diesen beiden Polen betrachtet der Autor mit derselben medienwissenschaftlichen Hinwendung arrivierte Arthouse-Filme, vor allem aber auch zahllose als Trash und Exploitation abqualifizierte Vertreter des Bahnhofskinos, die einem akademischen Zugriff bislang entzogen waren. Das Ergebnis ist ein Streifzug durch die verfemteren Regionen der Kinogeschichte und dabei nichts weniger als die erste auführliche Geschichte des Einbruchs realer Todesdarstellungen in die Fiktion des Spielfilms. 2022-05-26T04:03:44Z 2022-05-26T04:03:44Z 2022-05-25T10:03:16Z 2022 book OCN: 1355233970 https://library.oapen.org/handle/20.500.12657/54688 9783963172991 https://directory.doabooks.org/handle/20.500.12854/81892 ger open access image/jpeg image/jpeg image/jpeg Attribution-NonCommercial 4.0 International Attribution-NonCommercial 4.0 International Attribution-NonCommercial 4.0 International https://library.oapen.org/bitstream/20.500.12657/54688/1/9783963178450.pdf https://library.oapen.org/bitstream/20.500.12657/54688/1/9783963178450.pdf https://library.oapen.org/bitstream/20.500.12657/54688/1/9783963178450.pdf Büchner-Verlag 10.14631/978-3-96317-845-0 10.14631/978-3-96317-845-0 2057a33c-abe5-474a-b271-9acaf528f719 Technische Universität Braunschweig 2dd0f724-3034-4771-beb2-ea30d5060972 9783963172991 634 open access |
| spellingShingle | Death and cinema; Mondo; experimental cinema; death and photography; grindhouse; Walter Benjamin; genre cinema; crossing borders; transgression; Siegfried Kracauer; Georges Bataille; dying in film; snuff; fairground cinema; exploitation cinema; staging death; film history; death scenes; death in film Seelinger, Christoph Tod im Kino |
| title | Tod im Kino |
| title_full | Tod im Kino |
| title_fullStr | Tod im Kino |
| title_full_unstemmed | Tod im Kino |
| title_short | Tod im Kino |
| title_sort | tod im kino |
| topic | Death and cinema; Mondo; experimental cinema; death and photography; grindhouse; Walter Benjamin; genre cinema; crossing borders; transgression; Siegfried Kracauer; Georges Bataille; dying in film; snuff; fairground cinema; exploitation cinema; staging death; film history; death scenes; death in film |
| topic_facet | Death and cinema; Mondo; experimental cinema; death and photography; grindhouse; Walter Benjamin; genre cinema; crossing borders; transgression; Siegfried Kracauer; Georges Bataille; dying in film; snuff; fairground cinema; exploitation cinema; staging death; film history; death scenes; death in film |
| url | OCN: 1355233970 |
| work_keys_str_mv | AT seelingerchristoph todimkino |