Il giardino riflesso

In Luigi Meneghello's work, the representation of the plant world refers to a subtext of images and symbols: a network of botanical isotopies which transforms into a system while allowing for an alternative and unprecedented reading. From the pages of Libera nos a malo (1963), up to the 'posthumous...

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Váldodahkki: Salvadori, Diego
Materiálatiipa: Online
Giella:itáliagiella
Almmustuhtton: Firenze University Press 2022
Liŋkkat:ONIX_20220531_9788866557463_551
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author Salvadori, Diego
author_browse Salvadori, Diego
author_facet Salvadori, Diego
author_sort Salvadori, Diego
collection Directory of Open Access Books
description In Luigi Meneghello's work, the representation of the plant world refers to a subtext of images and symbols: a network of botanical isotopies which transforms into a system while allowing for an alternative and unprecedented reading. From the pages of Libera nos a malo (1963), up to the 'posthumous letters' of L’appendistato (2012), what the author calls «inframondo verdastro» becomes the starting point for the restoration of a literary biosphere, one which is constantly crossed by a double movement: intertextual memory and continuous interaction between Italian, English and the dialect from Vicenza (Italy). Meneghello’s 'reflected garden' thus reveals itself in all its semantic value, and sheds light on a theme of surprisingly great complexity, and also a subject of particular interest for literary ecocriticism.
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spelling doab-20.500.12854ir-819862025-03-15T05:28:27Z Il giardino riflesso Salvadori, Diego In Luigi Meneghello's work, the representation of the plant world refers to a subtext of images and symbols: a network of botanical isotopies which transforms into a system while allowing for an alternative and unprecedented reading. From the pages of Libera nos a malo (1963), up to the 'posthumous letters' of L’appendistato (2012), what the author calls «inframondo verdastro» becomes the starting point for the restoration of a literary biosphere, one which is constantly crossed by a double movement: intertextual memory and continuous interaction between Italian, English and the dialect from Vicenza (Italy). Meneghello’s 'reflected garden' thus reveals itself in all its semantic value, and sheds light on a theme of surprisingly great complexity, and also a subject of particular interest for literary ecocriticism. 2022-06-02T04:01:35Z 2022-06-02T04:01:35Z 2022-05-31T10:25:09Z 2015 book ONIX_20220531_9788866557463_551 OCN: 971071954 2420-8361 https://library.oapen.org/handle/20.500.12657/55267 9788866557463 9788892733664 https://directory.doabooks.org/handle/20.500.12854/81986 ita Biblioteca di Studi di Filologia Moderna open access image/jpeg image/jpeg image/jpeg n/a n/a n/a https://library.oapen.org/bitstream/20.500.12657/55267/1/9788866557463.pdf https://library.oapen.org/bitstream/20.500.12657/55267/1/9788866557463.pdf https://library.oapen.org/bitstream/20.500.12657/55267/1/9788866557463.pdf Firenze University Press 10.36253/978-88-6655-746-3 10.36253/978-88-6655-746-3 2ec4474d-93b1-4cfa-b313-9c6019b51b1a 9788866557463 9788892733664 220 Florence open access
spellingShingle Salvadori, Diego
Il giardino riflesso
title Il giardino riflesso
title_full Il giardino riflesso
title_fullStr Il giardino riflesso
title_full_unstemmed Il giardino riflesso
title_short Il giardino riflesso
title_sort il giardino riflesso
url ONIX_20220531_9788866557463_551
work_keys_str_mv AT salvadoridiego ilgiardinoriflesso