Diminuzioni e accrescimenti

The perspective in graphic arts was born with a different form than the one used to present it in today’s courses, and it developed along with the transformations of scientific thought. This study disassembles from the inside the perspective images of a series of works, and then assembles them again...

Ful tanımlama

Kaydedildi:
Detaylı Bibliyografya
Materyal Türü: Online
Dil:İtalyanca
Baskı/Yayın Bilgisi: Firenze University Press 2022
Online Erişim:ONIX_20220531_9788864537313_764
Etiketler: Etiketle
Etiket eklenmemiş, İlk siz ekleyin!
_version_ 1869516863919095808
collection Directory of Open Access Books
description The perspective in graphic arts was born with a different form than the one used to present it in today’s courses, and it developed along with the transformations of scientific thought. This study disassembles from the inside the perspective images of a series of works, and then assembles them again, using clear graphic elaborations to show every step of the process. The sequence of the essays illustrates the evolution of role of the abacus and of measures in the works of the first artist-scientists, according to the scientific thought of the time. From Humanism to Baroque, perspective ceases to be a research on the truth of the eye. On the contrary, it becomes the search of the the eye’s deception, exploiting mechanical devices and complex theorems of geometric optics. The original quest is therefore replaced by technical virtuosity. The final repertoire offers a selection of examples showing the wideness of the theme over the centuries.
format Online
id doab-20.500.12854ir-82521
institution Directory of Open Access Books
language ita
publishDate 2022
publishDateRange 2022
publishDateSort 2022
publisher Firenze University Press
publisherStr Firenze University Press
record_format ojs
spelling doab-20.500.12854ir-825212025-03-15T12:47:10Z Diminuzioni e accrescimenti Bartoli, Maria Teresa Lusoli, Monica The perspective in graphic arts was born with a different form than the one used to present it in today’s courses, and it developed along with the transformations of scientific thought. This study disassembles from the inside the perspective images of a series of works, and then assembles them again, using clear graphic elaborations to show every step of the process. The sequence of the essays illustrates the evolution of role of the abacus and of measures in the works of the first artist-scientists, according to the scientific thought of the time. From Humanism to Baroque, perspective ceases to be a research on the truth of the eye. On the contrary, it becomes the search of the the eye’s deception, exploiting mechanical devices and complex theorems of geometric optics. The original quest is therefore replaced by technical virtuosity. The final repertoire offers a selection of examples showing the wideness of the theme over the centuries. 2022-06-02T04:12:21Z 2022-06-02T04:12:21Z 2022-05-31T10:31:07Z 2018 book ONIX_20220531_9788864537313_764 OCN: 1229442499 2704-5919 https://library.oapen.org/handle/20.500.12657/55480 9788864537313 9788864537306 9788892731059 https://directory.doabooks.org/handle/20.500.12854/82521 ita Studi e saggi open access image/jpeg image/jpeg image/jpeg Attribution 4.0 International Attribution 4.0 International Attribution 4.0 International https://library.oapen.org/bitstream/20.500.12657/55480/1/9788864537313.pdf https://library.oapen.org/bitstream/20.500.12657/55480/1/9788864537313.pdf https://library.oapen.org/bitstream/20.500.12657/55480/1/9788864537313.pdf Firenze University Press 10.36253/978-88-6453-731-3 10.36253/978-88-6453-731-3 2ec4474d-93b1-4cfa-b313-9c6019b51b1a 9788864537313 9788864537306 9788892731059 320 Florence open access
spellingShingle Diminuzioni e accrescimenti
title Diminuzioni e accrescimenti
title_full Diminuzioni e accrescimenti
title_fullStr Diminuzioni e accrescimenti
title_full_unstemmed Diminuzioni e accrescimenti
title_short Diminuzioni e accrescimenti
title_sort diminuzioni e accrescimenti
url ONIX_20220531_9788864537313_764