Lo spettacolo senza riforma

The San Samuele theatre company from Venice constitutes a perfect example of the extraordinary vitality of the early-eighteenth-century troupes, before the success of Carlo Goldoni’s dramaturgy. Reconstructing the chronology of the training activity led by the theatre company manager Giuseppe Imer m...

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Tác giả chính: Galletti, Lorenzo
Định dạng: Online
Ngôn ngữ:Tiếng Italy
Được phát hành: Firenze University Press 2022
Truy cập trực tuyến:ONIX_20220531_9788864533612_613
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author Galletti, Lorenzo
author_browse Galletti, Lorenzo
author_facet Galletti, Lorenzo
author_sort Galletti, Lorenzo
collection Directory of Open Access Books
description The San Samuele theatre company from Venice constitutes a perfect example of the extraordinary vitality of the early-eighteenth-century troupes, before the success of Carlo Goldoni’s dramaturgy. Reconstructing the chronology of the training activity led by the theatre company manager Giuseppe Imer makes it possible to observe the extraordinary versatility of the actors from the Commedia dell’Arte, and the breadth of a repertoire which, between 1726 and 1749, spaced from dramas to musical interludes, passing through the “canovacci” of the commedia all’improvviso and tragedies. Thanks to unpublished documents and to a critical analysis of the repertoires, the author appoints the actors as the main protagonists of the spectacular Venetian scene, and offers important updates on the migrations of troupes in the second quarter of the 18th century.
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spelling doab-20.500.12854ir-828232025-03-15T19:21:01Z Lo spettacolo senza riforma Galletti, Lorenzo The San Samuele theatre company from Venice constitutes a perfect example of the extraordinary vitality of the early-eighteenth-century troupes, before the success of Carlo Goldoni’s dramaturgy. Reconstructing the chronology of the training activity led by the theatre company manager Giuseppe Imer makes it possible to observe the extraordinary versatility of the actors from the Commedia dell’Arte, and the breadth of a repertoire which, between 1726 and 1749, spaced from dramas to musical interludes, passing through the “canovacci” of the commedia all’improvviso and tragedies. Thanks to unpublished documents and to a critical analysis of the repertoires, the author appoints the actors as the main protagonists of the spectacular Venetian scene, and offers important updates on the migrations of troupes in the second quarter of the 18th century. 2022-06-02T04:18:15Z 2022-06-02T04:18:15Z 2022-05-31T10:26:51Z 2016 book ONIX_20220531_9788864533612_613 OCN: 1229880634 2705-0297 https://library.oapen.org/handle/20.500.12657/55329 9788864533612 9788864533605 9788892732643 https://directory.doabooks.org/handle/20.500.12854/82823 ita Premio Ricerca «Città di Firenze» open access image/jpeg image/jpeg image/jpeg Attribution 4.0 International Attribution 4.0 International Attribution 4.0 International https://library.oapen.org/bitstream/20.500.12657/55329/1/9788864533612.pdf https://library.oapen.org/bitstream/20.500.12657/55329/1/9788864533612.pdf https://library.oapen.org/bitstream/20.500.12657/55329/1/9788864533612.pdf Firenze University Press 10.36253/978-88-6453-361-2 10.36253/978-88-6453-361-2 2ec4474d-93b1-4cfa-b313-9c6019b51b1a 9788864533612 9788864533605 9788892732643 296 Florence open access
spellingShingle Galletti, Lorenzo
Lo spettacolo senza riforma
title Lo spettacolo senza riforma
title_full Lo spettacolo senza riforma
title_fullStr Lo spettacolo senza riforma
title_full_unstemmed Lo spettacolo senza riforma
title_short Lo spettacolo senza riforma
title_sort lo spettacolo senza riforma
url ONIX_20220531_9788864533612_613
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